Reviews
Education Ends the Small Axe Anthology With Full Marks: Review
The Pitch: Courtrooms, prisons, the police — Steve McQueen‘s Small Axe anthology has taken probing, deeply personal looks at the effects of racial discrimination, bias, and anti-Black violence on London’s Afro-Caribbean communities in the ’60s through the ’80s. With Education, McQueen turns his eye to London’s school systems in the 1970s, a place rife with bifurcated ideas about the intelligence of Black and white people. Enter Kingsley (a warm, intelligent turn from young Kenyah Sandy), the 12-year-old son of West Indies immigrants (Sharlene Whyte’s Agnes and Daniel Francis), who finds himself transferred to a “School for the Educationally Subnormal,” essentially a babysitting gig for special needs kids. Kingsley’s smart, intellectually curious; the school, filled with disi...
Kamaiyah Opens Up on Her Own Terms with No Explanations: Review
The Lowdown: Since 2016’s A Good Night in the Ghetto and her inclusion in the coveted 2017 XXL Freshman Class, Kamaiyah has been one of rap’s most consistent and exciting players. The Oakland-born and -raised rapper has hyphy written all over her music as part of the Bay Area’s highly influential scene, one that has birthed some of the most iconic gangster rap and party anthems. Kamaiyah exists in between the “hard” and the hyphy, taking the infectious, cocky grooves of Mac Dre and Too $hort into a new age for a wider audience without yielding to current trends. After departing from Interscope Records due to release disputes, the Bay Area star used 2020 to release multiple projects, No Explanations being the third. Despite a quiet release, due in part to the end of the year lull, Kamaiyah ...
Gorillaz Bring the Song Machine to Life with a Multimedia Extravaganza: Review
Editor’s Note: This review is of Performance 2 of Gorillaz’s Song Machine Live, which aired on December 12th at 7:00 p.m. ET. Setting the Stage: If there’s one thing that Gorillaz are known for, it’s irresistibly creative fusions of music and visuals. From the very beginning, they’ve ensured that their videos, concerts, web content, and assorted paraphernalia provided a characteristically cartoonish spectacle to match the flamboyant edge of their tunes. Their latest multimodal project, Song Machine, is the best example yet of that fusion, as it mixed episodic webisodes with an almanac, a proper LP — this year’s Song Machine, Season One: Strange Timez — and more. Really, all that was missing were live performances — that is, until now. This past weekend, the group teamed up with LIVENo...
Concert Review: Primus Pull Out Deep Cuts for Livestream Show
Setting the Stage: Ever since their inception, Primus have always been a “live band.” Sure, there’s no denying that such studio offerings as Frizzle Fry, Sailing the Seas of Cheese, and Pork Soda are ‘90s quirk-rock classics … but long-time fans can verify that the trio – singer/bassist Les Claypool, guitarist Larry LaLonde, and drummer Tim Alexander – are best experienced in concert, as they most certainly take their songs to the next level onstage. So, with a proposed 2020 tour (that was to see the trio pay tribute to Rush’s 1977 prog classic A Farewell to Kings), scrapped due to COVID shutting down tours, it was announced that Primus’ lone show of the year – titled “Alive From Pachyderm Station” – would be streamed on December 11th, filmed at Claypool’s winery, Claypool Cellars, in Seba...
Taylor Swift’s evermore Continues the Personal Fable Begun on folklore: Review
The Lowdown: Once again, Taylor Swift was lying when she told us there was “not a lot going on at the moment.” Once again, she’s dropped a carefully curated collection of songs unraveling both her extremely public exterior and deeply personal interior life. And once again, it’s an album that acts as a remarkable exercise in lyricism. It’s not just a worthy follow-up to July’s folklore; it’s a mirror, a companion, and a bookend. Taylor had a few more things to say. The fable wasn’t finished yet. Like folklore, evermore was announced hours before release, framed as a “sister” project to the summer album that gave us the latest reinvention of Taylor Swift and successfully cemented her, even in many previously unconvinced eyes, as one of the strongest songwriters working today. evermore picks ...
Taylor Swift’s Evermore Is an Undeniable Folk-Pop Masterpiece
Somehow. Somehow, as the most psychologically daunting year of our lives refuses to loosen its grip, Taylor Swift continues to create with abandon, relentlessly surprising a fan base that hangs on her every tweet and emoji. Somehow, the pop monolith has done it almost entirely in isolation, sharing heaps of digital files with her latest songwriting soulmate, The National’s Aaron Dessner (as well as long-favored collaborator Jack Antonoff), and remotely patching together some three-dozen fully realized tracks from a makeshift home studio. Somehow, she’s polished off two career-redefining projects in five months. And somehow, despite the mastery and universal acclaim of July’s Folklore, its new sister album, Friday’s Evermore, is even stronger. Released two days befor...
The Avalanches Transport the Listener on We Will Always Love You: Review
The Lowdown: In a recent interview with the BBC, founding member of The Avalanches, Robbie Chater, said of We Will Always Love You, “We were thinking a lot about signal transmission and how every radio broadcast from the last hundred years is still floating out there in space … It’s a beautiful thought to me that all these broadcasts are still out there, surrounding us.” It’s easy to feel this focus in the album, an expansive cosmic compendium that finds its tracks crackling and churning into one another. The context of the album’s production — how the band was inspired by the idea that sampling old records is like summoning old spirits and by the recording of Ann Druyan’s heartbeat for the Golden Record just after Carl Sagan proposed to her — helps, but it isn’t strictly necessary. This a...
George Clooney’s The Midnight Sky Blandly Goes Where Plenty of Sci-Fi Has Gone Before: Review
The Pitch: It’s 2049, and the Earth is plagued by a mysterious apocalyptic event – details are scarce, but it seems as though the world is in its last gasps, and time is running out. Perhaps the only man left on Earth is Augustine Lofthouse (George Clooney), an astronomer dying of cancer who chooses to stay behind while the rest of the personnel evacuate their observatory in the Arctic Circle. As he whiles away the days and weeks waiting for the world to end, two events force him into action: the arrival of a mute girl (seven-year-old newbie Caoilinn Springall) seemingly left behind in the evacuation, and the realization that a spaceship called the Aether is on its way back to the planet. They’ve spent the last few years scoping out a new planet for humanity called K-23, and are comin...
Alex Wheatle Is A Rare Stumble for the Small Axe Anthology: Review
The Pitch: Before he was an award-winning author of books like Brixton Rock and Island Songs, Alex Wheatle (Sheyi Cole) spent a short time in prison following his involvement in the 1981 Brixton riots, an explosive confrontation between the police and the neighborhood’s Afro-Caribbean community. There, with the help of his Rastafarian cellmate Simeon (Robbie Gee), Alex looks back on his life — a childhood marred by mistreatment in foster care homes and bolstered by his budding career as a DJ in Brixton — and tries to figure out what to do, and who to be, next. Short But Sweet: Of the five films in writer/director Steve McQueen‘s anthology about the West Indian communities of London from the ’60s to the ’80s, Alex Wheatle is by far the shortest (clocking in at 65 minutes). Th...
Rico Nasty Expands Her Repertoire on Debut Nightmare Vacation: Review
The Lowdown: Rico Nasty has always been a powerhouse, existing on the edge of Soundcloud rap in the mid-2010s while still finishing high school. Her infectious, aggressive-yet-bubbly style made waves on the Internet early on, attracting the attention of Lil Yachty in 2016 to remix her song “Hey Arnold” and being featured in the hit HBO series insecure in 2017. Combining her eclectic fashion sense with spitfire raps that effortlessly bounce between sex and violence makes her one of the biggest pieces in the growing mosaic of this new era of female rappers. Her long-awaited debut album, Nightmare Vacation, takes a fine-tooth comb through the style that has made her one of the most influential rappers of the past few years. With seven mixtapes under her belt, Rico sounds like a seasoned veter...
Clearbody Up Their Game With One More Day
North Carolina’s Clearbody are starting fresh. Formed as Dollhands in 2019, the band shed their gritty sound, went through a lineup change and renamed themselves. The songs became fuller, the production richer. One More Day, their first album as Clearbody that will be released on Smartpunk, shows a band that took the necessary steps to get to the next level and establish their talent in the heavy shoegaze scene. The first single, “Blossom,” received positive feedback from listeners on social media. Released in October after Narrow Head’s 12th House Rock and shortly before Nothing’s The Great Dismal, the song resonated. Audiences who’ve been riding this wave of grunge-infused shoegaze that pays homage to My Bloody Valentine, Slowdive, and even the more punk Helmet could identify with the ra...
Miley Cyrus’ Plastic Hearts Lovingly Mashes Up Rawk Influences: Review
The Lowdown: For her post-divorce album, Plastic Hearts, Miley Cyrus deploys big synth energy in full ’80s-rawk drag. Over six uneven albums, Cyrus has dabbled across pop genres, but she’s always held a penchant for the era and attitude of mainstream glam, new wave, and hair rock, dropping covers of Joan Jett and Blondie in live sets and covering Poison’s “Every Rose Has Its Thorn” as early as 2010’s Can’t Be Tamed. Now 28 years old, Cyrus leans fully into these influences, enlisting heroes like Stevie Nicks to have a blast with her while ripping themselves off. Even without her current incarnation’s spunky sneer and platinum shag, Cyrus still has teeth, though this algorithmic “rock” can filter out her bite at times. Still, this might be Cyrus’ most successful pastiche yet. [embedded...
