The comedian's strengths as a host came out in the first of twelve live shows. So Far, John Mulaney’s Everybody’s Live Is the Best Money Netflix Has Spent In Years Liz Shannon Miller
Lady Gaga's seventh album weaves a number of influences into an entertaining tapestry. Read the review of Mayhem. In Mayhem, Lady Gaga Is Refracted and Reborn: Review Mary Siroky
YoungBoy Never Broke Again’s “More Leaks” album brings that raw emotion we expect from him, diving into betrayal, pain, and personal struggles. Every track shows a different side of YB’s life, from his Louisiana roots to dealing with losses and love gone wrong. Let’s break down the hits and misses on the album: “Trapped Out” […]
Not only is Charlie Cox is back as lawyer/vigilante Matt Murdock, but now he gets to swear! Daredevil: Born Again Resurrects (and Improves On) Netflix’s Marvel Universe: Review Liz Shannon Miller
The rapper/actor/son gets deployed skillfully by the Kate Hudson comedy. Chet Hanks Is the MVP of Netflix’s Running Point, Now #1 on Netflix Liz Shannon Miller
The poorly-conceived NBC spinoff stars Stephen Amell as an entertainment lawyer with a dark past. Suits LA Is a Deranged Follow-Up to Suits: Review Liz Shannon Miller
King Kendrick proves to be at the peak of his powers with his GNX-heavy performance. Kendrick Lamar Takes a Victory Lap with Super Bowl Halftime Show: Review Paolo Ragusa
A disappointing diversion from Amy Schumer (who's better than this). Kinda Pregnant’s Painful Predictability Doesn’t Keep It from Being Number 1 on Netflix Liz Shannon Miller
The 2025 Grammys delivered some high notes, but the Recording Academy still can't find its beat. The 2025 Grammys Crammed Three Half-Assed Shows into One Ass Frankenstein Wren Graves
The Weeknd's sixth album is pleasant to listen to, but it lacks the dynamism of its predecessors. Hurry Up Tomorrow Is The Weeknd’s Very, Very Long Goodbye: Review Paolo Ragusa
A satellite beacon and a buoy find each other after the apocalypse in this wild cross-medium experience. Kristen Stewart and Steven Yeun Are Robots In Love In the Sweetly Existential Love Me: Review Liz Shannon Miller
While Emilia Pérez has some redeeming qualities, the music doesn't exactly help its case. Emilia Pérez Is an Original Musical. Is the Music Any Good? (No) Paolo Ragusa