Sample clearance issues be damned, Joey Bada$$’s new album 2000 has arrived. Listen to the project below. The follow-up to 2017’s ALL-AMERIKKKAN BADA$$, Joey first announced 2000 would be out on June 17th, just a few days after the 10th anniversary of his debut mixtape 1999. Unfortunately, getting the LP’s samples cleared proved to be a difficult process, forcing the rapper to push the record’s release back to July 22nd. Now, however, the 14-track project is officially available to stream. It features the previously released single “Where I Belong,” as well as the March track “Head High.” The tracklist also boasts collaborations with Diddy, West Side Gunn, and JID. Advertisement Related Video Joey Bada$$ recently appeared on Danger Mouse and Black Thought’s collabo...
Muse have a new album called Will of the People coming out next month, and ahead of its release, they’ve shared the single “Kill Or Be Killed.” Check it out below. “’Kill Or Be Killed’ is Muse at their heaviest,” frontman Matt Bellamy said in a statement. “We wanted to update our hard rock sound on this album and with ‘Kill Or Be Killed’ we found a modern metal sound featuring double bass drum action and even a death growl. Lyrically the song takes influence from my favourite Paul McCartney song ‘Live And Let Die’, a dark take on how life’s adversity can sometimes bring out the worst human instincts to survival at any costs.” The track comes with a music video directed by Ben Lowe. From the sound of its song titles — previously released singles “Won’t Stand Down,” “Complian...
The Afghan Whigs have released their new single “A Line of Shots,” the latest offering from the alt-rock band’s upcoming album How Do You Burn? The song stands as a reminder to embrace the competing fear and freedom that comes with facing a critical moment. Its adrenaline-boosting build and invigorating production echo the simmering anticipation of lyrics like, “Don’t wait too long/ The feeling’s gonna come in a wave.” Eventually, “A Line of Shots” explodes into a storm of sirens, shoegaze distortion, overlayed vocals, and the rapturous refrain of “Everybody get out of line.” Stream “A Line of Shots” below. The Afghan Whigs are hitting the road imminently following an early summer run and supporting slot for Jack White in June. The band’s solo European leg kicks off on Saturday, July 23rd,...
Jessie Ware has called for a dance floor revolution of the mind on her new song, “Free Yourself.” The disco- and house-inspired track was co-written by Coffee Clarence Jr. with production from Clarence and Stuart Price. It opens with marching keyboards that add an air of drama before the beat drops. “Free yourself,” Ware sings, “Keep on moving up that mountain top/ Why don’t you please your self/ If it feels so good then don’t you, baby don’t you stop!” “’Free Yourself’ is the beginning of a new era for me,” Ware said in a statement. “I’m so excited for people to have this song for the end of their summer; to dance, to feel no inhibitions & to feel joyful because that’s how I’ve been feeling recently being able to tour again and being able to sing again. Enjoy yourself, ...
Tool bassist Justin Chancellor and Sweet Noise / Serce vocalist Peter Mohamed have resurrected their side project MTVoid after a nine-year absence. The duo have unleashed the new song “Scanner Void,” with details on a new album expected to be announced soon. Chancellor and Mohamed actually quietly revived the project earlier this year via an NFT collaboration with Armenian sculptor Vahan Bego that featured new music from the forthcoming MTVoid album, Matter’s Knot. The new song, “Scanner Void,” features drums and synths from Death Grips producer Andy Morin. Chancellor’s melodic bass line drives the tune, which offers up elements of prog and noise, leading to dissonant screeches and Mohamed unleashing a guttural scream on the lyric “They are scanning your soul.” Advertisement Related Video ...
A demo of Lou Reed’s Velvet Underground epic “Heroin” has been unleashed from the upcoming archival album Words & Music, May 1965. Remastered from an unearthed tape that established the singer-songwriter’s copyright for the composition, it is thought to be the song’s earliest recording. The fuzzy, finger-picked take follows an acoustic folk style similar to the new collection’s initial offering, “I’m Waiting for the Man.” Unlike its predecessor though, which came “nearly complete, with minor changes made in the final arrangement,” “Heroin” seems to have undergone several substantial changes before its visceral debut on 1967’s The Velvet Underground & Nico. Reed is also joined by fellow Velvet Underground member John Cale for the song’s first recorded runthrough. Stream it below. Wo...