Reviews
Marvel’s Moon Knight Review: An Odd, Perhaps Inessential, But Often Fun Ride
The Pitch: When Moon Knight viewers first meet Steven Grant (Oscar Isaac), he’s a simple man living a relatively simple life in London, working a menial job as a museum gift shop employee and struggling to connect with the people around him. While a bit of an odd duck, personality-wise, Steven has a good heart but a big secret: He keeps experiencing missing time, waking up in strange locations no matter how hard he tries to stay awake or chain himself up in his sleep. The cause for these lapses, as we soon learn, is that Steven shares his body with an entirely separate personality — that of a man known as Marc Spector, who’s caught up in some complicated business involving a golden scarab, a cult leader named Arthur Harrow (Ethan Hawke), and as we eventually come to discover, the modern-da...
Oscars 2022 Review: Well, That Was a Hot Mess
“There’s, like, a different vibe in here.” So remarked host Amy Schumer towards the end of the 94th annual Academy Awards, after an emotionally exhausting night that did deliver a lot of surprises. Perhaps not the kinds of surprises that anyone watching was hoping for, because as the show creeped past the three-and-a-half-hour mark, what was striking was how the Oscars managed to make the handing out of actual Oscars feel like an afterthought. In the minutes before the Oscars began this year, the vibes were not great due to the controversial choice to eliminate eight categories from the live broadcast (instead handing those awards out an hour before the official ceremony started, and then editing the winning acceptance speeches into the show later). In concept, an idea which might trim som...
Daddy Yankee Makes His Claim as the G.O.A.T. of Reggaetón in Legendaddy
After setting the reggaetón genre ablaze with “Gasolina” in 2004, Daddy Yankee is getting ready to hang up the nozzle. With news of his impending retirement from music this year, the Puerto Rican icon released his final album, Legendaddy. Across 19 tracks, Daddy Yankee reasserts his position as the King of Reggaetón while collaborating with the new generation of stars that he inspired, like Bad Bunny, Myke Towers, Sech, and Natti Natasha. He also celebrates how global the genre has become with artists like Lil Jon and Nile Rodgers. Legendaddy is an impressive amalgamation of reggaetón’s legacy and present with Daddy Yankee at the helm. In the quirky “X Última Vez,” he’s joined by Puerto Rican superstar Bad Bunny. Backed by computerized beats courtesy of Tainy, the reggaetón dream team trad...
Soul Glo Turn In a Landmark Hardcore Album with the Political and Personal Diaspora Problems: Review + Stream
In the roiling summer heat of 2021, Philadelphia hardcore act Soul Glo took to their practice space to record the 12 songs that would form Diaspora Problems. The material was conceptualized over a five-year period and harnessed in true punk fashion, under tumultuous and budget-conscious conditions. In many ways, Soul Glo have followed the tried-and-true punk trajectory, gradually building a fanbase via touring, DIY releases, and EPs. It’s culminated with the band inking a deal with storied punk label Epitaph Records, home to legends such as Bad Religion, Rancid, Social Distortion, and many more. But Soul Glo are far from your average hardcore band. With predominantly Black band members, the band is inherently distinguished among a scene long dominated by whiteness — a topic Pierce Jordan d...
Everything Everywhere All At Once Is A Lot, and That’s a Good Thing: Review
The Pitch: Evelyn Wang (Michelle Yeoh) has lived a life of quiet, overwhelmed lament. There are so many things she could have done, so many hers she could have been. Instead, she’s a middle-aged owner of a failing laundromat, with a miserable husband gunning for divorce (Ke Huy Quan’s Weymond), a withdrawn daughter (Stephanie Hsu’s Joy), and an increasingly frail father (James Hong’s Gong Gong) who doesn’t yet know that his granddaughter is gay. It gets worse: It’s tax season, and their unsympathetic IRS auditor (Jamie Lee Curtis‘ Deirdre) is breathing down their necks. As if that weren’t complicated enough, the IRS office becomes a battleground for the fate of the multiverse as Evelyn learns that she’s the only one who can stop a multi-dimensional agent of chaos named Jobu Tupaki fro...
Labyrinthitis Is All About Destroyer Having Fun
Destroyer’s latest album, Labyrinthitis, started out as a dance record. It would have been “just like Donna Summer’s greatest hits,” frontman Dan Bejar explained in the album’s press materials. The Vancouver-based indie-rock outfit hasn’t exactly shied away from grooves before, but Bejar often suffuses those grooves with his own sardonic twist. It creates a set of expectations that Destroyer rarely strays from, refining their music à la Beach House or The War on Drugs, contemporaries who are often tagged with the “consistent” label that signifies unsurprising greatness. Now, with 13 albums under its belt, Destroyer is a legacy act, and Bejar has largely stuck to his formula of satiric lyrics and new-wave sonics that fans are well familiar with at this point. But that doesn’t mean he can’t ...
Consequence’s 2022 SXSW Party at Brooklyn Bowl’s Family Reunion: Recap + Photo Gallery
It seems like we’ve been saying “live music is returning” for a year now. For a moment last summer, it felt like it was fully back before a fall variant threw everything out of whack again. There’s honestly no knowing whether another hold is on the horizon, but if there’s a sure sign concerts are back with a vengeance, it’s the return of South by Southwest. After being forced into a second virtual iteration last year, the long-running music conference and festival returned to Austin last week to once again bring together artists, fans, and industry figures for a celebration of all things live music. We at Consequence couldn’t have been more ecstatic to be part of the activities, reteaming with Brooklyn Bowl and Relix for the third “annual” Family Reunion at SXSW. Taking place on Friday, Ma...
Weezer Go Vivaldi-Rock (?) on SZNZ: Spring EP
For a band still very much defined by the crunchy alt-pop of their very first album (and by the departures from that sound on their classic follow-up), Weezer has used its unlikely second and third decades as a band to practice a surprising amount of eclecticism. For Decade Two (roughly 2003 through 2013), this translated to never knowing whether a Weezer song would be pop-rock bliss or appalling disaster, leaving only the certainty that any given album would have at least several tracks’ worth of each. But since 2014 or so, the band has seemed less defiantly scattershot in their experiments. Their albums still come out at a steady clip, but they feel more sonically and thematically cohesive — without sacrificing their playfulness. Appropriate for its debut in a season of blooming, the ban...
SPIN at SXSW: The Lemonheads Reignite Austin With It’s a Shame About Ray Performance
Not gonna lie: we kinda missed SXSW, traffic, lines, free-flowing human chaos and all. SPIN hosted a number of raging day shows throughout the years, but for SXSW’s return, we had to come back with a real-deal official showcase at Stubb’s. And who could be more official than The Lemonheads? Evan Dando and company ripped through their classic 1992 album, It’s a Shame About Ray, as the party’s marquee feature, and even if at least half of the audience hadn’t been born by the time they initially broke up, Dando’s youthful warble still filled Stubb’s vast gravely lawn. One could probably hear Dando and the rest of us “Raaaaaay” from the Capitol less than a mile from the venue. Nearly three decades later, the one-two punch of “Bit Part” and “Allison’s Starting to Happen” still goes for the punk...
Bridgerton Tries to Add Some Substance to Its Decadent Style in Season 2: Review
The Pitch: When it premiered in December 2020, Netflix’s Bridgerton provided plenty of steamy romance and escapism, both of which were in short supply as the world prepared to enter the second year of the COVID-19 pandemic. Season 1 of the lush period drama, adapted from Julia Quinn’s Bridgerton book series, followed Daphne Bridgerton (Phoebe Dynevor) and Simon Basset (Regé-Jean Page), the reluctant Duke of Hastings, as they went from co-conspirators to marrieds, setting Regency-era London ablaze. Their exploits, and those of the rest of the ton, were chronicled by the acerbic (and anonymous) Lady Whistledown, whose influence at times rivaled that of the Queen (Golda Rosheuvel). The second season follows the tradition of Quinn’s books and shifts the focus to a different Bridgerton: this ti...
Atlanta Season 3 Is the Best Sort of Television — Something Truly Unique: Review
One downside of the modern age of television is that it’s now not uncommon for some shows to take more than a year to return with new episodes. In the case of Atlanta, which debuted its second season in 2018, that wait was longer than most, but those four years were truly worth it. The Donald Glover-created series, returning for Season 3, remains as ethereal and shocking and fascinating as ever; having screened the first two installments, it’s a thrill to know that eight more are coming to engage and confound us. This will be a short review, because revealing too much about the first two episodes of the season feels like it would do a disservice to everyone involved, including the audience. But if the first two seasons of Atlanta did anything — hell, if the first few minutes of the Atlanta...
Windfall Review: Netflix Thriller is a Thin Exercise in Hitchcockian Style
The Pitch: A man (Jason Segel) breaks into a well-furnished California vacation home; he rifles through the drawers for cash and valuables, eats fruit from their lush orange grove, and pisses in their shower. But just as he’s about to leave, the couple to whom the house belongs — a snotty tech CEO (Jesse Plemons) and his wallflower wife (Lily Collins) — return home early and catch him in the act. Rather than break out into violence, though, a curious game of negotiation begins: What does the man want? Why did he pick this particular guy’s home to rob? And just what will it take to make him go away? This One Goes Out To…: We’re two full years into the COVID-19 pandemic now, which means we’re still dealing with the surfeit of small-scale, isolated thrillers facilitated by the restr...
