The Dalai Lama has just released “One of My Favorite Prayers,” from his first-ever album, Inner World. The track is predominantly instrumental that can easily put you into a meditative and transcendent space. And as it continues, you will hear him share thoughts like, “For as long as space endures, and for as long as living things remain, until then may I too abide to dispel the misery of the world.” Inner World will be filled with the revered spiritual leader’s teachings and mantras, like “One of My Favorite Prayers. It was created thanks to co-executive producer Junelle Kunin, who’s one of the Dalai Lama’s students and proposed the album idea to him five years ago. “Music has the potential to reach many more people with the message that the real source of happiness is warm-heartedness an...
Queer artists Orville Peck and Rina Sawayama have contributed two new cover songs to a Pride-themed installment of the Spotify Singles series. The releases come as the end of Pride month draws near, and just one day after the 51st anniversary of the Stonewall Riots. For his entry, alternative country artist Peck chose to take on “Smalltown Boy”, the 1984 chart-topper from British synthpop trio Bronski Beat. All three members of the group were openly gay and their music was known for taking a stance on LGBTQ+ issues. As for Sawayama, our former Artist of the Month, she reworked Lady Gaga’s “Dance in the Dark”. The original 2010 Fame Monster single talked about body image issues and the importance of being comfortable with one’s own sexuality. Editors’ Picks Musicians usually record th...
James Blake fans have been treated to a number of special covers during this quarantine season. Over the course of just the last few months, the UK crooner has tackled originals by Radiohead, Billie Eilish, Frank Ocean, and Joni Mitchell. For his newest reimagining, Blake ambitiously rolled out his take on the Nirvana classic “Come As You Are”. The performance was part of an hour-long “piano improv concert” streamed on Instagram Live on Saturday. As requested by a fan, Blake’s rendition of the Nevermind single was “soft” in tone. However, though it was without the angst and volume of the 1992 original, Blake’s cover was still urgent in its own fragile, ivory-tinged way. Watch video of the Nirvana cover below, followed by the full concert (come for the tunes, stay for a glimpse of Blake’s a...
Nearly 16 years after writing and recording “Agoraphobia,” Incubus is bringing new meaning to “I wanna stay inside” with a quarantine-style live video for the song. The footage from the updated version of the song sees singer Brandon Boyd and guitarist Mike Einziger perform acoustically as black-and-white visuals of Jacques Drouin’s 1975 animation “Mindscape” flash on the screen. The group originally penned the track in a “post 9/11 world,” Boyd says, and singing it now has the same uncomfortable familiarity. “I was lamenting reading the daily news feeds and seeing where things were heading and feeling more and more called to just give in to a sense of hopelessness and just stay inside for the rest of my life,” Boyd says of the song. “By the end of the song I wake up to...
Aloe Blacc’s seven-year wait since his Billboard-charting, major-label debut gave him time to become more than just “The Man.” The soul singer returned Friday with his latest single “My Way,” a stripped-back motivational ode to making it through any challenge. The choir-filled track, produced by Jonas Jeberg (“High Hopes”), follows Blacc’s February comeback single “I Do” and, as the singer hopes, will give fans some much-needed inspiration. “My goal was to make sure when you hear ‘My Way,’ that you feel you are part of the song, the fight and spirit of self-determination,” Blacc says. “The lyrics tell about not having it easy, not having support, but finding the way to be your own support, believing in yourself, going for your goals and living your dreams. My wish is that it motivates them...
HAIM have returned with their third full-length, Women in Music Pt. III. After a slight delay due to the ongoing pandemic, the album is available to stream below via Apple Music and Spotify. Women in Music Pt. III serves as the follow-up to 2017’s Something to Tell You. HAIM’s own Danielle Haim… Please click the link below to read the full article. HAIM Release New Album Women in Music Pt. III: Stream Ben Kaye You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful people, chat and make money in the process. Earn rewards by chatting, sharing photos, blogging and help give users back their fair share of Internet revenue.
Arca has released her highly-anticipated fourth album, KiCk i. Stream it below via Apple Music or Spotify. The follow-up to Alejandra Ghersi’s excellent 2017 self-titled record sees the Venezuelan experimental artist teaming up with a myriad of musicians, from Björk and Rosalía to SOPHIE and Shygirl. Since announcing the record in April with the lead single “Nonbinary”, Arca shared three other quite different tracks previewing the album: the psychedelic “Time”, the club-ready “Mequetrefe”, and the Rosalía-featuring “KLK”. Notably, KiCk i is the first record since Ghersi began identifying as a Latinx trans women comprised of more than one “self-state.” She expanded on that description in a recent Paper cover story: “I’m asking for recognition that we have multiple selves...
Megan Thee Stallion is ready to break the internet… again. The Houston rapper has just released her latest single, “Girls in the Hood”, which flips Eazy-E’s classic rap hit “Boyz-n-the-Hood” on its head. “Girls in the Hood” is an obvious nod to Eazy-E’s famous single both in name and in sound. The track warps the original number’s backing track into something fresh and modern. Of course, Megan Thee Stallion makes the music into something memorable by turning rapid-fire verses into a straight-up vocal flex, flaunting her skills not just as a rapper, but as a musical artist who continues to climb the charts. Hear it for yourself below. This is the latest instance of Megan Thee Stallion stealing the spotlight in the midst of a pandemic. She dropped her star-studded album Suga in March to high...
Roll out the red carpet for Atlanta hip-hop royalty. Big Boi is back, releasing his a single “Can’t Sleep” that features none other than the Dungeon Family’s own Sleepy Brown. The funky track feels like a wound-down callback to Outkast’s 2003 hit “The Way You Move,” which Brown also did his thing on, with Big Boi’s flow sounding just as effortless as it did all those years back. And after teasing the pair’s joint venture last year, titled The Big Sleepover, he’s now promising to finally deliver. Along with sharing the new single on Twitter, Big Boi writes that the album is coming soon, with the ever-so-promising hashtag “TheBigSleepover.” “It’s produced by Organized Noize, and it’s me and Sleepy Brown all the way down, man, and we’re gonna drop that shit in a couple months and keep it movi...
Los Angeles songwriter Dent May has announced his fifth album, Late Checkout. The project arrives August 21st via Carpark Records, and May is previewing it today with a wonderful new pop-rock song called “I Could Use A Miracle”. Since emerging in the late 2000s as a ukulele-toting psych-pop artist and then pivoting to disco, May has evolved into a much more polished and grandiose songwriter. Fans witnessed flashes of this transformation on 2017’s Across The Multiverse, but this forthcoming follow-up sees May really stepping up to own his new status as a power-pop multi-instrumentalist: not only is the new LP his first to be recorded outside of his home studio, but it’s also his introduction to writing and arranging parts for string players, a horn section, and background vocalist...
In honor of Juneteenth last Friday, Beyoncé released a new solo song called “Black Parade”. Now, just some days later, Queen Bey is back with a special a cappella version of the track. Per Consequence of Sound writer Nina Corcoran, the original iteration of “Black Parade” was a “celebratory blend of pop, trap, hip-hop, and electronica-verging on Detroit techno” and featured horn and flute arrangements. Although most of the flashiness and extra adornments have been stripped, the global R&B star’s message of Black pride and Black beauty still rings true here — and perhaps even truer when delivered through Bey’s singular, captivating voice. “I hope we continue to share joy and celebrate each other, even in the midst of struggle. Please continue to remember our beauty, strength and power,”...