Charly Bliss and PUP are here to save the holidays with “It’s Christmas and I Fucking Miss You.” The song premiered last weekend on Charly Bliss’ holiday livestream It’s A Blissful Life, but it’s available everywhere now. It comes with a playful video on YouTube, starting with Charly Bliss’ Eva Hendricks singing into a hairbrush in the shower. “Our managers have been trying to get us to write a Christmas song for years and we’ve never followed through, but we decided that enlisting our friends in PUP would at least make it fun,” said Hendricks in a statement. “We never imagined we’d be so proud and absolutely thrilled as we are by the results. We tried to write a song that reflects the absolute insanity of this year and the fact that everyone in the world is stuck missing someone thi...
The old joke about a musician getting to Carnegie Hall has the punchline “practice,” but Phoebe Bridgers made it to the venue in her dreams during a strings-only version of “Kyoto” on The Late Late Show With James Corden. A pajamas-clad Bridgers starts off by singing in bed, microphone in hand, before arising, walking through a smoky doorway… and on to the “stage” at Carnegie Hall. She finishes the song there and at the end, applause begins, flowers are tossed onstage and Bridgers is revealed to be in front of a green screen. Check out the dreamy performance below. [embedded content] On Dec. 1, Bridgers released a video for “Savior Complex,” directed by comedian/actress Phoebe Waller-Bridge. This year, she’s also covered the Goo Goo Dolls and Merle Haggard, and released her Copycat Ki...
In a year filled with chaos, social reckoning, protests, rage and financial ruin, there appeared to be no light that would save the world from the roiling political issues that had been brewing for decades. There was no Death Star, though it would have surprised no one if the Earth imploded like Alderaan. At least we had the two heroes we definitely needed but didn’t deserve: Run the Jewels. In February, El-P and Killer Mike were gearing up for what was set to be the biggest year of their career. Run the Jewels had become a tour de force with each of their studio albums (and of course, the cat-themed remix album Meow the Jewels), and opening for Rage Against the Machine on the band’s latest reunion tour would have opened up the duo to a much wider audience. Then, March 2020 happened. The p...
Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS For all of December, Kyle Meredith is looking back on his favorite moments in 2020. This week, we revisit talking with Amy Lee of Evanescence as she was deciding the future sound of her band, Jxdn dialing back to his strict Southern upbringing, Avril Lavigne sharing her survivor’s story, Paul Stanley of KISS radiating with positivity, LP discussing her large Russian fanbase, and Johnny 3 Tears from Hollywood Undead weighing in on the art of and current state of metal music. Kyle Meredith With… is an interview series in which WFPK’s Kyle Meredith speaks to a wide breadth of musicians. Every Monday, Wednesday, and Friday, Meredith digs deep into the ar...
Even beyond the grave, David Bowie continues to gift us new music. On January 8th, what would have been his 74th birthday, two previously unreleased covers will be made available to the public for the very first time. The first is Bowie’s take on “Mother”, the 1970 track from John Lennon. This cover was originally recorded in 1998 with the Thin White Duke’s longtime producer Tony Visconti. It was supposed to appear on a Lennon tribute collection, but the release never came to fruition. Meanwhile, the second offering is a cover of Bob Dylan’s “Tryin’ to Get to Heaven”, taken from his 1997 Grammy-winning album Time Out of Mind. Bowie also recorded his reimagining in 1998 while working on his live album LiveAndWell.com that came out the following year. Editors’ Picks The new Bowie cover...
The holiday season is well underway, and Florence Welch is celebrating by lending her voice to a Christmas classic. As part of The Stars Come Out to Sing for Christmas, an annual charity event by Nordoff-Robbins, the Florence and the Machine singer shared a gorgeous cover of “Have Yourself a Merry Little Christmas”, which you can hear below. For her rendition, Welch stayed true to the original, singing gently over a bare piano melody that’s slightly faster than Judy Garland’s 1944 version. Of course, the power in her cover comes from her extraordinary vocal range. Instead of flaunting her skills, Welch takes a subtle approach, singing the iconic falsettos with graceful dexterity and charming casualness. Thankfully, Welch’s performance was captured live in a beautiful video that sets the sc...
At Tomorrowland 2017, Martin Garrix surprised fans all over the world when he announced his new deep and tech house alias, Ytram. Garrix’s followers were anxiously awaiting his new sound until this year, when Ytram began steadily rolling out his new project via the Dutch superstar’s own STMPD RCRDS banner. His newest track “Alive” with Citadelle is a work of tech house art. The melodic and mesmerizing introduction feels like pure bliss and renewed hope. Bringing some techno spice, the drop is primal, dark, and dirty. Sinister synths dance over a thumping baseline, while groovy hi hats drive the beat. One of the most unique components is the orchestral string solo that makes an appearance in the breakdown, tugging on the heartstrings. “Alive” manages to be ...
RATING: /10 Jon Schaffer, the only enduring element, the heart and soul of ICED EARTH, has been waving the flag of heavy metal pridefully for decades. He has done so during periods of the genre’s popularity, and equally so even when metal hasn’t been the flavor du jour. His tenacity and resilience led him to helming the ICED EARTH ship, creating such memorable releases as “The Dark Saga” (1996) and “Something Wicked This Way Comes” (1998). The ensemble has had great vocalists including Matt Barlow, JUDAS PRIEST‘s Tim “Ripper” Owens, and current frontman Stu Block. But it all began with an independently released demo EP titled “Enter The Realm” in 1989, which caught nascent record label Century Media‘s attention. A bulk...
During an appearance on the latest episode of “The Jasta Show”, hosted by Jamey Jasta (HATEBREED), former SEPULTURA drummer Igor Cavalera reflected on the band’s legendary December 1989 concert at Arena López Mateos in Mexico City during the “Beneath The Remains” tour. “That’s one of the craziest shows we ever played, because there [were] a few things [that happened],” Igor said (see video below). “It was this little place where they had Lucha Libre, which is like the Mexican wrestling style. So it was a little arena — two thousand [people] max. The dressing rooms were shrines for the Mexican fighters, so it was super bizarre being in this thing. “Another fun fact about this show was that when we were getting ready to start, the p...
AS I LAY DYING frontman Tim Lambesis is recovering at a Southern California hospital after sustaining burns to 25 percent of his body in a freak accident. The 40-year-old singer was apparently pouring gas into a bonfire when the top slipped off and the liquid ended up getting all over his clothes. Earlier today, Lambesis shared a photo of him lying in a hospital bed, and he included the following message: “Keep your head up no matter what! I’m doing the best I can to make a thumps up on my way to surgery (in about 30 minutes). “I apologize to my friends that I have not had the time to fill in yet on what happened. The entire gas cap fell off when trying to use a little from the trickle tip to get a bonfire started. Gas got all over my clothes and I ended up burning 25% of...
SLIPKNOT and STONE SOUR frontman Corey Taylor spoke to Australian Guitar about his debut solo album, “CMFT”, an exuberant and eclectic party-rock collection of songs which dip into a variety of styles and sounds, including folk rock, blues, hip-hop, classic metal and punk rock. Asked if it was his goal to surprise everyone with how wild and loose he gets on the record, Corey said: “I don’t know if that was the goal — I think it’s a byproduct, absolutely. I’ve always been the guy that puts it out there that if I’m going to do something, I’m going to do it wholeheartedly. So if I was going to do a solo album, I didn’t want it to feel like either of my other band. There would have been no point if I was going to do that, y’know? If I...