Iconic trance music trio Above & Beyond have returned with a new progressive house anthem, “Chains.” Premiered during the band’s Group Therapy 450 celebration at The Drumsheds London last September, “Chains” marks Above & Beyond’s third single with Marty Longstaff following 2019’s “Flying By Candlelight” and “Tightrope.” It’s also one of two original productions to appear on the group’s Anjunabeats Volume 16 compilation, alongside “Projection.” “‘Jump and the net will appear,’ a fleeting remark from a colleague of Tony’s at Warner Records, has always percolated during songwriting,” Above & Beyond said in a press statement. “With the uncertainty o...
Got any weekend plans? Because What So Not casually wants to DJ in your living room. The electronic music virtuoso, who has graced the towering stages of many of the world’s biggest festivals, has announced a contest for one fan to win a private DJ set. He’s essentially throwing a dart at a map and planning to perform at a random house party hosted by one lucky fan who pre-saves his upcoming album, Anomaly. “Wanna host the most infamous house party to ever hit your town?” What So Not asked in an Instagram post. “I’ll be going anywhere in the world (yes, anywhere) to DJ someone’s house party to celebrate my album coming out in exactly one month.” You can pre-save Anomaly here. The trail of breadcrumbs to Anomaly g...
GRiZ and The Sponges finally released one of their most sought-after IDs. They’ve surprise-released “Volume,” a staple of their live sets which fans had been clamoring for since the moment it was debuted live. With a running start, “Volume” opens up with a steady beat to get you warmed up. A flurry of soulful vocal samples and scratching then gives way to a rhythmic house beat with funky bass and—of course—plenty of saxophone. The final product is sure to make you tap your feet at your desk and lay it all out on the dancefloor when you hear it live. For those wondering why they can’t find “Volume” on major streaming platforms, GRiZ said the track will not be distributed to DSPs like Spotify and Apple Music due to the song’s large amount...
Multitalented artist Sam Blacky is achieving her “biggest goals in music.” Having emerged into the music production world just last year, Blacky is making a name for herself at a remarkable rate. The budding producer has now revealed a sultry, Latin-Infused single, “Colombiana,” marking her debut release on Lee Foss‘ venerated Repopulate Mars imprint. “Since I started performing and especially making music, Repopulate Mars has always been one of my biggest goals,” Blacky said in a press release shared with EDM.com. “I think the level of taste-making and innovation in the tech house scene is unparalleled, and I couldn’t be happier to join the family.” “Colombiana” is an ode to Blacky’...
Kumarion forward-thinking approach to drum & bass music has been particularly resonant with fans. However, the ascendant DJ and producer’s new EP, Resonate / Shaman, takes a step outside the box to explore the weird and wonky. The two-track effort sees Kumarion incorporating a subtle dose of Eastern influences through ambient soundscapes and instrumentation. On “Resonate,” however, the tides of this enchanting introduction quickly part to make room for a grinding, distorted bassline that doesn’t hold back. He then slow-walks listeners straight to the belly of the beast, firing away with full-throated vowel bass amid a barrage of unearthly sounds. The searing sound design continues on “Shaman,” a banger that’s equally no-holds-b...
Afrojack has teamed up with Black V Neck for “Day N Night,” a late-summer house anthem. With its chugging, four-on-the-floor rhythm and disco influences, “Day N Night” is a beautiful nod to the underground. The anthemic tech house track features Muni Long, a Platinum-certified R&B singer-songwriter whose smooth topline glimmers atop a sun-kissed arrangement. The warm and sultry track is bit of a departure for Afrojack, whose most recent release, a seven-track EP released under his NLW alias, roars with his signature “Dirty Dutch” sound. It seems he’s been inspired by the work of Black V Neck, a surging duo with a distinct, steamy sound redefining Miami’s house music scene. “Day N Night” arrives in the wake ...
The electronic music community is constantly evolving with new sounds every week, as artists become more innovative with their compositions. EDM.com’s weekly “Playlist Picks” series highlights the top releases in the genre, helping uncover the latest tracks that will soon dominate the dance music scene. EDM.com Top Hits Hardwell – I Feel Like Dancing GRiZ & TVBOO – Bass Music RÜFÜS DU SOL – Make It Happen (Dom Dolla Remix) Festival Hits 2022 BYOR – Say Yes Scroll to Continue Recommended Articles RetroVision – Pressure Showtek & Silverland – Free Electronic Avenue HALIENE – Reach Across the Sky Elohim & Nitti Gritti – Float Away Zeds Dead & MKLA – In My Head These tracks can be accessed on the EDM.com To...
Legendary Israeli psytrance duo Infected Mushroom have revealed the latest single from their forthcoming IM25 album, an electro-rock rendition of Alannah Myles’ 1989 classic, “Black Velvet.” With help from Israeli compatriot Ninet Tayeb, Infected Mushroom have transformed the former #1 hit into a glitchy, bass-driven remake with amplified guitar chords and sultry vocals. While the Grammy-winning record was written as an ode to Elvis Presley’s charm as the king of rock ‘n roll, Infected Mushroom’s version takes on a deeper meaning. As they celebrate their quarter-century legacy, “Black Velvet” is a byproduct of their versatility and early influences, reflective of their unconventional journey through time and sound. Take a listen below. Scroll to Continue Recommended Articles ...
It’s been 20 years since Benny Benassi released “Satisfaction,” but the track still lights up the world’s dancefloors whenever fans hear that distinct, iconic melody. Now, the pioneering Italian DJ is celebrating the success of his debut single with a remake alongside none other than David Guetta. Jaw drop. The new version of the ageless track was among the most-played records at this year’s Tomorrowland festival, reinforcing Benassi’s 2002 original as one of EDM’s most prized generational anthems. Clocking in at two and a half minutes, the revamped “Satisfaction” finds Guetta infusing a future rave twist. Keeping Benassi’s classic synths and vocoders intact, he reimagines the track with eerie arpeggios and thumping electro sound design. Fans will ...
SWARM has taken up arms and is ready to face his demons—both internal and external. Known for his ability to cross genres while making dramatic music that should really be considered for the sequel to Elden Ring, SWARM has returned with one of his most powerful releases to date. Released today was “Say Goodbye,” a vivid track that displays SWARM’s ability to overcome any obstacle in his path. A gentle twinkling opens the track as the morning dew forms over the battlefield. Gritty, scowling vocals and the sounds of sharpening blades drive the arrangement forward before distorted bass prepares the attack. Increasing the tempo, SWARM unsheathes his sword and dives into a huge drop filled with seismic bass and fierce metalcore vocals. After a moment to regain his st...
Why aren’t DJs allowed to work at aquariums? Because they always drop the bass. Despite that awful dad joke, read on to discover the lead single from TVBOO‘s debut album, “Bass Music,” a heavy-hitting collaboration with GRiZ. “Bass Music” is a tongue-in-cheek dubstep banger replete with the wonky sound design of TVBOO, who has quickly emerged as one of the genre’s most jocular characters. GRiZ’s heady bass and fluttery arpeggios take over the verse before making way for the song’s drop, which features TVBOO’s signature saws and slithering bass patches. TVBOO said that working with GRiZ, who was named one of EDM.com‘s best music producers of 2021, was “one of the coolest things to happen” in his career. “...
Like a phoenix, ILLENIUM‘s long-coveted track, “From The Ashes,” has found new life—and its release is within reach. In the immediate aftermath of 2021’s Grammy-nominated album, Fallen Embers, the “All That Really Matters” producer almost immediately revealed there were more forthcoming blockbuster collaborations on the horizon, including one in particular alongside Skylar Grey. Teasing the track out on the initial stops of his subsequent tour, ILLENIUM’s “From The Ashes” quickly became among the most hotly anticipated songs in his trove of unreleased music. Based on the previews, its easy to see why since Grey’s and ILLENIUM’s respective styles of songwriting seem particularly synergistic. It’s been nearly a year sinc...