After nearly two years after his previous release on Wakaan, PEEKABOO has made a triumphant return with a mind-melting new single called “Black Hole.” “Black Hole” embodies the otherworldly, spacey sound fans and artists have come to love from the Detroit producer. A mesmerizing intro quickly captures attention with a subtly eerie atmosphere, trapping all who listen within an inescapable, bass-filled vortex. After nine months with only one new song, “Black Hole” is exactly what fans have been craving from PEEKABOO. PEEKABOO’s steady rise to dominance has kept all eyes on him since debuting the project in 2017. Earlier this year, he collaborated with Marshmello on their tune “Pushin Stacks” and teased a new track with REZZ...
CloZee has put her eclectic taste on full display once again, releasing a 13-track compilation via her Odyzy Music imprint. Odyzey- Muzique Vol. 1 is a diverse compilation, embracing the world bass sound CloZee has championed throughout her career. Among the 13 tunes included are tracks from Tripp St., il:lo, 9 Theory, Edamame, Saltus, and more. Each has included a song that not only fits the theme of the compilation but simultaneously stays true to their unique individual sounds as well. NotLö’s “Within” is a perfect example, as she’s stayed in tune with her wobbly sound while embracing the multifaceted feel of the project. Saka has taken a similar approach on his song “Yasha,” holding onto bassy elements listeners may find familiar fr...
No Mana‘s dream to keep electro house alive has reached its culmination with his new 19-track Electromag compilation, released via deadmau5’s mau5trap imprint. Electromag, which started as a joke, has now blossomed into a full-blown project determined to reignite the flame electro house flame. “I gathered a bunch of friends and idols to forge a hammer that beats a dead horse that is electro house AKA ‘best genre,'” says No Mana. “This started as a joke between EDDIE, Bentley Dean and myself as to mock nostalgic electro house (mostly the excessive releases of compilations and the ones that were ripped from YouTube). Now, I think the joke has gone a little too far; but we’ll go the extra mile. It’s in our tempo, bitrat...
After giving fans a glimpse at his debut album with a slew of singles, Tony Romera has finally unveiled his highly anticipated Introspection LP via Monstercat. Spanning 16 tracks, Romera’s Introspection is a treat for longtime fans and new listeners alike. He effortlessly flows between genres, refusing to be confined by the house music that has defined him over the course of his career. The album is a reflective look at his influences up until this point, drawing inspiration from the likes of Daft Punk, 90s hip-hop, and punk music, all of which he cherished growing up. While the house music vet rarely strays from the genre he calls home, he comfortably does so throughout Introspection. “My Mind” (with Karina Ramage) embraces a slowed-down, upbeat...
It’s been a long year without Shallou, whose vibrant electronic compositions have been absent from New Music Fridays since last March. Thankfully, the wait just ended. Released September 10th, “Heartaches” is Shallou’s first release since his 2020 sophomore album, Magical Thinking. It is also his debut project under FADER Label, which counts trend-setting artists like Clairo, Charlie Burg and Matt and Kim among its ranks. Built around lyrics that were co-written with Elderbrook, “Heartaches” pairs echoing vocal chops with a euphoric dance drop and wistful guitar riff. Tying it all together are interweaving layers of drum kit synths and grounding effervescent chords. The track is also an unmistakable nod to Shallou’s 2018 album,...
Just weeks ahead of the anticipated release of a new EP, Midas, Austin Millz has decided to give fans a taste of what’s to come. The project’s latest single, “Gold” with Aluna, was released September 10th. Bright synths glisten in the background of this sultry dance track, which places Aluna’s silky vocals front and center. Singer-songwriter Tiara Thomas also assisted on the lyrics, adding her Grammy- and Oscar-winning expertise to the mix. Her work glides above a funky arrangement of bass and percussion that finds strength in its glittering textures. Playful and easygoing, “Gold” is built for early morning dance floors and sunset rooftop raves. “So much joy was used in making this song,” Austin Millz said in ...
Following the success of his summertime anthem “Nah,” Sonny Fodera has announced his forthcoming 14-track album Wide Awake. Set to release on October 22nd via Fodera’s very own venerated Solotoko imprint, the countdown to the unveiling of considerably one of his most ambitious records to date has begun. What sets this particular album apart is its variety of A-list collaborators. For the creation of Wide Awake, Fodera tapped the sensational Sinead Harnett and KOLIDESCOPES—who both appear in “Nah“—double platinum singer-songwriter Ella Eyre, British R&B singer-songwriter Dan Caplen, Diplo, and Vintage Culture, among many others. In the new LP, Fodera’s unique sonic palette textures the diverse talents of his co...
“My body is a map of L.A./ And my heart is like paper, I hate ya,” Lana Del Rey sings in the second verse “Arcadia,” the fourth single from her eighth studio album, Blue Banisters, out October 22nd via UMG. If we as a society have learned anything in the 10-odd years since “Video Games,” it’s that nobody does breakup songs quite like Lana Del Rey. Though just about everyone since has tried. “Arcadia” is both elegant and elegiac. Over a muted piano, Del Rey sings her origin story with an innocence that recalls Daniel Johnston’s compact masterpiece, “Story Of An Artist.” The way she lets us hear just enough of a quiver feels like an act of surrender for Del Rey. Without the old Hollywood glamor, Del Rey sounds liberated, clear-eyed, and mournful. Del Rey, like her folk forbears Patty Griffin...
It’s been a long time since Eddie Vedder released a proper solo album—10 years to be precise. After that long layoff, “Long Way” is your first taste of what’s to come. The Pearl Jam frontman’s new track was a collaboration with Grammy-winning producer Andrew Watt (who, when we spoke with him last December, made no mention of the collab, but did mention new albums with Miley Cyrus and Ozzy Osbourne). The track comes from Vedder’s upcoming album, Earthling, which doesn’t have a release date yet. Fans can pre-order a special limited edition 7-inch vinyl featuring “Long Way” and a soon-to-be-released track, “The Haves,” via Pearl Jam’s Ten Club. This fall, Vedder will perform with Pearl Jam at a string of festivals, including the Sea.Hear.Now. Festival on September 18 and both with and w...
After years of releasing some of the most heavily supported tracks among the DJ community, Australian trap music virtuoso Hydraulix has finally dropped the curtain on his debut album, the 20-track Imposter Syndrome LP. Long revered for his approach to bass music production—in which he creates wonky trap music with a booty-shaking twist—Hydraulix looked inward to develop his debut album, the result of struggle with lockdown-induced insecurity. While largely rooted in the mind-bending bass spectrum of its label, Wakaan, the album enters pensive territory at times, dabbling in future bass and hip-hop. “GOAT” and “System Malfunction” are two undeniable Imposter Syndrome standouts in an album of many. The former, which features gritty bars f...
Tokyo Machine‘s latest remix flips a song used in one of the most iconic anime series of all-time. Released on Friday was the beloved electronic music producer’s remix of “Silhouette” by Japanese rock band KANA-BOON. While the song and group are internationally renowned on their own accord, many fans of the wildly popular anime series Naruto: Shippuden may remember it as one of the show’s many theme songs. Swapping the guitars from the original, Tokyo Machine opts for high-energy synths, pounding drums, and twinkly keys akin to a bustling arcade. Combining the distinct vocals of KANA-BOON, the final result is a song that remains true to the fabric of the original while infusing electronic flair for listeners who gravitate towards dance music. Recommended Artic...
Fresh off his remix of SOFI TUKKER’S “Drinkee” with John Summit, Brazilian superstar Vintage Culture has now teamed up with FFLORA, Meca, and Tristan Henry for a hypnotic new single “Butterflies,” out on Sonny Fodera’s Solotoko imprint. Driving the deeper, darker sound of “Butterflies” are fluttering synths that sublimely glide over the sultry future house beat. Along with the mesmeric vocals of Tristan Henry, this tune exhibits all of the artists’ fantastic songwriting and production skills. Vintage Culture is quickly garnering global acclaim with a signature sound all his own. Hot off of a massive year, he’s released official remixes for MEDUZA, Moby, David Guetta and Joel Corry, Jorja Smith, and Maverick Sabre. If that wasn’t enough, he also became a m...