British heavy metal vocalist Blaze Bayley, who fronted IRON MAIDEN more than 20 years ago, spoke to Metal Pilgrim about how the rise of grunge in the early 1990s forced most hard rock bands off the radio and MTV, with album and tour sales plummeting. Addressing the cyclical nature of trends, he said (as transcribed by BLABBERMOUTH.NET): “For a few of is, metal never went away. And we didn’t want grunge. I think largely the journalists said [about grunge], ‘This is the next big thing.’ “When I was in WOLFSBANE, we are happy-go-lucky guys, trying to be positive and enjoying life. Grunge comes, they’re all looking at their shoes, they’re miserable, they’re suicidal — the opposite of WOLFSBANE, and the opposite of a lot of bands at the time. R...
IDLES have expanded their 2022 international tour by adding a string of North American dates in the spring and fall. The first of the new dates is a March 23rd show in Mexico City. It will be followed by appearances during both weekends of Coachella sandwiched around concerts in Denver and Salt Lake City. The British post-punks will return to North America in late August for a second leg including stops in Kansas City, Toronto, Pittsburgh, Brooklyn, and Washington, DC. Alongside the tour announcement, IDLES shared a new music video for “CRAWL!,” a song off the band’s 2021 album, CRAWLER. In an exclusive Track by Track breakdown of the LP, vocalist Joe Talbot told Consequence that the song is “a good anthem for me to discuss with people who aren’t on the other side or who aren’t sober.” Adv...
Fox has acquired the rights to Gumby, and they plan to stretch out the claymation classic into a multi-platform Gumbyverse of new content. Created by Art Clokey in the 1950s, Gumby and his friend with bend-efits Pokey have starred in two television series and one feature film. Fox will broadcast existing episodes of The Gumby Show and Gumby Adventures on Tubi, but that’s hardly the extent of their plans. Gumby will star in a new animated series, as well as a live-action (?) film. Besides that, the characters will be rolled up and sold off as action figures, merchandise, and even NFTs. We don’t want to speak for Gumby, but NFTs seem more like a plan cooked up the villainous “G” and “J” Blockheads than something our green hero would endorse. Advertisement Related Video In...
There is a calm, serene spirituality about Ann Wilson in 2022 which instantly draws you to her. She feels like a warm, wise someone who has seen enough bullshit to know how to avoid it calmly, and someone who is at peace with whatever she needs to be at peace with. Perhaps that is why the soul (and, indeed title) of her latest album, “Fierce Bliss” (set for release April 29 via Silver Lining Music) offers such universally entertaining, engaging, honest and safe harbor from these unpredictable times. Take “Greed”, the powerful first single. “‘Greed’ is that thing in our animal nature that makes us want MORE,” Wilson declares. “Whether it be money, sex, power or ecstasy, it fires our craving. It happens with all of us. When you turn aroun...
Swedish metallers SABATON were recently forced to postpone their European arena tour, which was supposed to happen in March/April 2022, “due to continuing COVID-19 pandemic restrictions on global live events and travel.” However, SABATON frontman Joakim Brodén told Finland’s Tuonela magazine that he and his bandmates are still expecting to return to the road later this year. “That’s our main priority,” he said. “And the only reason that we are not on tour is that we physically can’t or aren’t physically allowed. It will take the threat of prison or bankruptcy to stop us from doing that. Unfortunately, when it comes to touring, dealing with a tour in several countries is much more complicated than a single one because of governments. So ...
German thrash metal veterans DESTRUCTION will not only will celebrate their 40th anniversary by dropping their mind-blowing grenade of a new album, “Diabolical” (out April 8, 2022 via Napalm Records), they will also hit the road in North America on a 26-date headline tour this spring. Featuring direct support from prime thrash metal force and labelmates NERVOSA, the tour will also feature special guests SUNLORD and VX36. The run will kick off on April 28 in Brooklyn, New York and hit a slew of cities before coming to a close with a DESTRUCTION-only performance at Maryland Deathfest in Baltimore, Maryland on May 29. Tickets are on sale now via individual venues. DESTRUCTION bassist/vocalist Schmier says: “Yes — we are super thrilled: the first tour of the new record, ̵...
In a brand new interview with Metal Edge magazine’s “Another FN Podcast With Izzy Presley”, Nita Strauss, the Los Angeles-based guitar shredder for the ALICE COOPER band, was asked why it took her so long to incorporate vocals into her solo music, as she is doing on her upcoming sophomore solo album. She responded (as transcribed by BLABBERMOUTH.NET): “Honestly, I didn’t really imagine it happening it at all. I wasn’t planning on ever doing a solo record that wasn’t an instrumental shred thing. Instrumental shred is kind of my passion; it’s what I’ve always wanted to do. And it wasn’t really what I set out to do, doing radio stuff — I wanted to kind of stay true to my identity as a guitar player and just make guitar music. But the...
Over the past few years, Stanford dropout Elizabeth Holmes went from being the country’s youngest self-made female billionaire to one of the most infamous scammers to come up in Silicon Valley. Today, Hulu has unveiled the official trailer for their forthcoming limited drama series The Dropout, which stars Amanda Seyfried as the disgraced Theranos founder and CEO. Premiering March 3rd, The Dropout documents Holmes’ career trajectory from an ambitious chemical engineering student to the defendant in a highly-publicized criminal trial. The trailer nods to plenty of Holmes’ trademarks, from her black turtlenecks, bright red lipstick, and messy buns, to that phony baritone speaking voice. Seyfried doesn’t quite nail Holmes’ low timbre, but we’ll let it slide because it’s important to...
“Did you see the new Spider-Man: No Way Home?” asks Yunho, one of the eight members of ATEEZ. “His famous line is, ‘With great power comes great responsibility.’ We have more and more fans coming in, and we want to carry that responsibility well.” It’s a thoughtful — and fair — observation. Since the last time they were in America, ATEEZ have exploded. Three years ago, the eight-member group (Hongjoong, Seonghwa, Yunho, Mingi, San, Yeosang, Wooyoung, and Jongho) played a venue in Los Angeles that held 1,500 people; on January 30th of this year, they appeared before a sold-out crowd at The Forum (capacity: 18,000). This change is an easy way to visibly quantify the group’s growth, but feels like too basic of a measure of the show ATEEZ puts on. The January 30th concert at The Forum ran over...
As the last few years have shown us, you can always count on awards shows to persevere, even in the most trying of times. The 2022 Oscars nominations, if nothing else, represent the inspiring endurance of this annual tradition, while also highlighting some of the year’s most exciting creative achievements in film. This year’s nominees represent a number of significant trends. Take, for example, Netflix, which has established a presence in the Oscar race and has some serious contenders in its stable, including The Power of the Dog, Passing, Don’t Look Up, and The Lost Daughter. Oh, not to mention tick, tick…Boom!, which is not just one of many musicals in contention for recognition this year, but also one of the several projects which might help Lin-Manuel Miranda complete his EGOT. (Though...