Consequence Podcast Network and Sony’s The Opus is back for Season 12, which examines the enduring legacy of Janis Joplin’s posthumous final album, Pearl. Also, after you read this article, scroll below to enter our exclusive Janis Joplin giveaway or score some original Opus swag. — Pearl never stood a chance at being just an album. That was assured when Janis Joplin was found dead in her hotel room of an accidental heroin overdose during the sessions that would lead to her second and final solo record. At that point, Pearl, which came out a little over three months later, could never simply be the latest measure of the brilliant blues singer as a recording artist. It became part of the myth of Janis Joplin — an idea that’s only grown bolder and more complex over the decades. To many fans,...
The Lowdown: If you find a political message in the music of Sweden’s Viagra Boys, it wasn’t necessarily put there on purpose. At least, that’s the party line from singer and lyricist Sebastian Murphy, whose deadpan baritone and satirical send-up of hyper-macho posturing made the post-punk band’s debut, Street Worms, essential listening in 2018. In a 2019 interview with Australia’s Happy Mag, Murphy laid out his thoughts in full: “In a way, making music in itself is a political statement,” the singer said. “If the right-wing had their way, we wouldn’t be making music at all. They hate all this stuff, and they hate this kind of culture. We’re being political just by being ourselves – and in my opinion, that’s enough. You don’t need to dive any deeper than that.” Of course, plenty of people ...
A band of President Donald Trump’s Republican allies planned a last-ditch effort on Wednesday to undo his election loss to Democrat Joe Biden, a bid almost certain to fail that comes on the same day their party is poised to lose its majority in the Senate. The Republican-led Senate and Democratic-controlled House of Representatives were due to meet to formally certify Biden’s victory in the Nov. 3 election in proceedings that could stretch past midnight. In a joint session of Congress, Trump’s allies plan to challenge the results from a handful of states won by Biden. Thousands of pro-Trump protesters converged on Washington ahead of the session at his urging. Some clashed with police overnight. Biden won the election by a 306-232 count in the state-by-state Electoral College and by a marg...
The eighth matchday of the Indian Super League is just around the corner, and it includes some exciting clashes between ATK Mohun Bagan and Bengaluru FC and a few other things to look forward to. Here’s all you need to know before matchday 8: ATK Mohun Bagan vs Bengaluru FC The action kicks off with a match between the 2nd and 3rd-placed sides in the league, as ATK Mohun Bagan face Bengaluru FC. Last Results: ATKMB didn’t feature on matchday 7, so their last match was a 1-0 victory over FC Goa thanks to Roy Krishna’s late penalty. Bengaluru beat Odisha FC 2-1 as Sunil Chhetri and Cleiton Silva got on the scoresheet. Head-to-Head: Bengaluru had a 5-2 lead over the old ATK, as only one match between those two teams failed to find a winner. During their time together in the I-League and in a ...
The Pitch: Courtrooms, prisons, the police — Steve McQueen‘s Small Axe anthology has taken probing, deeply personal looks at the effects of racial discrimination, bias, and anti-Black violence on London’s Afro-Caribbean communities in the ’60s through the ’80s. With Education, McQueen turns his eye to London’s school systems in the 1970s, a place rife with bifurcated ideas about the intelligence of Black and white people. Enter Kingsley (a warm, intelligent turn from young Kenyah Sandy), the 12-year-old son of West Indies immigrants (Sharlene Whyte’s Agnes and Daniel Francis), who finds himself transferred to a “School for the Educationally Subnormal,” essentially a babysitting gig for special needs kids. Kingsley’s smart, intellectually curious; the school, filled with disi...
The Lowdown: Since 2016’s A Good Night in the Ghetto and her inclusion in the coveted 2017 XXL Freshman Class, Kamaiyah has been one of rap’s most consistent and exciting players. The Oakland-born and -raised rapper has hyphy written all over her music as part of the Bay Area’s highly influential scene, one that has birthed some of the most iconic gangster rap and party anthems. Kamaiyah exists in between the “hard” and the hyphy, taking the infectious, cocky grooves of Mac Dre and Too $hort into a new age for a wider audience without yielding to current trends. After departing from Interscope Records due to release disputes, the Bay Area star used 2020 to release multiple projects, No Explanations being the third. Despite a quiet release, due in part to the end of the year lull, Kamaiyah ...
Editor’s Note: This review is of Performance 2 of Gorillaz’s Song Machine Live, which aired on December 12th at 7:00 p.m. ET. Setting the Stage: If there’s one thing that Gorillaz are known for, it’s irresistibly creative fusions of music and visuals. From the very beginning, they’ve ensured that their videos, concerts, web content, and assorted paraphernalia provided a characteristically cartoonish spectacle to match the flamboyant edge of their tunes. Their latest multimodal project, Song Machine, is the best example yet of that fusion, as it mixed episodic webisodes with an almanac, a proper LP — this year’s Song Machine, Season One: Strange Timez — and more. Really, all that was missing were live performances — that is, until now. This past weekend, the group teamed up with LIVENo...
The Lowdown: Once again, Taylor Swift was lying when she told us there was “not a lot going on at the moment.” Once again, she’s dropped a carefully curated collection of songs unraveling both her extremely public exterior and deeply personal interior life. And once again, it’s an album that acts as a remarkable exercise in lyricism. It’s not just a worthy follow-up to July’s folklore; it’s a mirror, a companion, and a bookend. Taylor had a few more things to say. The fable wasn’t finished yet. Like folklore, evermore was announced hours before release, framed as a “sister” project to the summer album that gave us the latest reinvention of Taylor Swift and successfully cemented her, even in many previously unconvinced eyes, as one of the strongest songwriters working today. evermore picks ...
Somehow. Somehow, as the most psychologically daunting year of our lives refuses to loosen its grip, Taylor Swift continues to create with abandon, relentlessly surprising a fan base that hangs on her every tweet and emoji. Somehow, the pop monolith has done it almost entirely in isolation, sharing heaps of digital files with her latest songwriting soulmate, The National’s Aaron Dessner (as well as long-favored collaborator Jack Antonoff), and remotely patching together some three-dozen fully realized tracks from a makeshift home studio. Somehow, she’s polished off two career-redefining projects in five months. And somehow, despite the mastery and universal acclaim of July’s Folklore, its new sister album, Friday’s Evermore, is even stronger. Released two days befor...
The Lowdown: In a recent interview with the BBC, founding member of The Avalanches, Robbie Chater, said of We Will Always Love You, “We were thinking a lot about signal transmission and how every radio broadcast from the last hundred years is still floating out there in space … It’s a beautiful thought to me that all these broadcasts are still out there, surrounding us.” It’s easy to feel this focus in the album, an expansive cosmic compendium that finds its tracks crackling and churning into one another. The context of the album’s production — how the band was inspired by the idea that sampling old records is like summoning old spirits and by the recording of Ann Druyan’s heartbeat for the Golden Record just after Carl Sagan proposed to her — helps, but it isn’t strictly necessary. This a...
The Pitch: It’s 2049, and the Earth is plagued by a mysterious apocalyptic event – details are scarce, but it seems as though the world is in its last gasps, and time is running out. Perhaps the only man left on Earth is Augustine Lofthouse (George Clooney), an astronomer dying of cancer who chooses to stay behind while the rest of the personnel evacuate their observatory in the Arctic Circle. As he whiles away the days and weeks waiting for the world to end, two events force him into action: the arrival of a mute girl (seven-year-old newbie Caoilinn Springall) seemingly left behind in the evacuation, and the realization that a spaceship called the Aether is on its way back to the planet. They’ve spent the last few years scoping out a new planet for humanity called K-23, and are comin...