Reviews
Reginald the Vampire Is Here for a Good Time: Review
The Pitch: Lonely, unfulfilled, and too insecure to tell his cute Slushie Shack co-worker, Sarah (Em Haine) that he’s into her, Reginald Andres (Jacob Batalon) is coasting through his twenties terminally disappointed with where his life has taken him. But while taking out the Slushie Shack trash at the end of one particularly long shift, Reginald stumbles into a hypnotic new friendship with a smooth operator named Maurice (Mandela Van Peebles), and everything changes. Overnight, and at the most inconvenient moment imaginable, Reginald finds he’s been turned into a member of the undead. This proves to be problematic for more reasons than just can’t go out in the sun, have to drink blood to survive — in Reginald the Vampire’s world, creatures of the night are vain, status-obsessed perfection...
On Alvvays’ Thrilling Blue Rev, Nostalgia Spurs Indie-Rock Triumph
Let’s talk about Blue Rev. Not the new Alvvays album, but the booze for which it’s named, because this is some deeply, deliciously Canadian shit. The niche nostalgia play is fitting for a Toronto band largely defined by backward glances: to past loves and the jangly post-punk of C-86 bands like Primal Scream and the Wolfhounds. Anyway, Blue Rev is the forefather to our infamous Four Loko — a trashy, plastic bottle “alcopop” energy drink that looks like antifreeze, tastes like blue slushie (or freezie in Canada) and blew up around 2000 in Ontario, when and where it was released, mainly with club kids. It’s also exactly the sort of sugary garbage that teens would sneak behind a mall or roller rink, grabbing a quick buzz in between hating everyone and everything. Such is the essence of Blue R...
Turnstile Rip Through the Pouring Rain to Kick Off Fall 2022 Tour in Brooklyn: Recap, Photos + Video
Turnstile are keeping the momentum going for their superb 2021 album, GLOW ON, with a fall headlining North American tour. The outing kicked off Monday night (October 3rd) in the pouring rain at the outdoor New York venue Brooklyn Mirage, but the wet and chilly weather didn’t stop the Baltimore band from delivering one if its signature high-energy shows. Indie rocker Snail Mail (aka Lindsey Jordan) got the evening going with 10-song set, before giving way to hip-hop artist JPEGMafia, who got the crowd moving with a 16-song performance. At certain points in the show, JPEGMafia jumped down to the barricade to get up close and personal with fans, who welcomed him with a warm response. The rain let up for a brief moment right before Turnstile took the stage, only to return for the duration of ...
Hellraiser Review: A True Reboot That’s Pretty Darned Good
The Pitch: The eleventh film in the Hellraiser franchise finds a recovering addict named Riley (Odessa A’zion) stealing and unlocking a mysterious puzzle box, which summons sadomasochists from beyond the grave, led by their high priest Pinhead (Jamie Clayton). These mutilated “Cenobites” will drag either Riley or someone she chooses — intentionally or otherwise — into a supernatural dimension where torment and ecstasy are indistinguishable, and eternal. Now it’s up to Riley and her boyfriend Trevor (Drew Starkey) to uncover the mysteries of the box and stop the Cenobites before they drag everyone into a kinky version of hell. Yes, There Are Eleven Hellraisers: Hellraiser may be one of the most famous modern horror movie franchises, but there hasn’t been a theatrical installment in wi...
A Friend of the Family Review: A Slow-Burn True Crime Series That’s Truly Harrowing
The Pitch: When Robert “B” Berchtold (Jake Lacy) moves with his family to a quaint, peaceful town in rural Idaho, he becomes an instant hit with the Broberg family. The Berchtolds and the Brobergs instantly become inseparable: they vacation together, dine together, and attend the Church of the Jesus Christ of Latter-day Saints together. The catch? B has a secret sexual obsession with the Brobergs’ eldest daughter, pre-pubescent Jan (Hendrix Yancey/McKenna Grace). Despite his charming, charismatic goody-two-shoes persona, B can only keep his infatuation hidden for so long. Based on the grisly true story that yielded the popular 2017 Netflix documentary Abducted in Plain Sight, A Friend of the Family sees B’s fixation on Jan spiral out of control, resulting in a whirlwind of abuse, deception...
NYFF Review: Noah Baumbach Delightfully Skewers Our Fear of Death in White Noise
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: Dom LeLillo’s White Noise is one of those “great American novels” long thought to be unfilmable, a scattered, acerbic takedown of late American capitalism and its incessant need to distract from the inevitability of death with movies, culture, conversation, stuff. And honestly, it’s oddly fitting that the filmmaker who’d finally tackle it would be Indie Darling Noah Baumbach himself: Like DeLillo, he too is concerned with the fits and foibles of academia, the crumbling nature of the family unit, the ways we cling to ephemera just to keep ourselves from falling apart. And so it is with this three-part tale of the Gladney clan, a nuclear family about to go metaphorically (and in some ways litera...
Till Digs Into a Deeply Shameful, Deeply American Tragedy: Review
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: The horrific, deeply shameful, and deeply American story of Emmett Till galvanized the civil rights movement with its tragedy: A 14-year-old Black boy from Chicago, visiting relatives in Mississippi, was kidnapped, tortured, and murdered for having the temerity to interact with a white woman, and Emmett’s mother Mamie Till-Mobley (then known as Mamie Till-Bradley) made the momentous decision to have an open-coffin funeral for her son, displaying his body, mutilated by his killers and bloated from being dumped into a river. These images, heavily circulated in Black publications, brought attention to the evils and injustice of U.S. racism — though they were not enough for Till’s killers (who admitted to the cr...
Paul Schrader’s Master Gardener Treads Very Familiar Soil: Review
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: So there’s this stoic-looking man, sitting at a desk in a dark, spartan room, writing in his journal as we hear his thoughts in voiceover. That’s the set-up for Paul Schrader’s Master Gardener, as it was for his previous two films, The Card Counter and First Reformed. This was also the spirit, at least, of many other movies he has written and/or directed over the years, but his most recent unofficial trilogy takes on a ritualistic quality, as if Schrader is performing his version of stations of the cross, on progressively skimpier budgets. The newest iteration stars Joel Edgerton as Narvel Roth, head horticulturist at Gracewood Gardens, and though his routines appear regimented, he also seems closer to peace...
The Nostalgia of Hocus Pocus 2 Only Serves Itself
Hocus Pocus 2, the long-awaited-by-some sequel to the 1993 fantasy comedy horror film rocking the same name, is best summed up with a stray fart joke. A newly resurrected Mary Sanderson (Kathy Najimy), one of the three nefarious Sanderson sisters (Salem witches whose 1600s reign of terror over the town ended by the noose) stumbles into a Walgreens. She and her siblings, Sarah (Sarah Jessica Parker) and Winifred (Bette Midler), are in search of provisions, and lured into entering the pharmacy by the film’s teen heroes. One by one they walk in. Mary, awed by the automatic doors, steps through and immediately, casually, unwarrantedly trumpets her flatulence. End scene. Farts are funny when they have a point. Hocus Pocus 2’s fart has no point. Mary farts because the filmmakers, producers, and ...
The Greatest Beer Run Ever Is a Pretty Likeable Movie, and That’s a Huge Problem: Review
The Pitch: Peter Farrelly is back with his first film since Green Book, a biopic about an average white guy from New York in the 1960s who learned a lot about the world by stepping outside of his comfort zone in the American South, whilst simultaneously charming the more worldly people around him. His new one, The Greatest Beer Run Ever, is a little different: it’s a biopic about an average white guy from New York in the 1960s who learns a lot about the world by stepping outside of his comfort zone in the Vietnam War, whilst simultaneously charming the more worldly people around him. This time, Zac Efron stars as Chickie Donahue, a shiftless merchant mariner who has a lot of friends serving in Vietnam. Chickie resents the cynical attitude the American media and youth culture have towards t...
Chan-wook Park’s Decision to Leave Is a Sizzling Romantic Thriller: Review
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: A mountain climber is found dead at the bottom of one of Busan’s most intimidating peaks. An accident? Probably. But ace Busan detective Hae-jun (Park Hae-il) still finds himself drawn to the man’s Chinese widow, Seo-rae (Tang Wei), with whom he shares a beguiling, unspoken connection. She’s elusive, enigmatic; he grows more obsessed with her the longer he watches her on long stakeouts. And the closer the two get, the harder it is for him to see the woman she truly is — and the harder for her to hide it. The Mist: If there’s one thing you can count on from a Chan-wook Park film, it’s that it will be chock full of surprises. That’s certainly true of Oldboy, Stoker, and The Handmaiden, thre...
Björk Is as Vibrant as Ever on the Moving, Earthy Fossora
Aside from her unmatched ability to constantly and successfully reinvent herself, one of Björk’s greatest qualities is her deft, poignant interrogations on the complex ties between humanity and nature. On her previous album, 2017’s lovely Utopia, the Icelandic experimental pop singer envisioned a world beyond ours, contrasting ethereal imagery and feather-light production with her growing concerns about the environment and her lingering grief around her divorce. Fossora — the followup to Utopia and her 10th overall record, out Friday (September 30th) — finds Björk coming back down to Earth, surveying the decay of our natural world and meditating on its debilitating effect on our own relationships. We don’t take care of our planet, Björk seems to suggest, because we fail to take care o...
