Last year, Madeon released a strong contender for the best dance music album of the year with his sophomore LP, Good Faith. He returned last month for a remix of “Fear No More” featuring hip-hop duo EARTHGANG and recently released a music video for his track “Miracle,” directed by Game Of Thrones star Lena Headey and starring Maisie Williams. After teasing the new single last week, he has now released “The Prince.” “The Prince” captures the essence of Good Faith, albeit with a more melancholy feel. It opens with a thick tom fill that then leads into a slow-burning bassline. As the cut approaches its halfway point, the finer details in the mix intensify. “The Prince” feels familiar and brand new all at once, emphasiz...
Despite the Weeknd’s major label debut Kiss Land coming out seven years ago, it topped iTunes’ R&B chart for the first time this week. To celebrate the unexpected achievement, Abel Tesfaye decided to feature “a collection of records that inspired the universe and a few songs and ideas that didn’t make the album” during the latest episode of his Memento Mori radio show Friday night. He played a number of unreleased tracks and outtakes as a “special thank you episode to the fans for showing so much love to kiss land this week,” and threw in a few other surprises, including a remix of Lana Del Rey’s Ultraviolence track “Money Power Glory.” Though the song was never properly released, the singers would go on to collaborate on Del Rey’s “Lust For Life” in ...
Some of the biggest names in indie rock got together virtually on Friday night to perform at Vote Ready, a Concert for Voter Registration, which was exactly what it sounded like. Arguably the most exciting set came from Fleet Foxes’ Robin Pecknold, because he debuted a new song called “Featherweight” that’s four minutes of pure bliss. Pecknold started off the livestream by thanking viewers for registering to vote before introducing drummer Joshua Jaeger (Angel Olsen) and Holy Hive singer Paul Spring. At the midpoint of their three-song set came the new song, “Featherweight”. A dark and skeptical folk number, it almost sounds like a stripped-down Fleet Foxes covering A Moon Shaped Pool. The new track was sandwiched between a pair of covers. First came a spirited, uptempo cover of Arthu...
Lizzo may finally get some peace and quiet after last year’s nonstop lawsuits. On Friday afternoon, a California federal judge dismissed a lawsuit against the breakout pop star over credits on her hit “Truth Hurts”. Last fall, songwriters Justin and Jeremiah Raisen accused Lizzo of plagiarizing the “Truth Hurts” lyric “I just took a DNA test/ Turns out I’m 100% that bitch” from “Healthy”, a collaborative demo they made together with the Cuz I Love You singer, Jesse Saint John, and Yves Rothman in April 2017. Lizzo pushed back by suing the Raisens and Yves Rothman, and instead granted a songwriting credit to Mina Lioness, the Twitter user whose original joke inspired the lyric. Then in February, the Raisens filed a countersuit against Lizzo to demand credit and royalties from “Truth Hurts”,...
The rise of Political Taylor Swift continues as the pop star has taken a swipe at Donald Trump over the worsening crisis with the US Postal Service. For those unaware, Trump recently admitted that he was holding up funding of the USPS — which has been removing mailboxes and sorting machines across the country — because of mail-in voting. He then said he’d only compromise on funding the vital service if Democrats caved on Republican’s demands for COVID-19 relief. Many see Trump’s crass handling of the situation as a corrupt attempt to sabotage the election, and that includes T. Swift. “Trump’s calculated dismantling of USPS proves one thing clearly: He is WELL AWARE that we do not want him as our president,” she wrote in a tweet. “He’s chosen to blatantly cheat and put millions of Americans...
On Friday night, everyone from Fleet Foxes’ Robin Pecknold to The War on Drugs participated in the Vote Ready, a Concert for Voter Registration livestream. While most of the sets were filled with comforting covers and stripped-down renditions of classics, a few artists used the opportunity to debut new material, including Grizzly Bear and Department of Eagles singer-guitarist Daniel Rossen. Rossen played two tracks in total, opening with the nameless new song. The six-minute-long number saw the virtuoso churning out gorgeous, acoustic, classical guitar melodies that change pace and mood throughout. Afterwards, he immediately turned to the piano to play his 2012 ballad “Saint Nothing”. Watch the full set below. Last year, Rossen published an essay on his website explaining his slow retreat ...
Taylor Swift took to Twitter on Saturday to slam Donald Trump for tampering with the U.S. Postal Service so close to the 2020 election. “Trump’s calculated dismantling of USPS proves one thing clearly: He is WELL AWARE that we do not want him as our president,” she wrote. “He’s chosen to blatantly cheat and put millions of Americans’ lives at risk in an effort to hold on to power.” The president has recently gone to great lengths to attack USPS ahead of November, including tweets casting doubt about the validity of mail-in voting; hiring a Postmaster General (who happens to be a major Trump donor) that wants to uproot the service; removing physical mailboxes; and literally dismantling mail-sorting machines in an attempt to force voters to polling places during the pandemic. “Donald T...
In a recent interview with “Pollstar Live! Digital Session”, guitarist Matthias Jabs ruled out the possibility of SCORPIONS playing drive-in concerts in the future. “The SCORPIONS aren’t [interested in playing] those — how do you call it? The car, movie-theater type of shows,” he said (see video below). “It doesn’t have any atmosphere, I don’t think, for the audience, and especially not for the bands. You need to be able to communicate with the audience, and that’s the same thing if you do, like, livestreamed shows in someone’s studio without an audience. It gives people something to watch, but for the artist, especially for a band like the SCORPIONS [which] loves to communicate with the audience. What are you gonna do? You can ma...
RATING: 8.5/10 At a time when the outside world seems more menacing and hostile than ever before, “Cactides” is an album you can crawl into and hibernate from the insanity. Led by relentlessly ingenious guitarist Sally Gates, this avant-metal trio make music that defies the usual laws of melodic physics, slamming angular noise rock, free jazz and monolithic post-metal together in a bewildering shower of malformed, monochrome sparks. Opener “Morphing Machineminds” is simply staggering: six minutes of flailing riffs, deeply wonky detours and clangorous crescendos, it ebbs and flows through warped vistas and semi-improvised bliss, before reaching a grinding halt that will make all but the most adventurous listeners wonder exactly what the fuck just happened. Significan...
Lzzy Hale says she has “already succeeded in besting” HALESTORM‘s 2018 album “Vicious” with the material she has been writing for the follow-up effort. “Write…redraft…write… ok …there’s something special…follow it…finish it!” she wrote in an Instagram post on Friday (August 14). “I can’t wait for all of you to hear these new tunes myself and the boys have been cooking up. “If You are your own worst critic… like I am… you know how good it feels to be so proud of a little piece of music, to chase down in mid-air something that excites you and turn your thoughts into life. “I feel like I’m writing the best songs I ever have … and have already succeeded in besting...
RATING: 8/10 If you’re a fan of heavy music, there is seldom a shortage of exciting music that fits the bill. Then, of course, there are bands that make the vast majority of so-called heavy bands sound like absolute lightweights. PRIMTIVE MAN definitely fit into that category, and for those who have enjoyed (if indeed ‘enjoyed’ is the right word) the band’s efforts to date, it will come as no surprise whatsoever that “Immersion” is so absurdly crushing that it may make you laugh out loud. But not for long. The Colorado crew’s singular vision continues to reimagine doom as a suffocating act of internalized violence, rather than some groovy, psychedelic thing with handclaps and bellbottoms. “The Lifer” says it all: the kind of seven-minut...
Liverpool’s Cavern Club was the site of nearly 300 Beatles shows before the British Invasion, and now it “could close forever” in the wake of the COVID-19 pandemic. On Friday, Mayor Joe Anderson warned that despite the UK beginning to reopen music venues with reduced capacity, the historic venue is in danger of permanently closing if its bid to the Government’s Cultural Recovery Fund falls through. “The fact that the world-famous Cavern could close forever because of Covid-19 should bring home to the Government how much our hugely treasured music industry is in peril. This virus has caused unimaginable pain and grief but it’s proving to be an existential threat to our cultural scene,” Anderson told The Liverpool Echo. “The prospect of losing a national jewel like the Ca...