With our recurring new music feature Origins, artists connect with listeners by revealing the inspirations behind their latest songs. Today, former Yeasayer member Anand Wilder shares his new solo track “I Don’t Want Our Love to Become Routine.” Two years after the breakup of Yeasayer, former member Anand Wilder is readying his debut solo album. I Don’t Know My Words is set to arrive on March 25th, 2022, and Wilder has today shared a new single off the LP, “I Don’t Want Our Love to Become Routine.” The track is a more delicate representation of the folk pop Wilder displayed on previous single “Delirium Passes.” With piano tip-toeing in the background, he sings of the realistic hardships of longterm relationships. “I see a couple that mate together/ Because they hate themselves,” he si...
In the new music feature Origins, artists get a chance to connect directly with listeners by revealing the inspirations behind their latest songs. Today, Black Country, New Road discuss their latest single, “Concorde.” Black Country, New Road dropped one of the finest debuts of the year back in February with For the first time. Almost a year to the day later, they’ll drop their follow-up, Ants From Up There, on February 4th, 2022. Today sees the British experimental septet sharing a new taste of the LP with the single “Concorde.” The track begins as something as a pleasant country ramble, but as with anything BCNR does, where we start is not necessarily where we end up. By the midpoint of the six-minute cut, notes of Beirut or Typhoon come through in the tightly plucked strings and floatin...
Our recurring new music feature Origins provides artists with a platform to share personal insights into their latest release. Today, The Wrens’ Kevin Whelan breaks down “Fade,” the latest single from his solo project Aeon Station. Back in late September, Kevin Whelan of The Wrens revealed he would be releasing a solo record under the moniker Aeon Station. Containing five songs he originally wrote for the band’s follow-up to 2003’s The Meadowlands, the album is titled Observatory and it arrives on December 10th via Sub Pop. Today (November 16th), Consequence is exclusively premiering Aeon Station’s latest preview from the project, “Fade,” and its accompanying music video. Advertisement Related Video “A key inspiration for the song was when my family and I moved from New...
With the recurring new music feature Origins, we get exclusive insights into artists’ latest songs. Today, New Orleans performance artist Edge Slayer takes us into her “w00m3.” Edge Slayer is more apt to create her own space than wedge her way into one defined by others. Hailing from New Orleans, the performance and multi-disciplinary artist/producer founded popular local party series Séancé, dedicated to creating safe spaces for Black and queer individuals. (She herself is a Black trans woman.) It’s no different when it comes to her music. Blending trap, R&B, alternative hip-hop, and ambient sounds, she’s created a sonic world all her own on her new album, Tsureena. Due out later this year on LCD Soundsystem member Tyler Pope’s Interference Pattern label, the record follows ...
Our new music feature Origins gives artists the chance to offer insights into the creative process behind their latest release. Today, Aly & AJ talk about the inspiration behind “Get Over Here,” the first deluxe track from their 2021 album a touch of the beat gets you up on your feet gets you out and then into the sun. It’s been four months since Aly & AJ hit the bullseye (baby!) with their fourth studio album, a touch of the beat gets you up on your feet gets you out and then into the sun. As the band’s first full-length studio effort in almost a decade and a half, the 12-track collection found the eponymous sister act shrugging off the pulsating electro-pop that had inspired a pair of prior EPs (2017’s Ten Years and 2019’s Sanctuary) and string of recent singles in favor of a mor...
Our new music feature Origins gives artists the opportunity to share unique insights into the creative process behind their most recent release. Today, UPSAHL talks us through her latest single “Time of My Life” and breaks down its accompanying visuals. Taylor Upsahl, known professionally as UPSAHL, has been releasing music since she was just 14 years old. Now 22, she’s unleashing one bold single after another — 2021 has already seen her drop the badass tracks “Douchebag” and “Melatonin” — and today (July 30th), she’s debuting the music video for “Time of My Life.” On “Time of My Life,” UPSAHL explores the hardships of being a young adult. Lyrically, the song apparently takes place on her 22nd birthday, recalling Taylor Swift’s feel-good hit “22.” But unlike Swift’s sugary-sweet ode to you...
Our new music feature Origins gives artists the platform to share the inspirations behind their most recent release. Today, Dizzy Fae lives out her dream of collaborating with Ying Yang Twins on “Body Move (Remix)”. In her dance floor-ready hyperpop cut “Body Move”, Dizzy Fae pays homage to her childhood idols Ying Yang Twins. With a scratchy whisper she sings, “I just might do it again/ I’mma speak it to you quiet like the Ying Yang Twins.” The shout out got the Atlanta duo’s attention, and now they’re doing their own whispering on the new “Body Move (Remix)”. Kaine and D-Roc join the 22-year-old Fae to put their distinctive Southern flare on the cut. D-Roc comes in first with that familiar hush as he raps, “Let me see you get nasty” before kicking it up with, “Turn it back up, though/ Sh...
In the new music feature Origins, musicians share unique insights into their most recent single. Today, the great Yola tells us how she shines like “Starlight”. After sharing lead single “Diamond Studded Shoes” and title track “Stand for Myself” off her upcoming sophomore album, Yola is back today with a third taste, “Starlight”. According to the Grammy-nominated British artist, the song is “about looking for positive physical, sexual and human connections at every level of your journey towards love.” Of course, that includes that occasional fling, harmless but still nurturing. The sultry track, featuring additional percussion and electric guitar from Stand for Myself producer Dan Auerbach, finds Yola cooly and patiently waiting to fulfill her smoldering desire. “Ain’t no crime, somet...
The White House will consider arranging talks between President Joe Biden and his Chinese counterpart, Xi Jinping, as the two countries spar over issues including human rights, a top U.S. official said on Thursday. Biden’s national security adviser Jake Sullivan said that the two leaders are due to “take stock of where we are in the relationship.” Beijing fumed over a communique issued at Biden’s urging by the Group of Seven leaders on Sunday. It scolded the country over human rights in its Xinjiang region and Hong Kong while also demanding a full and thorough investigation of the origins of the coronavirus in China. “Soon enough we will sit down to work out the right modality for the two presidents to engage,” Sullivan told reporters on a conference call. “It could be a phone call, it cou...
Our new music feature Origins provides artists the outlet to share unique insights into their latest track. Today, Shannon and the Clams read the signs of “Year of the Spider”. Shannon and the Clams are set to follow-up 2018’s Onion on August 20th with their sixth full-length, Year of the Spider. After dropping the lead single, “Midnight Wine”, last month, the Bay Area garage rockabilly quartet are today previewing the effort with the title track. “Year of the Spider” puts a ’70s doo-wop spin on some troubling experiences lead singer Shannon Shaw went through over the last two years. As Shaw tells Consequence, “‘Year of the Spider’ is essentially the summation of my 2019 and 2020. I was being stalked by a peeping tom for months and months all while my dad was going through radiat...
Our new music feature Origins provides artists the platform to give unique insights into their latest track. Today, L’Rain explains the sounds of “Suck Teeth”. Brooklyn R&B artist L’Rain is set to release her sophomore full-length, Fatigue, on June 25th via Mexican Summer. As the latest preview of the LP, the musician born Taja Cheek has shared the single “Suck Teeth”. The track finds L’Rain exploring her feelings about motherhood, particularly what new challenges it could bring to her psyche. “I’m thinking through childhood and having children, wondering if it’s possible for someone to prevent their failures and shortcomings from getting passed on,” she explains in a statement. Related Video If “Suck Teeth” is a meditation, it’s a woozy one, warbling guitars spiraling out ov...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-06-02T17:47:55+00:00“>June 2, 2021 | 1:47pm ET Our new music feature Origins tasks artists with providing listeners unique insights on their latest single. Today, ME REX explains how the five-segment “Galena” was pulled from a 52-track album. In the era of the streaming single, cohesive albums have seemed to fall by the wayside for many artists. England’s ME REX aren’t just shaking those expectations with their debut full-length, Megabear, they’re completely upheaving the entire concept of how music is created and released. Megabear is not a linear LP, and it doesn’t technically contain songs. Instead, its 52 tracks last only between 30 seconds to a minute each, all record...