Reviews
The Chicks’ Gaslighter Galvanizes The Trio’s Long-Awaited Return: Review
The Lowdown: The most infamous act in country music, The Chicks (formerly known as the Dixie Chicks), stopped releasing new music 14 years ago, after their seventh album, Taking the Long Way, netted five Grammys. These included Album of the Year, plus Record of the Year and Song of the Year for “Not Ready to Make Nice”, which settled any lingering questions about whether they regretted their 2003 criticism of George W. Bush (they did not). Gaslighter marks the trio’s official return, and a lot has changed, both in the surrounding world and in the sound of The Chicks’ music. But some crucial elements remain the same: their attention is firmly focused ahead of them and on the things they care for. In the songs that focus on deteriorating relationships, and notably lead singer Natalie Maines’...
The Revenge of /\/\/\Y/\
As the 2000s became the 2010s, no artist looked more poised to transform the landscape wholesale than Mathangi Arulpragasam, whom most millennials know as M.I.A. A brilliant Sri Lankan musician, political disruptor, and cultural synthesizer from London, she made music almost entirely about being exiled by birthright, about her complicated relationship with societal upheaval having an activist father with links to (but not, as oft-believed, actually in) the LTTE, about how rich music itself becomes when you look outside of spaces colonized by Western whites. Then she ate a truffle fry. It’s instructive to look back on how deeply M.I.A.’s and Kanye West’s paths diverged as the 2010s took shape. Both were cutting-edge royalty beginning in 2004, pulling just about every musically inclined pers...
Pop Smoke’s Shoot for the Stars, Aim for the Moon Secures the Late Rapper’s Legacy: Review
The Lowdown: Last summer, at a congested intersection in Flatbush, the hip-hop rule book was left to smolder in a fiery, steel mesh garbage can. Passersby extinguished the fire, but by then Pop Smoke had already scored an improbable hit with “Welcome to the Party”. Pop Smoke (born Bashar Jackson) hardly seemed destined for superstardom; only a Noo Yawker could love those carelessly dropped “R’s” and that honking bassone cadence. And “Welcome to the Party”, with its retro drum’n’bass synth riff, could have been recorded between rounds one and two of the Bush tax cuts. It was the song that time forgot. Yet, it was streamed 80 million times. Coming to a barber shop near you is Shoot for the Stars, Aim for the Moon, Pop Smoke’s posthumous new album. (He was killed in a February home invasion; ...
My Morning Jacket’s The Waterfall II Offers a Slice of Thoughtful Summer Escapism: Review
The Lowdown: In our diseased and never-ending present, 2015 feels like a hell of a lot longer ago than just five years. That April, My Morning Jacket released The Waterfall, a record that our Sheldon Pearce praised for its “stunning sonic scenery” and “perceptive, generation-bending kind of songwriting about lost love and nostalgia.” In addition to producing their best-received record since 2005’s breakthrough, Z, the sessions at Panoramic House in Stinson, CA, also produced a second album’s worth of material that Jim James and company decided to save until they needed them most. At the time, James told critic Steven Hyden in an interview for Grantland that “the two records aren’t related or anything” and that he “[didn’t] want to put it out as, like, The Waterfall 2 or anything like that....
HAIM’s Women in Music Pt. III Brims with Nuance and a Smorgasbord of Sounds: Review
The Lowdown: Summertime milestones are shaping up to become a staple in HAIM’s career. Just about a week shy of the three-year anniversary of the release of their sophomore album, Something to Tell You, the trio — composed of sisters Danielle, Alana, and Este Haim — put their latest work, Women in Music Pt. III, out into the world. Like the adorable video of their parents opening their Women in Music Pt. III vinyl in matching “Go HAIM or Go Home” t-shirts (which, if it isn’t already, should definitely be added to all future merch tables) that the band posted on Instagram, the album contains a raw tenderness that drums up its own sense of quiet magic on each track. Equally cool and cozy, Women in Music Pt. III sees HAIM tackle incredibly vulnerable subject matter against a musical smorgasbo...
Bob Dylan’s Rough and Rowdy Ways Paints a Better Self-Portrait
For six decades, Bob Dylan has proven completely peerless. His lyrics especially have redefined risk-taking and boundary-pushing in popular song. His eyes have always been on the horizon. On his 39th studio album, he looks inward to explore the undiscovered country of his own heart, mind, and creative process. Rough and Rowdy Days is a typically astounding, kaleidoscopic journey through the last half-century of American history. The first hint of a new album came back in March when “Murder Most Foul,” a staggering, 17-minute orchestral elegy to John F. Kennedy, was dropped online with a typically cryptic message: “This is an unreleased song we recorded a while back that you might find interesting. Stay safe, stay observant and may God be with you.” It was Dylan’s first original song s...
Run the Jewels’ RTJ4 Takes Aim at Systemic Oppression amid National Uprising: Review
The Lowdown: Run the Jewels 4, which was released on June 3rd (two days earlier than originally announced), couldn’t have come at a better time. The duo, comprised of hip-hop mainstays Killer Mike and El-P, have ostensibly grown since their 2013 self-titled debut album. It’s imperative to recognize that the… Please click the link below to read the full article. Run the Jewels’ RTJ4 Takes Aim at Systemic Oppression amid National Uprising: Review Matt Melis You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful people, chat and make money in the process. Earn rewards by chatting, sharing photos, blogging and help give users back their fair share of Internet revenu...
Run the Jewels’ RTJ4 Is Driving Music for a Cop Car on Fire
Run the Jewels don’t make a reviewer’s job easy because everything that’s great about them is the stuff we’re supposed to ignore to get to the bottom of the hype. They began as the best kind of “supergroup”: An unlikely pairing of beloved talents who still had plenty of room to peak higher. El-P’s fantastic Fantastic Damage and his countless innovative productions for his own previous, self-built Def Jux universe (Cannibal Ox’s The Cold Vein, Mr. Lif’s I Phantom) were unmistakably the most futuristic squelches in dusty-crate-obsessed indie-rap. Jaime Meline set the stage for dystopian soundscapes in hip-hop more than a decade before Death Grips, Yeezus, or the “mutant” scene that’s spawned Black Dresses and Deli Girls. Then you’ve got Michael Render, d/b/a Killer Mike, a firebrand of an MC...
Lady Gaga’s Chromatica Dances Through the Pain and Trauma: Review
The Lowdown: It feels strange listening to dance music at a time when dance clubs themselves, nights out with friends, and, for many, friends in general are impossible to access in person. Like so many of the joys people have managed to find in quarantine, kitchen-floor dance parties and celebrations shared via Zoom and FaceTime — while necessary reliefs and real, genuine joys — can also sometimes feel tinged with a hint of delirium. But Chromatica feels like an appropriate answer to the vacancy created by this dissonance — as a lot of Lady Gaga’s work has done in the past, it offers up some honest-to-God bangers side by side with some honest-to-oneself reckonings with trauma, pain, addiction, and the very idea of what it means to be flawed and how this idea shifts depending on who’s defin...
Polo G’s The Goat Laments Chicago’s Violence with Poetic Precision: Review
The Lowdown: In this winner-take-all economy, the owner class is shrinking faster than you can read a foreclosure notice. Yet, Polo G’s talent for quivery, upwardly inflected sing-rapping made him a homeowner. He has a backyard. He can come and go as he pleases. No more agonizing wait times at apartment security checkpoints; no more having to dodge the prying eyes of too-inquisitive neighbors. On his sophomore album, The Goat, Polo G — who was raised in a squat brick mid-rise on Chicago’s Near North Side or, as he calls it, “the zoo” — marvels at his sudden freedom of movement. But he’s restless and slightly remorseful in his new life. Privacy is one of those benefits that redounds down to the upper, petty bourgeois. As long as his friends on Sedgwick Street are still living under state su...
Carly Rae Jepsen’s Dedicated Side B Delivers More of the Same: Review
The Lowdown: To maintain her almost decade-long reign as the ultimate trustworthy, sword-toting synth pop songwriter, Carly Rae Jepsen has had to write a lot of songs. Like, a lot of songs. For her latest record, Dedicated, which was longlisted for last year’s Polaris Music Prize, Jepsen told Rolling Stone that she wrote around 200 tracks. “You have to promise you won’t think I’m a maniac,” she warned her interviewer before displaying a series of post-it-covered poster boards of song titles. Since the full-length version of the album was narrowed down to a mere 15 songs, it’s safe to assume that Jepsen was keeping a couple of bangers in her back pocket. And considering the success of Emotion: Side B, which turned out to be even more critically acclaimed than the 2015 album it referenced, f...
Whitney Houston’s Self-Titled Debut Introduced a Voice for All Times: Classic Review
The Opus: Whitney Houston premieres on Thursday, May 28th and you can subscribe now. You can also prep for the experience by listening to Whitney Houston via all major streaming services or enter to win a copy of Vinyl Me, Please’s 35th anniversary Whitney Houston box set. Spotify | Google Play | Stitcher | Radio Public | RSS Follow on Facebook | Podchaser Music allows us to feel an array of emotions and is one of the universal aspects of the human experience. It can be the cause of laughter or the reason for momentary sadness. It sparks fond memories and serves as a time stamp of the most pivotal points in our lives. The music industry is forever changing, and even the most skilled of artists can fade into obscurity if they fail to adapt. Musicians come ...
