A powerful breakout performance from Lily Collias anchors this small, delicate indie. Sundance Review: Good One Tests The Limits of Familial Trust Clint Worthington
Theda Hammel's acerbic queer comedy stars John Early, crumbling under the stress of COVID and other issues. Stress Positions Puts John Early In the Middle of Pandemic Hell: Sundance Review Clint Worthington
It's not just sanitized, Bieberized, blue-eyed R&B; it's treacly schlock. Justin Timberlake’s New Song “Selfish” Is the Latest Turd in a Ten-Year Run of Shitty Music: Review Wren Graves
Rather than ending with a bang, The Curse ends with... a balloon. The Curse Finale’s Shocking Twists Fall Short of Satisfying: Review Paolo Ragusa
Echo is a valuable addition to the franchise, even if the first "Marvel Spotlight" series is meant to be stand-alone. The Final Episode of Marvel’s Echo Hopefully Isn’t the Last of Maya Lopez Liz Shannon Miller
Some modern touches help elevate the hit Broadway show. Mean Girls Review: Inventive Musical Adaptation Occasionally Hits a Flat Note Liz Shannon Miller
Garth Davis' limp adaptation of the Iain Reid novel is Tennessee Williams meets Black Mirror. Paul Mescal and Saoirse Ronan Fail to Connect In Milquetoast Sci-Fi Romantic Drama Foe: Review Clint Worthington
The final DCEU film features a lot more of the drum-playing octopus, at least. Aquaman and the Lost Kingdom Review: A Lame Duck Farewell Full of Flaws Liz Shannon Miller
The new A24 drama by Jonathan Glazer brings an unflinching eye to life in Auschwitz during World War II. The Zone of Interest Confronts the Holocaust Next Door: Review Liz Shannon Miller
Madonna's "Celebration Tour" Began its North American leg this week, and it's the party of the year. Read our recap. In Madonna’s “Celebration Tour,” A Pop Star Examines Her Past: Review Paolo Ragusa