Reviews
REVIEW: Apart From Lamba & Vanity, Olamide’s “Rock”, Is Feministic
Rock is any hedonistic pursuit meant for groove as it becomes realistic and is defined on the dance floor, it is perfectly normal and complete having great fun at any intensity with the opposite s3x, probably dancing and romancing, that is rock, and it becomes abnormally done and yields disgust when both parties become same-s3x as Rock is meant for a he and a she which becomes the exact place Olamide’s “Rock” comes from to lend you a share of fun, the Lamba in between, the vanity, and also as it has been overlooked when it becomes a voice for feminist as well. It’s speaking up in an, unlike manner that you have to listen in between lines to understand. REVIEW: “World” Sounds Like Opener Track To Bella Shmurda’s Forthcoming High Tension EP, 2 Olamide’s “Rock” is a bunch of thoughts about a ...
REVIEW: “World” Sounds Like Opener Track To Bella Shmurda’s Forthcoming High Tension EP, 2
In “World”, the talented Nigerian singer, Bella Shmurda, who loves to make his listeners with street components that takes form from, hustling, cashing out, and enjoying ones-life and everything that it comes with through the piece of his music, now has shown his strength and a desire to press on despite whatever that surrounds him and his career; he focuses on being himself, and he tells the story about the major influence that swindles people in the world where they live in from believing and completely being themselves. The beauty about “World” is that Bella understands how society directly or indirectly influences people, and most times they end up wearing a mask to fit in because they probably want to please the people living around them one way or another and Bella makes this music t...
See Three West African Songs That Has Potential Influence On Pop Culture
In West Africa, music creators like Zlatan Ibile, Olamide, Burna Boy, Naira Marley, Wizkid and Davido, have curated tracks that looped into and balanced in pop culture spaces, and most times they alter our behaviors and perspectives, how we react to their music publicly and see society inclusively. In 2017, Olamide, co-inspired the mainstream success of the popular Nigerian “Shaku Shaku” dance through his street infectious records like “Wo”, “Science Student”, and more before several Nigerian acts began to embrace, and stuck with the creation of records tapping from the glories of Shaku dance that beamed between 2017, and the near end of 2018. Songs like Reminisce’s “Problem” peaked into the street numbers and raised the bar of cultural influence in Nigeria. DJ Consequence’s “Assignment” t...
D’banj set to unveil new female signee
Popular Nigerian singer, Dapo Oyebanjo, fondly known as D’banj, has revealed plans to unveil a new female signee to his record label, DB records. The self-acclaimed ‘Koko Master’ made the announcement on Thursday via his verified Instagram page, where he uploaded a poster showing the female signee but with a covered face. The poster read, “New artiste unveiling by DB records.” In the caption section, D’banj wrote, “Ladies and gentlemen, @dbrecordsofficial has a first lady. Guess who she is!” The singer launched his record label, DB records, in 2012, D’Banj, after leaving the defunct Mo-hits Records, which he co-owned with popular Nigerian beat maker, Don Jazzy. He signed his younger brother, KaySwitch, alongside two producers, Jaysleek and Deevee. He later signed brothers, MossKriss and Ra...
REVIEW: “Sound God Fest Reloaded” Is Runtown’s Intensive Pop Reachability
Sound God Fest Reloaded, is a Runtown pop reachability to delve into the creation of few exclusive pop ballads, and making the perfect collaborations to form great appeal that would see him through his career from this moment amongst contemporaries while his ability, securing himself as the pop star is filing a great strength. “Kini Issue”, “Luva Luva” feat. Rowlene, “Body Riddim” feat. Bella Shmurda and Darkovibes, “Bad Pass Dem” feat. Minz scores an intensive pop sequel and you can testify his weightiness creating appealing pop songs on them ranging from this project that beams many pop products from almost every track on the LP. Sound God Fest Reloaded sits coolly next to his 2019 6-track extended play, “Tradition”, which was perfected and coined from self-expression, overcoming his ene...
St. Vincent Finally Takes a Breath on Daddy’s Home
St. Vincent’s seventh album is her first ever to feel like an exhale, as the patently ambitious songwriter shrewdly forgoes much of the brazen — and regularly challenging — synth-rock spectacles of muses David Bowie and David Byrne. Instead, she’s settled in with the grit and shabby-chic glamor of early ‘70s Manhattan: heels on the subway, bodega roses, threats of love, violence and disillusion around every corner. Scenes from the city fuel the album’s lived-in and retro-tinged aesthetic, as do the sounds that dominated the periods’ airwaves, wedged between The Beatles and Sex Pistols: soul, soft-rock and psychedelia (plus a shitload of moody organs). The arrangements are familiarly nuanced and playful, as the artist born Annie Clark prefers to remain one step ahead, but Daddy’s Home manag...
Spiral: From the Book of Saw Gets Twisted in Its Own Formulas: Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-12T19:26:47+00:00“>May 12, 2021 | 3:26pm ET The Pitch: It’s been a decade since John Kramer, aka Jigsaw, spent years terrorizing unsuspecting citizens with a dizzying, disgusting array of homespun torture traps meant to enact karmic justice for their personal failings. Now, a copycat is on the loose, and this time he’s targeting crooked cops, with a mission to “reform the police” (more on that later) and purge it of its corruption. Hot on the case is an idealistic but disillusioned cop named Zeke Banks (Chris Rock), the son of the department’s former chief (Samuel L. Jackson), already a pariah for turning in a crooked cop several years prior. Now he and his fresh-faced ...
REVIEW: Jae5’s “Dimension” Carries Cultural Expository With It, Were Afro Culture Is Significant
On Jae5’s “Dimension”, Rema’s hook and chorusing were full of self-expression and it was hot. Rema’s presence was a strong Afro-cultural significance representing a young Nigerian hustler who understands how to fend for his needs, extending the same compassion with his family. His lyrical XP relates to his hoodies (peers) he started hustling with and how most of them have been caged on various custody. He claims to come from another dimension, giving great essence to the theme of the record as He takes introspection into his past where he would never cease to forget the pains he took growing from day one to this point of his greatness. Rema’s pop significance story’s hustling Nigerians who push towards claiming the life they desire, and in between the hustle, they get to face with police b...
REVIEW: Apart From Braggadocio, Burna Boy’s “Kilometre” Is On Various Context
Kilometre can mean various contexts from Burna Boy’s music career in the midst of being one of the 2021 Grammy Award winners on the Best World Album categories. He is aware of his detractors and those who flare hate on him and his music, the greatness is what he seeks and what he has become so far so he joins braggadocio into the un-hypnotic pop levers in the successful creation of Kilometre, where he advises other musicians to learn from the teachers and tend to compare his staying power to iconic Nigerian Juju musician, Shina Peters. RELATED: LeriQ: Has Been Responsible for The Root Morphing of The ‘African Giant’ Burna Boy He claims to have walked many Kilometres, and the first context is his consistency despite the braggadocio that comes forth in the creation. Kilometre conceptualizes,...
McKinley Dixon Deftly Navigates Grief and Healing on For My Mama and Anyone Who Look Like Her: Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-07T15:45:52+00:00“>May 7, 2021 | 11:45am ET The Lowdown: From the first track of McKinley Dixon’s For My Mama and Anyone Who Look Like Her, you’ll be floored by the Richmond, Virginia-based artist’s ability to marry extremely personal storytelling with dazzling, and often unpredictable, instrumentation. The final installment in a five-year trilogy, the record builds on the legacy of 2016’s Who Taught You to Hate Yourself? and 2018’s The Importance of Self Belief. Across each of these works, Dixon sounds like a highly-trained musician, with melodic arrangements that induce a visceral reaction. Coupled with his gripping delivery and impeccable lyricism, it’s hard to believe Dixon h...
Weezer’s Van Weezer Is All Big Riffs with Little Payoff: Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-06T22:09:22+00:00“>May 6, 2021 | 6:09pm ET The Lowdown: We’ve spent the first months of 2021 wrestling with some truly difficult questions. How will the pandemic end? Can America recover from its increasingly violent political polarization? Is Weezer actually good again? While the answers to those first two are still forthcoming, the last one seemed more straightforward — upon its surprise arrival in January, the band’s 14th studio album, OK Human, delivered some of Weezer’s most lyrically confessional and musically adventurous songs in recent memory. That record largely succeeded thanks to its grounded relatability, two words which seem unlikely to describe the followup to OK Hu...
Weezer’s Van Weezer Is Hard-Rock Cosplay
In a 2019 interview, Weezer ringleader Rivers Cuomo spoke about their most recent self-titled album at the time, Weezer (a.k.a. the Black Album). “My main goal for any album at this point is for it to have at least one song that the audience at our shows every night wants to hear,” Cuomo said. He was uncertain that the Black Album would fulfill that goal, but that Weezer “would fail in a different way, which is exciting to me.” Cuomo goes on to describe himself as a resilient songwriter, and he’s right. He recognizes that fans likely won’t enjoy a new Weezer album nearly as much as 1994’s studio debut Weezer (or the Blue Album) or their second album, 1996’s Pinkerton, but that doesn’t preclude Cuomo’s lofty ambitions that Weezer will one day perform at a Super Bowl halftime show. That coul...
