Beach Bunny have released a new single, “Oxygen,” ahead of their upcoming North American tour. The blissful standalone track finds frontwoman Lili Trifilio gushing over a newfound love that has her seeing the world through rose-colored glasses. “They don’t wanna see you the way I do/ But looks better through my worldview,” she croons on the ebullient chorus over raucously churning guitars. “Suddenly everything is easy/ I’ve never felt something so deeply/ Cause with you, with you, I breathe again/ Baby you’re my oxygen.” “‘Oxygen’ is a song about the perils of navigating romantic feelings, the joy that comes with allowing love to happen, and the act of letting go of the anxiety and our inner voices that make us feel undeserving of love,” said Tifilio in a statement. “I wanted it to have a ...
For our Track by Track feature, artists open up about the stories behind each song on their latest album. Today, SEVENTEEN take us track by track through their ninth mini-album, Attacca. Welcome to Attacca: aptly named after an antiquated word describing moving forward without pause, the EP is SEVENTEEN‘s ninth mini-album, the fourth during the pandemic era alone. The group has been going nonstop. As is par for the course for SEVENTEEN, the album features writing, composing, and arranging credits for all the group members, along with trusted collaborator Bumzu. It’s not all too common for K-pop artists to have such a heavy hand in the process, but the members of SEVENTEEN (along with many other artists under the HYBE umbrella) are enthusiastic exceptions. Advertisement Related Video This a...
Elvis Costello & The Imposters have announced a new album titled The Boy Named If, out January 14th via EMI/Capitol Records. As the first preview, they’ve shared the first single, “Magnificent Hurt.” Co-produced by Costello with Sebastian Krys, the LP’s recording sessions started off with a rhythm section of the frontman’s guitar and Pete Thomas’ Gretsch drums, recorded down in Bonaparte Rooms West. Longtime collaborator Davey Faragher contributed bass and vocals from France, with Steve Nieve playing the organ. “I started The Boy Named If with just an electric guitar, some sharps and flats, high heels and lowdowns, with five songs in bright major keys and carried on to write a whole new record for The Imposters to play,” Costello said in a statement. He added that the 13 tracks “take u...
SASAMI has announced her new album, Squeeze, due out February 25th via Domino. As a preview, she has also shared a pair of lead singles: “The Greatest” and “Skin a Rat.” Spanning 11 tracks, Squeeze is partially inspired by the Japanese yōkai folk spirit called Nure-onna (translation: wet woman), a vampiric deity that has the head of a woman and the body of a snake. The album’s eclectic sound varies between nu metal, country pop, folk rock, and classical music while drawing inspiration from artists ranging from System of a Down to Sheryl Crow and Fleetwood Mac to Bach and Mahler. Intended to help listeners process their “anger, frustration, desperation, and more violent, aggressive emotions,” Squeeze was constructed as an opera or orchestral work containing different “movements” that m...
After nearly a decade away, Midlake are gearing up to release their fifth studio album, which is the band’s first since 2013. It’s called For the Sake of Bethel Woods and arrives March 18th, 2022 via ATO Records in the States and Bella Union in the UK. As a preview, the Texas folk rockers have shared “Meanwhile…,” the record’s first single. For the Sake of Bethel Woods marks Midlake’s first time working with an outside producer, having teamed up with studio vet John Congleton, whose recent credits include St. Vincent, Sharon Van Etten, and Explosions in the Sky. The album is billed as a “warming expression of resolve and renewal,” signaling Midlake’s turning of a new leaf while staying true to their origins. “At age 16 my father and his friend hitchhiked from Ridgewood, NJ to the...
As if being a founding member of Radiohead weren’t enough, Jonny Greenwood is one of the most sought-after film score composers in the biz. Today, he’s shared two cuts from his soundtrack to Jane Campion’s forthcoming Western drama, The Power of the Dog, which will accompany the film’s limited release in theaters on November 17th. They’re called “West” and “25 Years.” Those who remember Greenwood’s soundtrack work from 2018’s Phantom Thread score will recognize the Radiohead guitarist’s penchant for pared-down, string-heavy compositions here. The soundtrack for The Power of the Dog, however, expectedly features some more country-themed elements, such as a fiddle and banjo. The film stars Benedict Cumberbatch as an aggressive rancher named Phil Burbank, who must come to terms with...
Aminé is back with “Charmander,” his first new music of 2021. To accompany the single, the rapper released a music video that he co-directed with frequent collaborator Jack Begert. Produced by Lido (Halsey, Chance the Rapper) and Aksel Arvid, “Charmander” sees the Portland MC explaining his chosen life of solitude. “Look, my energy is priceless, told my jeweller, ‘Ice this’/I’m way too decisive, don’t catch that ego-itis,” he raps over a chirpy beat featuring a sped-up vocal sample. “People be so phony, that’s why I be on my lonely.” In the video for “Charmander,” Aminé leads a simple life with his partner in a cabin located in the Oregon wilderness. The couple is also joined by a gigantic dog who pisses off their next-door neighbor. Watch the full clip below. Advertisement Related Vi...
Depeche Mode singer Dave Gahan has teamed up with longtime musical partner Soulsavers (aka Rich Machin) to take on the 1967 soul classic “The Dark End of the Street.” The duo’s version of the track appears on their upcoming covers album Imposter. For their take, Gahan stays faithful to the original and is joined by a group of background singers on the last verse, which features lyrics like “When the daylight hour rolls around/ And by chance we’re both downtown/ If we should meet, just walk on by/ Oh darling, please don’t cry.” Written by Chips Moman and Dan Penn in 1966, “The Dark End Of The Street” was initially recorded by James Carr. The track became Carr’s signature single, peaking at No. 10 on the Billboard Black Singles Chart and No. 77 on the Hot 100. Since then, it’s been covered b...
Helado Negro has released his seventh album Far In. Containing the singles “Gemini and Leo,” “Outside the Outside,” and “La Naranja,” the LP marks the musician’s first full-length studio set since signing to 4AD and follows his 2019 breakout album This is How You Smile. “When you’re trying to escape something, it’s always far in,” the singer-songwriter otherwise known as Roberto Carlos Lange explained of the album’s title in a profile for Pitchfork. “Whatever problems I have, all that shit gets packed away in invisible luggage. I’ve been thinking about how to express those themes in multiple ways — not in a melancholy or sad way, but dancing it out a little bit.” To round out the sound of Far In, Lange collaborated with the likes of Kacy Hill (opener “Wake Up Tomorrow”), Buscabulla (“...
U.S. Girls have unveiled their new single, “Good Kinda High,” and it features the unlikeliest of collaborators: classical pianist Glenn Gould. “This is that good kinda high/ That kind you cannot buy/ There are some things that you cannot buy/ This is that good kind of high/ That kind you cannot buy/ Only some things that you cannot buy,” intones Meg Remy — the brainchild of U.S. Girls — repeatedly over a piano line by the late classical artist, who passed away nearly 40 years ago in 1982. The track is included on the compilation album Uninvited Guests, on which producer Billy Wild melds samples of the late Gould’s work with the music of modern artists like U.S. Girls. (The album is out today via Primary Wave Music and Sony Masterworks.) Advertisement Related Video “This started seven years...
Earlier this month, Mick Jenkins announced that his new album, Elephant in the Room, would be released soon. Just ahead of its release on October 29th, the Chicago rapper has shared another preview of the project with the single “Scottie Pippen.” “Scottie Pippen,” named after the former Chicago Bulls star, is a dreamy, smooth jazz-influenced track that puts Jenkins’ relaxed flow at the forefront. As Jenkins puts it, however, his points per game isn’t quite as high as the song’s namesake: “No matter how I shoot, I’ll never win it all/ On my own, yeah, without you,” he raps. More heartbroken than victorious, “Scottie Pippen” is a meditation on lost love and the difficult task of moving on. Stream the song below. “Scottie Pippen” follows Mick Jenkins’ previous singles “Truffles” and...
Parquet Courts return today with their new album, Sympathy for Life. The post punk torchbearers’ follow-up to 2018’s Wide Awake! is out via Rough Trade, and marks the band’s seventh LP to date. Spanning 11 tracks, Sympathy for Life originated from a series of live jam sessions, inspired by the likes of Primal Scream, Pink Floyd, and bygone live music clubs in their New York City home base. The record was produced alongside Rodaidh McDonald and John Parish, whose credits between them include David Byrne and PJ Harvey, just to name a few. “Historically, some amazing rock records have been made from mingling in dance music culture — from Talking Heads to Screamadelica,” co-frontman Austin Brown explained in a statement. “Our goal was to bring that into our own music. ...