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Johanna Samuels Reveals New Single “High Tide for One”: Stream

Rising songwriter Johanna Samuels has joined the roster of Mama Bird Recording Co., a label known for like-minded folk acts such as Damien Jurado, Vetiver, and Haley Heynderickx. To coincide with the signing announcement, the Los Angeles native is sharing a new single dubbed “High Tide for One”. While 2019 offerings like “Rush of Wheels” and “Supposed to Say” were more of the moody folk variety à la boygenius or Sharon Van Etten, today’s track finds Samuels experimenting with more left-field styles. There’s hints of whimsy in her curling guitars, and following Samuels’ lilting melodies is like taking a leisurely drive across rolling hills. The lyrical focus of “High Tide for One” isn’t as lighthearted, though. According to Samuels, the song was penned in response to watching Dr. Blasey For...

Fiona Apple Sings the Gershwins’ “Bidin’ My Time” in Pro-Biden Voting PSA: Watch

In a year that has seen many become increasingly vocal about their politics, Fiona Apple has made sure her progressive voice has been heard. She’s marched in support of Black Lives Matter, pledged numerous song royalties to charities, and leant her voice to a video about documenting ICE agents. Now, the Fetch the Bolt Cutters singer has given a playful endorsement to Democratic presidential candidate Joe Biden in a new voting PSA. Posted by her friend/roommate Zelda Hallman on Instagram, the clip sees Apple singing George and Ira Gershwin’s “Biddin’ My Time”, a song from their 1930 musical Girl Crazy. As she sings the ditty, she gives a not-so-subtle nod to Biden by whipping out her “I Voted” sticker right as the chorus hits. With a smile and a nod, she slaps on the sticker like an eye-pat...

Briston Maroney Unveils Sweeping New Single “Freeway”: Stream

Indie folk singer-songwriter Briston Maroney has released new single “Freeway” and its video, and it’s a breath of fresh air in these dark timelines. The 22-year-old artist takes us on a dazzling journey down the Maine coastline, with caving expeditions and a blissful boat ride from a first-person POV. For a few precious minutes, we can pretend like we’re not locked in our apartments! The clip was directed by Joey Brodnax, who has worked with Maroney in the past. In it, Maroney is every bit the young, curious twentysomething, exploring the gorgeous scenery with dynamic enthusiasm that can’t help but uplift. There are witty moments, too, like when he can’t can’t a hitchhiking ride, and you feel his humor in his lyrics. “Consider this my confession/ Your love’s my obsession/ Go ahead and sen...

Arlo Parks Announces Debut Album Collapsed in Sunbeams, Shares “Green Eyes”: Stream

20-year-old British singer Arlo Parks has announced her debut album Collapsed in Sunbeams. It arrives January 29th, 2021, and to herald its release, she’s shared the new single “Green Eyes”, featuring vocals from Clairo. Parks has developed a reputation as your favorite songwriter’s favorite songwriter, with co-signs from Billie Eilish, Phoebe Bridgers, and Florence Welsh. Her breathy voice and sensitive lyrics create an atmosphere of vulnerability. To listen to her songs is to be transported to a specific place and time: listening to a friend’s problems over Taco Bell, or trying to get a depressed person out of their bedroom. That immediacy is why her first album-length statement has developed such a buzz. In a statement, Parks explained the goals for Collapsed in Sunbeams,...

Joni Mitchell Shares the First Original Demo of Her Career, “Day After Day”: Stream

Joni Mitchell has shared a rare piece of folk history today: the first-ever demo from he illustrious career. The track is titled “Day After Day” and it comes from Mitchell’s forthcoming collection Joni Mitchell Archives Vol. 1: The Early Years (1963-1967), which is due out October 30th. Stream it below. “It was my firstborn,” said Mitchell of the track. “I didn’t know whether it was a good song or a bad song. It was just the first one that came out.” “Day After Day” was recorded as a demo for Elektra records co-founder Jac Holzman back on August 24th, 1965. While it’s not her earliest-known recording — that title goes to her cover of “House of the Rising Sun” from 1963, which is also included in the upcoming collection — it is her first original demo and one that was previously unavailable...

LP on Duetting with Chester Bennington, Hanging with Morrissey, and Performing in Russia

Kyle Meredith With… LP Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS LP hops on the line with Kyle Meredith to talk about her new single “The One That You Love”, reuniting with the duo who helped pen “Lost On You”, and her melting pot of genres. The New York-born artist also takes us into this summer’s Live In Moscow, her penchant for rock opera-style theatrics, and what releasing a record from Russia says in the current political climate. LP also discusses collaborating with the late Chester Bennington’s pre-Linkin Park band Grey Daze, working with Morrissey, Celine Dion recording her songs, and what we can expect from next year’s full length. Kyle Meredith With… is an interview series in...

Yusuf / Cat Stevens Reveals New Duet Version of “Father and Son”: Stream

Yusuf / Cat Stevens is celebrating the 50th anniversary of Tea for the Tillerman with a new version of the classic album. Titled simply Tea for the Tillerman², it consists of re-recordings of all 11 of the original songs. Some of the updates are more straightforward, while others, such as today’s rendition of “Father and Son”, have been completely reimagined for 2020. The narrative of this reworking of “Father and Son” remains the same, recounting the strain and discord that often exist in families as a result of a stark generational gap. What makes this version stand apart, however, is that it features Yusuf’s original 1970 vocals alongside voice arrangements recorded in 2020 — in effect allowing for the songwriting legend to “duet” with himself as both father and son. Neat trick, huh? “‘...

Phoebe Bridgers, Beck, Jeff Tweedy Cover Daniel Johnston Songs for Livestream Tribute: Watch

Yesterday mark the one-year anniversary of the death of Daniel Johnston. In honor of his memory, Electric Lady Studios organized “Honey, I Sure Miss You”, a livestream tribute headlined by Phoebe Bridgers, Wilco’s Jeff Tweedy, and Beck. But as it turned out, Johnston himself stole the show in a previously-unreleased home video. The event was named for Johnston’s 1991 track “Honey, I Sure Miss You”, and was organized with the cooperation of the Johnston estate. The musical memorial opened with a teaser of Johnston playing piano, followed by a few words from the man of the hour: “Hello, this is a recorded message,” it begins. “I am Dan Johnston. Though I am not with you physically, I am with you in heart. With all my heart. And I am thinking about you in hope that you are doing fin...

Daniel Johnston Livesteam Tribute to Feature Phoebe Bridgers, Jeff Tweedy, and Beck

Phoebe Bridgers and Jeff Tweedy (photos by Ben Kaye), Daniel Johnston (photo by Amy Price), Beck (photo by Amanda Koellner) Daniel Johnston tragically passed away one year ago today. In remembrance of the lo-fi legend, a livestream tribute event headlined by Phoebe Bridgers, Wilco frontman Jeff Tweedy, and Beck will be broadcast tonight. Titled “Honey I Sure Miss You”, after Johnston’s own 1991 song of the same name, the online music memorial will also feature performances from Waxahatchee, Kevin Morby, Devendra Banhart, and Maya Hawke, as well as The Lemon Twigs, Lucius, and Jesse Harris. Additionally, Johnston’s family is expected to show a previously unreleased home movie of the late songwriter. The tribute will stream on the website of New York’s famed Electric Lady Studios, as well as...

Joni Mitchell Announces Archival Series, Shares Early 1963 Recording of “House of the Rising Sun”: Stream

Legendary singer-songwriter Joni Mitchell is cracking open her vault for the very first time to present fans with a comprehensive archival series. Simply titled Joni Mitchell Archives, the campaign will highlight unreleased material from throughout her career, showcasing the artist’s evolution and lasting impact over the decades. The series massive archival project begins with Vol. 1: The Early Years (1963-1967). Set to hit streets on October 30th, the five-CD collection includes Mitchell’s earliest-known recording, a 1963 in-studio radio performance for CFQC AM in her hometown of Saskatoon, Saskatchewan. There are also early versions of songs like “Michael From Mountains” and “I Had a King”, a 1965 mini set for Let’s Sing Out on CBC TV, and her rare Neil Young cover of “Sugar Mo...

Colin Meloy and Laura Veirs Join Raye Zaragoza on New Song “They Say”: Stream

Colin Meloy (photo by David Brendan Hall), Raye Zaragoza (photo by Cultivate Consulting), and Laura Veirs Folk artist and protest music songwriter Raye Zaragoza has announced a new album, Woman in Color. Due out October 23rd through Rebel River Records, it’s being previewed today with a single called “They Say”, featuring harmonica from The Decemberists frontman Colin Meloy and banjo arrangements courtesy of veteran folk musician Laura Veirs. A timely number, it finds Zaragoza taking the US government to task for its piss-poor response to the coronavirus crisis. “This song is about the dysfunction of American power structures. It’s about how the systems built to support the people don’t support all people,” she explained in a statement. “Especially during a pandemic, it’s been ex...

Alanis Morissette’s Such Pretty Forks in the Road Shines Light into the Depths: Review

The Lowdown: Alanis Morissette is back! After an eight-year hiatus, one of the ’90s pinnacle pioneers of alt rock is sweeping back into the spotlight with her ninth studio album, Such Pretty Forks in the Road. After four years of work and a three-month delayed release due to COVID-19, the album applies a trademark Morissette treatment — cutting lyrics and a voice that howls and croons and whispers as deftly as an arrow — to questions of adulthood, responsibility, and creativity to greater and more complete effect than what we’d last seen from her. The resulting album is extremely haunting, immaculately polished, and complexly kind. The Good: Such Pretty Forks in the Road finds Morissette exploring the tenuousness of fame, youth, and passion but in a way that thwarts that tenuousness in its...