PJ Harvey shared an unreleased demo of “This Mess We’re In” from the upcoming vinyl reissue of her Stories From The City, Stories From the Sea album, which originally released in 2000. The LP, along with a collection of unreleased demos, Stories From The City, Stories From the Sea – Demos, arrives on CD, vinyl and digital, Feb. 26 via UMe/Island. The demos for every track written Stories from the City… will comprise the new release as will the restoration of the videos for singles “A Place Called Home,” “Good Fortune” and “This Is Love.” The original album version of “This Mess We’re In” features Radiohead’s Thom Yorke on backing vocals; the demo version is Harvey without his accompaniment. When Stories From The City, Stories From the Sea originally ...
The Griselda Records universe continues to grow, and with this expansion comes the collective’s first-ever feature film, Conflicted. Directed by AK Reed with a script from Deuce King, the upcoming “urban tale” depicts longtime label artist Benny the Butcher as a Buffalo gangster trying to get his life back on track after spending time behind bars. As to be expected, the movie comes with a soundtrack by a bunch of gold-tiered Griselda talent, including Westside Gunn, who appears on a new cut titled “The Hurt Business”. Today’s offering features additional contributions from Smoke DZA and Wale, but the spotlight shines firmly on Westside and the gritty story he weaves. Painting a graphic scene of the vicious streets of Buffalo, he raps over an old-school production, “Blow his brains out...
The saga of self-violence continues. After promoting “Blinding Lights” with a theatrically bloody face and literally losing his head in the video for “Too Late”, The Weeknd has unveiled new visuals for “Save Your Tears” that showcases the after-effects of some horrifying plastic surgery. The singer performs the After Hours track with lips as big as a fist and a jawline grotesquely stretched until his chin is even wider than his forehead. He also wears a turtleneck, perhaps to hide the decapitation scars earned in “Too Late”. His appearance is wild, but the rest of the video is just as deranged. He performs at a glamorous, masked ceremony that might be a parody of the Grammys, since they recently shut him out of all categories. Most of the patrons wear masks, but one young lady makes a...
Since her tumultuous departure from Crystal Castles back in 2014, Alice Glass has steadily worked to carve out a solo career for herself. She put out her first-ever EP two years later, followed by a handful of singles, a collaboration with Adult Swim, and even a spot on The Turning soundtrack alongside folks like Courtney Love and Mitski. Today, Glass begins a new chapter in her post-Crystal Castles era with the announcement of her debut solo album. According to a statement, the as-yet-untitled full-length is expected to arrive later this year. In lieu of other specifics, Glass has let loose lead single “SUFFER AND SWALLOW”. The track is said to examine “the dichotomy of pain and beauty,” and it does so by alternating between harsh, blistering beats and fluid, almost angelic, vocals. Think...
slowthai is kicking off the new year with a fresh track called “MAZZA” that features none other than ASAP Rocky. The collaborative single is the latest offering from the UK rapper’s upcoming sophomore album TYRON. TYRON is divided up into two contrasting sections, one that’s aggressive and swaggering and another characterized by more introspective reflections. Today’s cut is off the former half and aptly comes out swinging. Indomitable, rumbling bass, co-produced by slowthai and SAMO, sets the stage for the two MCs to throw it down fiercely and fearlessly. “Ayy, make the place look like a murder scene/ Ayy, when I make moves I’m a money fiend,” slowthai boasts on the chorus. I mean, who would dare stand in his way? Listen to “MAZZA” below. Editors’ Picks TYRON arrives Febr...
Back in August, the world mourned the death of Americana songwriter Justin Townes Earle. Now, father and country legend Steve Earle has paid tribute to his late son with a new covers album called J.T., and it’s streaming below via Bandcamp. J.T. comes today (January 4th), on what would have been Justin’s 39th birthday. It consists of 11 covers, all pulled from throughout Justin’s discography. There are favorites such as “Harlem River Blues” (2010) “Champagne Corolla” (2017), and “The Saint of Lost Causes”, taken from Justin’s 2019 album of the same name, which proved to be his last. Other songs that appear on J.T. include “I Don’t Care”, “Turn Out My Lights”, and “Last Words”. In a statement, father Steve said the “record is called J.T. because Justin was never called anything else u...
Give Madlib his flowers now. The legendary producer broke through in 2004 with Madvillainy, a seminal collaboration with MF DOOM that provided a blueprint for a generation of witty, irreverent rap music. DOOM recently died, but Madlib continues to author some of the most vital hip-hop of the day. He recently announced the album Sound Ancestors, created in collaboration with Four Tet, and today he’s back with the new song “Hopprock”. “Hopprock” was released only under Madlib’s name, though the credits list Kieran Hebden, aka Four Tet, as both writer and composer. The instrumental track opens with a natural soundscape that includes meditative sounds of water and wooden percussion. But after one of Madlib’s trademark grimy samples stutters through an answering machine message (...
Open Mike Eagle has shared a new freestyle called “For DOOM”. It’s a tribute to the late MF DOOM, the legendary masked rapper whose death was made public last week. Stream it below. “For DOOM” is a heartfelt mix of nostalgia and earnest praise. Over a beat by Illingsworth, the Anime artist spends two minutes rapping about the impact of DOOM’s music, the moment he heard the news of his passing, and the ways in which he raised the lyrical bar for hip-hop. OME also credits DOOM for the lifelong impact his visual aesthetics will have. “Fool you about to sell more masks than Dr. Fauci,” he raps. “I’m copping one off Etsy to rock it proudly.” At one point in the freestyle, the Chicago-bred MC brings up how he idolized MF DOOM in both childhood and adulthood. That lifelong respect event...
Today, January 4th, is the 50th anniversary of Loretta Lynn‘s breakthrough album Coal Miner’s Daughter. To celebrate, she’s announced her new full-length, Still Woman Enough, as well as shared a fresh take on an old favorite, “Coal Miner’s Daughter (Recitation)”. Per USA Today, Still Woman Enough arrives March 19th via Legacy Recordings. The LP comes with 13 songs that span originals, covers of American standards, and updated looks at Lynn’s storied discography. The title track references her 1966 single “You Ain’t Woman Enough (to Take My Man)”. It was written by Lynn and her daughter Patsy Lynn Russell, and features vocals from fellow country heavyweights Reba McEntire and Carrie Underwood. As if that weren’t enough, Margo Price hops on a cover of Shel Silverstein’s 1971 s...
Next week, Barry Gibb will release Greenfields: The Gibb Brothers Songbook, Vol. 1. The 12-track collection sees the Bee Gees founding member reimagine some of his classic songs with assistance from a wide range of country and Americana stars. As a preview, he’s unveiled a new duet version of Bee Gees’ “Words” recorded with Dolly Parton. Take a listen below. Greenfields is officially out on January 8th via Capitol Records. Gibbs first previewed the release by sharing a reworked version of “Words of a Fool” with Jason Isbell. Speaking of Bee Gees, a new fully-authorized documentary on the band called How Can You Mend a Broken Heart on HBO and HBO Max. [embedded content] Related You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should b...
With mere hours to go until New Years Eve, Jeff Rosenstock dropped not one, but two (!) brand new songs to bid farewell to 2020. They’re called “Illegal Fireworks And Hiding Bottles In The Sand” and “Caring”, and you can stream them below via Bandcamp. Technically “Caring” hit the web first on December 30th. The acoustic duet sees him teaming up with his old bandmate and longtime friend Laura Stevenson for a sweet ballad about writer’s block, longing, and trying to get your creative muscles going again. “Illegal Fireworks And Hiding Bottles In The Sand” followed suit on New Year’s Eve. Over fuzzy, warm, reverb-drenched shoegaze, Rosenstock sings about the comfort of falling asleep to the thought of a loved one. It’s a completely different sound than the previous song, but it’s sweet noneth...