[Editor’s note: The following contains spoilers through the Season 4 finale of What We Do in the Shadows, “Sunrise, Sunset.”] Some comedy series premiere in a blaze of glory before eventually losing some of their luster — the joke of the premise wasn’t enough to sustain more than five episodes, or the writing of Season 2 never lived up to the promise of Season 1. Which is why it’s so satisfying to watch the Season 4 finale of What We Do in the Shadows and know that this is a series that’s well on its way to becoming an iconic tentpole for FX. FX isn’t a network known for hasty cancellations, with many of its shows running for as long as the creators want to keep doing them (meaning four seasons for Atlanta, and infinity seasons for It’s Always Sunny in Philadelphia). But it was still eye-o...
The Pitch: Male prostitute Julian Kaye’s leisurely life of bedding wealthy older women and driving nice cars around southern California is suddenly disrupted when he’s framed for the murder of a client. It’s the role that made Richard Gere a household name in Paul Schrader’s 1980 film American Gigolo, but in Showtime’s new series of the same name, Julian is played by Jon Bernthal, the sensitive tough guy who’s become a burgeoning sex symbol in his own right with a string of memorable TV roles in The Walking Dead, The Punisher, and this year’s We Own This City. Julian, who has no memory of the night of the murder, confessed to the killing, and was sentenced to 15 years of prison. After Detective Sunday (Rosie O’Donnell) uncovers evidence that exonerates him, though, Julian is a free man who...
The Pitch: As the Bard once wrote, things are rotten in the San Fernando Valley. Under the mentorship of obscenely wealthy karate villain Terry Silver (Thomas Ian Griffith), Cobra Kai won last year’s All-Valley tournament — due in no small part to Silver’s illegal intervention. Plus, Silver’s money has given the dojo a facelift, and he plans to expand its no-mercy ethos to kids all over the country. Moreover, he’s framed former sensei Kreese (Martin Kove) for assault, leaving him unfettered control over the dojo while his mentor rots in prison. Our heroes aren’t exactly equipped to combat him, either: The loss at All-Valley months prior has broken Daniel LaRusso’s (Ralph Macchio) spirit, driving him further into paranoid obsession over Silver’s influence on his life. Johnny Lawrence (Willi...
[Editor’s note: The following contains spoilers for House of the Dragon, Season 1 Episode 3, “Second of His Name.”] Game of Thrones was a show that became famous for the shades of grey to be found in its heroes and villains alike, and so far the prequel series House of the Dragon has shown every indication of following in that proud tradition. Thus, Consequence is happy to introduce Who’s the Worst Person in Westeros, a weekly ranking of House of the Dragon‘s most important characters, and just how unsavory they ended up being each week. Everyone on screen, including dragons, is eligible for this list (though expect the show’s series regulars to be heavily featured as we progress). In “Second of His Name,” we go on arguably the worst family road trip since that Vacation remake where Chris ...
East Coast hip-hop royalty descended upon the Midwest as Wu-Tang Clan and Nas kicked off their “NY State of Mind Tour” (grab tickets here) at the Hollywood Casino Amphitheater in St. Louis on Tuesday night (August 30th). The house was packed; lawn tickets were being sold for the same price as a 25-ounce Bud Light at the concession stand, and the strategy paid off. If it wasn’t sold out, the turnout had to have been close to the venue’s 20,000 capacity. Given that the tour’s namesake is derived from Nas’ legendary Illmatic track, nostalgia was the evening’s leitmotif. The night would lean heavily on material from Nas and Wu-Tang’s classic albums, with both making frequent references to hip-hop’s golden age and those who were there to live it. “Who here had a hip-hop album on cassette tape?”...
At the end of Muse‘s third studio album, 2003’s Absolution, is a powerful ballad that, to this day, is one of the band’s best ever creations: “Ruled By Secrecy.” The song, rooted in Matt Bellamy‘s dueling arpeggiated pianos, is a patient exploration of an individual’s lack power against an unknown societal force, a stirring call to those who “are working so hard/ but [they’re] never in charge,” and a nod of suspicion towards society’s manipulative leaders. “Ruled By Secrecy,” along with the other dramatic, apocalyptic themes of Absolution, marked a new thematic highway for the British trio, and it’s one that they’ve followed staunchly since the album’s release in 2003. Black Holes and Revelations came next with a greater emphasis on sci-fi, but still found the band using a s...
The Pitch: Alithea (Tilda Swinton) is an aloof and solitary scholar who travels to Istanbul for a conference; browsing through the markets one day, she purchases a small glass bottle that intrigues her. Back at her hotel room, she uses her electric toothbrush to clean some dirt off the bottle, and poof! Out comes a Djinn (Idris Elba) who, after taking a few minutes to catch up with the 21st century and the existence of the English language, does his job and offers Alithea three wishes. Alithea, though, is a scholar of mythology, and so she’s immediately wary of the Djinn’s offer, given the centuries of precedent which suggests that no good can come of magical wishes. So she asks the Djinn to tell her his life story: How he came to be imprisoned in the bottle, and why he has been imprisoned...
The Pitch: You’ve heard of Superman. You’ve heard of the Punisher. You’ve even heard of Hancock, but you likely have never heard of Samaritan. However, Overlord director Julius Avery wants you to know his name. Adapted from the Mythos Comics series of the same name, this film centers around a young boy named Sam (Javon Walton) with a love for the titular long-thought-dead superhero named Samaritan. Sam has a hunch that the revered hero is still alive, but can’t really prove it as more than a fan theory. The legend goes that Samaritan went to battle with his equally strong yet villainous brother Nemesis over twenty-five years ago, both of them dying in the chaos. Without any real evidence that he’s right about Samaritan still being alive, Sam spends his time doodling, finding scrap metal to...
The Pitch: Psychotherapist Alan Strauss (Steve Carell) is a man in the grips of mourning — not just for the recent loss of his wife (Laura Niemi) to cancer, but also for his strained relationship with his son Ezra (Andrew Leeds), whose choice to become an Orthodox Jew has drawn a deep rift against his more liberal Jewish father. But Alan receives the challenge of a lifetime in the form of Sam Fortner (Domhnall Gleeson), a new patient who seems cagey, mysterious, and unable to truly open up. Turns out, that’s because Sam is a serial killer, one desperately searching for a way to stamp out his compulsions, and he hopes that Alan’s expertise can help. In classic serial-killer fashion, that means kidnapping Alan, chaining him to the basement of his mother’s remote house out in the woods, ...
The Pitch: English: PitchAmerican: FieldWelsh: Traw In 2020, Rob McElhenney and Ryan Reynolds bought a Welsh football team. Neither of them had ever been to Wales before taking such an enormous leap, let alone Wrexham. Nor had either of them ever followed the English football league, let alone the fifth-tier Wrexham Red Dragons. And yet, they saw some real potential both in the club (which is the third oldest football team in the world and the oldest professional club in Wales — they even play at the Racecourse, the oldest international football pitch in the world, est. 1807) as well as in the residents of Wrexham. Potential for historic sporting success, sure, but also the potential for an incredible story. And so they started making this docuseries. And then they bought the club. (Y...