Reviews
BROCKHAMPTON Get Introspective on the Soul-Searching ROADRUNNER: NEW LIGHT, NEW MACHINE: Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-09T16:21:05+00:00“>April 9, 2021 | 12:21pm ET The Lowdown: We’re now deep into the heart of hip-hop’s psychedelic era. As modern-day rappers and producers have begun to embrace the use of psilocybin and LSD, the mind-altering effects are starting to bleed into the music. But for the same reason that shrooms are being legalized for therapeutic purposes, these drugs, if taken in the right doses and circumstances, can inspire deep reflection and serious psychological growth. Not that BROCKHAMPTON needed any help to gaze inwardly. This Texas crew opt for introspection over braggadocio and thoughtfulness over arrogance. But the tone of their sixth full-length and the subject matter wi...
Taylor Swift Honors Her Own Vision on Fearless (Taylor’s Version): Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-09T21:50:09+00:00“>April 9, 2021 | 5:50pm ET The Lowdown: “For years I asked, pleaded for a chance to own my work,” Taylor Swift wrote in a 2019 social media post after her longtime label, Big Machine, sold her master recordings without her consent. Swift had been unable to gain control of her first six albums through contract negotiations, and then Scooter Braun, who’d demonstrated public enmity with the singer-songwriter, was collecting the checks. (Braun’s company has since sold the masters to Shamrock Holdings for $300 million.) What’s one of the world’s brightest superstars and the preeminent pop poet of a generation to do? The answer: Do it all again. Swift has begun to re-...
Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp
Before we start, a note: There really is no precedent for what Taylor Swift is doing. Sure, artists have re-recorded bits and pieces of their catalog over the years. Frank Sinatra, Def Leppard, DMX — they’ve all redone at least some of their greatest hits due to prior contract disputes or other financial incentives. In 2018, JoJo re-released new versions of her first two albums, after years of label quarrels and not owning her masters — troubles not so foreign from Swift’s contentious ending with Big Machine Records and feud with super-manager Scooter Braun, who acquired the pop megalith’s first six albums in 2019 and flipped them to a private equity firm for a cool $300 million in November. No artist in their prime, let alone one of the best-selling singers of the last 20 years — fr...
Godspeed You! Black Emperor Charge Forward into the Unknown on G_d’s Pee AT STATE’S END: Review
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-07T16:31:02+00:00“>April 7, 2021 | 12:31pm ET Editor’s Note: Our review looks at the physical version of this release, which consists of four total tracks — two long, two shorter. On many streaming services, the longer tracks have been broken down into a total of eight tracks. The actual music remains the same. The Lowdown: Godspeed You! Black Emperor have always played at being impenetrable. The Montreal post-rock cooperative give their albums and songs difficult, often poetic names (Asunder, Sweet and Other Distress, “[…+The Buildings They Are Sleeping Now]”), and the group would much rather hide in the shadows of large, projected images at their live shows than drink in the sp...
Idahams ft. Falz – “Man On Fire” Remix, Resonates Better Than The First
“Man On Fire” remix, featuring Nigerian rapper and award-winning lyricist, Falz, explores deeper and then it creates a stronger sense Idaham’s core listeners could relate to apart from its initial singing and chorusing sections on the first and original creation from his sophomore 7-track, EP – “Man On Fire”. This remix is designed to keep Falz’s native listeners who understand his art of storytelling reality and entrenches to save Idahams, on his mainstream journey. Meanwhile, “Man On Fire” EP, is Ham’s stellar extended play released in 2020 that served as an experience of his musical edge; in between was released singles and his former EP “Amayanabo” in 2019, and his partnership with Universal Music Group in the same year. He is taking over the mainstream market and has been making excel...
Demi Lovato Rises Again on Dancing with the Devil…The Art of Starting Over: Review
The Lowdown: With a voice as big as the sky, it’s hard to figure out where to go first — but that’s not going to stop Demi Lovato from trying. It never has. Dancing with the Devil…The Art of Starting Over is the seventh full-length album from the child actress turned teen phenomenon turned pop star and arrives almost four years after 2017’s often sultry, R&B-infused Tell Me You Love Me. Her discography has effectively captured many parts of the rollercoaster she has endured: even in her earliest efforts, Don’t Forget and Here We Go Again, her vocal prowess is undeniable. (Demi Lovato could still put out a great pop-punk album if she were to so choose.) She is a remarkably gifted natural vocalist. Lovato has also had a lion’s share of trials and tribulations, almost all of which have un...
Julien Baker Brings Us Close to Little Oblivions at Nashville’s Analog: Review
Got Enough Gas: There’s music that makes you think and music that makes you want to move, and there’s Julien Baker. The songwriter has an uncanny talent for considering the underlying motivations for her own feelings and actions, and the result is often visceral music that hypnotizes the attention of the listener and prompts self-reflection, sometimes feeling deeply difficult and deeply healing at once — which is maybe part of the point. Baker released Little Oblivions last month and received instant praise for its bold and self-conscious digs into complex questions of addiction, survival, mental illness, and second chances. The album marked an evolution for Baker’s music into a fuller band sound, after she probed the depths of acoustic alt-folk in her first two albums and united her talen...
Artist of the Month serpentwithfeet’s DEACON Is a Bountiful Collage of Love and Care: Review
The Lowdown: Serpentwithfeet first gained attention in 2016 with his EP blisters, and then more broadly in 2018, when his debut album, soil , earned praise for its complex and subtle portrayals of love. Born Josiah Wise, he grew up in a religious family and sang in the church choir, and the influences of classical and gospel have long made themselves known in his music. DEACON isn’t quite a departure, but it is a move forward into more expansive territory; the sound serpent has taken on feels like it can accommodate more, and indeed, it does. DEACON is full of songs that wrap around the listener, showing in full resolution serpent’s expertise in using his music not only to portray love, but to extend it. [embedded content] The Good: The influence of religion feels present again here; along...
Evanescence Are Stronger and Louder Than Ever
Strength has always been at the core of Evanescence. Since the group’s 1995 beginnings, vocalist/pianist Amy Lee has used her voice to reclaim something—usually herself—being loud, disruptive and bold in the process. With the release of the band’s first original album in nearly a decade, The Bitter Truth, that strength is clearer than ever, and she’s reclaiming even more this time. Maybe it’s because she had to. Lee and bassist Tim McCord were both dealing with personal cases of grief before collective mourning absorbed the whole population—and that reckoning and pain comes through on the record, especially in the gloomy poetry and vivid imagery. It’s vulnerable, but more than anything, it’s empowering. “Oh, survival hurts / But I keep breathing in,” she sings on the aptly-titled “Broken P...
Justin Bieber Gets Too Woke for His Own Good on Justice: Review
The Lowdown: After an unfortunate misstep with Changes, released last year just before lockdown, Justin Bieber found himself, once again, at a sharp crossroads: carry on writing meme-able nonsense for lyrics, or put forth something that makes better use of the large production budget his label shells out. Fortunately, on Justice, he chose the latter. Unfortunately, if ever there was an example of the needle tipping too far, this is it. While Justice steps away from the lyrical fallacies of its predecessor, for an album that is much more expansive and explorative, the record has way too much nonsense surrounding it. If at any point you begin to wonder why the first voice on a song about submitting sexually to his wife is not Bieber, but civil rights leader and martyr Dr. Martin Luther King ...
Amapiano: Births The Most Creative Nigerian Club Songs
Strongly dominating South African pop culture is a genre that consists of striking piano cuts, blustering drums, and synthesizers that make up the Amapiano sound. This culture (Amapiano) is freshly penetrating the clubs of Nigeria in tons of creative songs; the culture grew widely and expanded from South Africa’s mainstream into Nigerian demography where it has been regarded by me as the birth of the most creative songs ever, since 2020 till date. Because Amapiano structures songs astounding; it makes them a typical different feel that holds an exceptional touch, with a ledger that has recorded its intense creativity. The blustering drums and synth make your body move, while the piano creates an embodied rhythm you are bound to enjoy. [embedded content] Amapiano culture exists in songs dom...
Lana Del Rey Strips Back the Glamour on the Charming Chemtrails over the Country Club: Review
The Lowdown: In 2019, Lana Del Rey released Norman Fucking Rockwell! to critical acclaim, an album that integrated her long-running motifs of allusive Americana, melancholy femininity, and seedy glamor with more memorable melodies and legibility – a full execution of the vision she’d been expressing since 2012. Now, on Chemtrails over the Country Club, the singer-songwriter and pop icon continues to weave sharp referential lyrics with atmospheric set-pieces. The album is a cohesive extension of NFR!, but the sound is more overtly connected to California country-folk, built around shimmering guitars and gentle pianos. She teams up with Nashville artist Nikki Lane while name-checking her forebears Joni Mitchell, Joan Baez, Stevie Nicks, and Tammy Wynette. Del Rey still addresses tragic ...
