The Pitch: Following directly from the original ’80s cartoon He-Man and the Masters of the Universe, the battle between He-Man (Chris Wood) and Skeletor (Mark Hamill) continues to rage over Eternia and the magical powers of Castle Grayskull. But in the wake of Eternia’s most devastating battle yet, the Power Sword is split in twain and the planet is fragmented, thrown into an anarchic wasteland without magic or hope. Without the power of He-Man to rely on, it’s up to Man-at-Arms’ daughter Teela (Sarah Michelle Gellar) and her cohorts — including old faces like Orko (Griffin Newman) and Moss-Man (Alan Oppenheimer), as well as new faces like Teela’s partner in crime Andra (Tiffany Smith) — to reforge the Sword and save the universe. Back to Battle-Cat Basics: At first blush, Kevin Smith...
In a clip from his new Paramonut+ docuseries From Cradle to Stage, Foo Fighters frontman Dave Grohl tells Pharrell Williams that he ripped off old disco and funk songs when coming up with his drum parts for Nirvana’s Nevermind. And while his hard rock ethos has always been present, Grohl has been outspoken in the past about his appreciation for ‘70s pop, disco, R&B and funk. This time, however, the Foos are taking that appreciation one step further with Hail Satin, their debut EP as the Dee Gees, which is out today (July 17th) exclusively on vinyl for Record Store Day. Hail Satin sees the Foo Fighters taking on five classic Bee Gees songs (“You Should Be Dancing,” “Night Fever,” “Tragedy,” “Shadow Dancing,” and “More Than A Woman”) and bringing their own unique spin to them under a dis...
Claire Cottrill’s rise to internet stardom is well-chronicled. While drinking a Dunkin’ coffee in her childhood bedroom, she lip-syncs to “Pretty Girl,” her unlikely viral video that has now amassed more than 75 million views on YouTube. She didn’t expect the reaction that it received. “By the time I got to school for orientation, people already knew who I was,” Cottrill said in 2019. The following semester, she packed up her dorm room at Syracuse University to perform under her moniker, Clairo, as an opener for Dua Lipa. She’s since moved away from the lo-fi bedroom pop that characterized her breakthrough EP, diary 001, which included “Pretty Girl” on its tracklist. With her sophomore record, Sling, she focuses on restraint and soft, subtle arrangements. It’s uncharted territory for her, ...
Just four years ago, Claire Cottrill was creating lo-fi bedroom pop on a simple keyboard. Then her now-certified-platinum song “Pretty Girl” went viral on YouTube, and the unexpectedly biting track cascaded into a breadth of opportunities for the young artist, who performs as Clairo. After dozens of festival shows, collaborations, and an EP, she released her excellent debut album Immunity in 2019 to widespread acclaim. Although many doubted Clairo’s ability to showcase a strong musical identity due to her age, background, and her viral moments, Immunity was an impressive and personal foray into her unique brand of indie pop. (It also sparked her first Billboard hit in “Sofia,” which enjoyed TikTok attention in the autumn of 2020.) Now, two years later, Clairo returns with Sling, an organic...
It is no longer news that Wizkid’s latest single “Essence” featuring Tems from his album Made In Lagos has become a global summer anthem and a viral international hit. The massive streams, airplay all over the world, reposts from celebrities worldwide, social media engagements, etc. over the past few weeks have prompted Wizkid to add another chart record to his collection. This is as big as it gets but it doesn’t even end there. The album Made In Lagos is still growing as in this same chart week on Billboard 200 album chart, Wizkid‘s Made In Lagos re-entered the chart at #147 after previously peaking at #80 back in November 2020. Its re-entry on the chart makes it the longest-charting album by a Nigerian artist on the Billboard 200 album chart this century. ALSO READ: Nigerian Rap Is Becom...
Shmurda has found his star power and he has grown hotter than ever. High Tension 2.0, takes you into a crystal clear picture of how he morphed from the beginning of the initial creation of High Tension 1.0 a year ago, as this follow-up sequel designs him as a true star who finally understands his sonic fluidity and how to make it beyond measure appeal deliberately. He delivers alone and it was good. With the creation of pop-infused “Party Next Door” that was released off the project a few days ago, alongside “World”, and “Rush” some months back, Shmurda becomes a full-fledged singer with confirmations of his art staking an audience a glimpse of introspection about the world he comes from and the Lamba in between his artistry. It is wonderful. ALSO READ: “UY Scuti” Interpolates With A Speci...
Vince Staples is home again — and while that home of Long Beach, California might look the same to him in a lot of ways, there’s no denying that the rapper is the one who’s changed. Vince Staples, the ten-track self-titled LP, is the artist’s fourth studio album and feels like more of an evolution than a departure from his earlier work. Remarkably slight at just over 20 minutes, Vince Staples swims in a world separate from 2017’s stylish, avant-garde Big Fish Theory or 2018’s bigger, feature-heavy FM!. Instead, the album is a bit of a slow burn, simmering and sitting in a lower, smoother groove than much of Staples’ discography to date. (Kenny Beats produced the entire album.) The result is incredibly cohesive, though, and if Staples was interested in telling his own story in his own way, ...
Tyler, the Creator’s latest album, Call Me If You Get Lost, blends his unconventional early-days charisma with the warm melodies of later projects Flower Boy and IGOR. The record, a love letter to the DJ Drama mixtapes of the 2000s, finds Tyler reminiscing on personal histories and basking in the possibilities up ahead. Like much of his discography, the album devotes a healthy portion of its runtime to self-reflection. Since introducing fans to imaginary therapist “Dr. TC” on his debut mixtape, 2009’s Bastard, Tyler’s music has cathartically yet creatively addressed the frustrations, passions and inspirations of his personal life. He took that theme even further on 2019’s IGOR, centered around the titular figure—represented by Tyler in a blonde wig—who embodies and reckons with heartbreak....
The Pitch: Ask any self-respecting millennial music dork which two people he’d like to have dinner with, living or dead, and chances are Rick Rubin and Paul McCartney are somewhere at the top of that list. Luckily, with Hulu’s new six-part docuseries McCartney 3,2,1, we get the closest possible thing, with Rubin and McCartney spending a long afternoon in a recording studio, the former grilling the latter about his history with the Beatles, his collaborations with John Lennon and George Martin, and taking apart some of his most famous tracks to see what they’re made of. The Notes That Like Each Other: One of the unexpected joys of Zachary Heinzerling’s docuseries is just how relaxed it is. There’s no pressure to use McCartney and Rubin’s time together as a comprehensive ...
The Pitch: Josh (Keegan-Michael Key) and Melissa (Cecily Strong) have hit a roadblock in their relationship: he’s too aloof, she’s too controlling, and the pair are steamrolling towards an abrupt end. But on a last-ditch backpacking trip to rediscover their bliss, they stumble upon something stranger: A mysterious, brightly-lit town called Schmigadoon, where everything looks like a colorblind-cast version of a ’40s villa and the townspeople burst into song at the drop of a straw hat. Soon, they discover that they’re trapped in the cloyingly musical town until they can find “true love” — love that it seems they don’t have anymore (if they ever did). Will the two patch up and get out? Or will they have to find a way to adjust to this new, toe-tapping normal? Corn Puddin’, Corn Puddin’, ...