A new data-driven initiative from Spotify called Loud & Clear aims to provide increased transparency around the economics of streaming. “Questions and concerns about artist income from streaming have been around for over a decade, and in many ways, we feel we’ve been too quiet on the topic,” the streaming site reads. “Our aim with this site is to provide a valuable foundation for a constructive conversation.” The new initiative tackles both the macro- and micro-economic picture, starting first by broadly informing readers on the impact of streaming to the music industry as a whole, and then breaking down the mechanics and stakeholders within Spotify’s business model. In many ways, Loud & Clear reads like a direct rebuttal to music rights holder organiz...
The artists to be featured at launch are: Peach PRC (Australia/New Zealand), Pressa (Canada), Noé Preszow (France), Lune (Germany), Prabh Deep (India), Dongurizu (Japan), Nicki Nicole (Latin America), prosto Lera (Russia), Blxckie (South Africa), Baby Queen (UK) and Morray (U.S.). Each of the chosen artists, who are handpicked by Apple Music editors from across the globe, will be featured across Apple Music’s new localized, genre-agnostic Up Next playlist. Since launch, Up Next has featured a host of then-emerging artists who have since gone on to greater fame, including 6lack, H.E.R., Greta Van Fleet, Khalid, Billie Eilish, Bad Bunny, Juice WRLD, Summer Walker, Megan Thee Stallion, Burna Boy and Conan Gray, among many others. You Deserve to Make Money Even When you are looking for Dates O...
Under the deal, UMG content will now be available via Boomplay in Angola, Benin, Botswana, Burkina Faso, Burundi, Cabo Verde, Cameroon, Central African Republic, Comoros, Congo, DRC, Côte d’Ivoire, Djibouti, Equatorial Guinea, Eritrea, Eswatini, Ethiopia, Gabon, Gambia, Guinea Conakry, Guinea- Bissau, Lesotho, Liberia, Madagascar, Malawi, Mali, Mauritania, Mauritius, Mozambique, Namibia, Niger, Sao Tomé and Principe, Senegal, Seychelles, Sierra Leone, Somalia, South Africa, Tchad, Togo and Zimbabwe. Markets covered under the 2018 agreement were Nigeria, Kenya, Ghana, Tanzania, Rwanda, Uganda and Zambia. “Since our original deal with UMG, the African music industry has seen exponential growth and made huge strides towards being the next powerhouse that it should be,” said Boomplay dir...
On Monday, the U.S.-based Union of Musicians and Allied Workers took a more hands-on approach when it led a worldwide demonstration on the doorsteps of Spotify offices. Among its demands, the Union is calling for a 1 cent per stream royalty rate, greater transparency from Spotify, and an end to lawsuits targeting artists. Artists and music industry professionals gathered in 31 cities, including 10 in the United States, under the banner of #JusticeAtSpotify. “Spotify has long mistreated music workers, but the pandemic has put the exploitation into stark relief,” comments UMAW organizer and artist Mary Regalado, Pitchfork reports. “The company has tripled in value during the pandemic, while failing to increase its payment rates to artists by even a fraction of a penny. Musicians all over the...
“Bringing all this into the app in a fairly seamless way with Prime shipping, we think it’s going to really help drive sales,” says Sean McMullan, director of artist product and services at Amazon Music. He adds, “We think that bringing merch in is one way to really enhance that artist-fan connection and make it a more compelling experience. We’ll continue to experiment with lots of different ways to get it in front of customers in the right way.” When asked about Amazon’s share of merchandise sales on the platform, McMullen wouldn’t disclose terms, saying simply that the percentage of revenue splits “varies” from artist to artist. Along with the announcement, Amazon Music will debut exclusive merchandise collections from several artists. These include a new a...
The project was initially visualized as a nod to the online archives of Neil Young and The Grateful Dead, a portal to experience Barnett’s gigs at a time when touring was called off. But as the pandemic dragged on, the initiative developed into much more. Barnett spread her wings with her debut 2015 album LP Sometimes I Sit and Think, and Sometimes I Just Sit, which cracked the Top 20 on both sides of the Atlantic, won the Australian Music Prize and Triple J’s prestigious J award for album of the year, and snagged a slew of APRA, ARIA and AIR Awards. The indie star was also nominated for the best new artist at the Grammy Awards, losing out to Meghan Trainor. A collaborative album with Kurt Vile, 2017s Lotta Sea Lice, was a critical and commercial success. Barnett’s solo sophomore alb...
The ultimate payoff, says Swizz Beatz, is “hearing everybody being so floored about having shares in the company and feeling like they belong. That’s the real currency. It’s going to take the creative to save the creative.” What initially attracted you to Triller? Swizz Beatz: The whole time that Tim and I were building this platform, we didn’t really have any plans from a monetization or even a business side. We never even built out the technology for it. It was more about wanting to do this from a celebration, educational side; to give people some life, love and happiness during these hard times with COVID-19. Then as the platform started growing it turned into a business with sponsors coming in and offers from people wanting to buy ownership in the company once w...
Shapiro tells Billboard that the Capitol Theatre and the Brooklyn Bowl were outfitted with a multi-camera streaming system years earlier to stream shows with partners like Nugs, while the Brooklyn Bowl outlet in Nashville, which opened last year, was purpose-built for streaming. The Capitol Theatre includes a control room from which director Jonathan Healy was able to live-direct eight cameras capturing the show, while fans from home were projection-mapped onto the walls of the 95-year-old-venue. Couple that with Relix Media, which Shapiro owns and which has been a critical support vehicle for building Strings’ profile with jam fans, as well as as well as the huge email lists he’s built from both his venues and the popular Lock’N festival which help market Strings to a wider audience...
Effectively, if Taylor Swift gets 5% of all streams on Spotify in June, she and her label will get 5% of your monthly subscription fee, even if you never listened to one of her songs. But support has been swelling for a user-centric payment system, which would allow artists to get paid based on how many fans listen, instead of how many streams the artist accrues. Under SoundCloud’s “fan-powered” model, if a user paying $10 a month only listens to five artists, those five artists will get an equal split of that $10 — after SoundCloud takes its cut — no matter how many times the user listens to each of them. “Many in the...