When it was released in 2016, UNCHARTED 4: A Thief’s End pretty much redefined adventure video games. The end of Nathan Drake’s journey won dozens of awards, was nominated for dozens more and set a standard that wouldn’t soon be surpassed. As of last week, UNCHARTED 4 has been remastered and re-released for PS5 (and soon for PC) alongside its spinoff, UNCHARTED: The Lost Legacy, meaning that a whole new audience will get to experience the spectacular titles in higher resolution, better framerates, improved audio, and a whole bunch of other upgrades. While some may believe the original titles hold up just fine in 2022, the Legacy of Thieves Collection really does show off the power of the PS5, much like how the first releases displayed what was possible on PS4. To learn about some of the in...
It may seem hard to grasp the appeal of a video game format where your only task is to press a button over and over, but The Office went off the air nine years ago and it’s still dominating streaming numbers, so there’s a market for everything. East Side Games Group knows this, which is why they developed The Office: Somehow We Manage, a new idle game available for download on iOS and Android. In the game, players collect characters from The Office and work to sell paper at a digital Dunder Mifflin. As is the case in all idle games, this “work” earns players in-game cash. It’s a pretty straightforward concept, but the characters in the game reference plotlines from the show, so you get your nostalgia fix in a new, interactive way. Talk about beating — or clicking — a dead horse. ...
There’s no shortage of video games that want to bring music to the forefront, but few (or none) of them do it quite like The Artful Escape. With a storyline centered around music, gameplay that intentionally feels more like the badassery of a concert than the challenge of a video game, and enough classic rock references to please your burnout uncle who thinks video games are for children, The Artful Escape is almost music-focused to a fault. Of course, a title that unique (and published by the indie giant Annapurna Interactive) couldn’t be made by traditional developers. Instead, it was directed by Johnny Galvatron (of Australian rock band, The Galvatrons) and his crew at Beethoven & Dinosaur, while the music was put together by producer/writer/artist Josh Abrahams and guitarist Eden A...