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How to Get Tickets to Florence + The Machine’s 2022 Tour

“Heaven Is Here,” or rather, wherever Florence + The Machine is stopping on their massive 2022 North American and UK tour in support of their highly-anticipated fifth album Dance Fever. Get tickets here, and read on for more info including pre-sale dates. What Is Florence + The Machine’s Next Tour? The “Dance Fever Tour” begins this spring with a series of intimate warmup shows, including coast-to-coast album release concerts in Los Angeles on April 29th and New York City on May 6th. Advertisement Related Video After a run of stray European headlining shows and festival appearances over the summer, the band will embark on a newly expanded North American tour starting on September 2nd in Montreal, Canada, followed by stops to New York’s Madison Square Garden, Miami, Austin, Denver, Sea...

Talking Heads’ Chris Frantz and Tina Weymouth Hit By Drunk Driver

A vehicle driven by Talking Heads members Chris Frantz and Tina Weymouth was struck head on by a drunk driver, causing Weymouth to sustain three fractured ribs and a fractured sternum. The incident occurred two weeks ago, Frantz revealed in a Facebook post on Sunday (March 27th). “I was driving on the Post Road, U.S. Route 1 with Tina Weymouth when we were struck head on by a drunk driver who was driving on the wrong side of the road,” Frantz recounted. “Incredibly, we walked away from the collision,” Frantz added. “Tina had a cat scan and suffered three fractured ribs and a fractured sternum. She’s been in a lot of pain but she will get better with time.” Advertisement Related Video Frantz concluded his post by giving thanks “to our guardian angels and to the Ford Motor Company for buildi...

Watch Foo Fighters Play “Everlong” to Close Their Final Show with Taylor Hawkins

On Friday night, just hours before Foo Fighters were scheduled to headline Festival Estéreo in Bogotá, Colombia, the band broke the shocking news that their longtime drummer Taylor Hawkins had suddenly died at age 50. His final performance with Foo Fighters came days earlier at Lollapalooza Argentina; fittingly, the last song on their setlist that night was the 1997 hit, “Everlong.” In pro-shot footage of the performance, embedded below, Hawkins’ breakneck hi-hat keeps the tempo even amid the roaring guitars and Dave Grohl’s gritty snarl. “I don’t say goodbye,” Grohl told the crowd just before starting the song. “I don’t like to say goodbye. I know that we’ll always come back. If you come back, we’ll come back. Will you come back? If you come back, we’ll come back, so then I won’t hav...

Liam Gallagher Dedicates “Live Forever” Performance to Taylor Hawkins: Watch

In what will undoubtedly be the first of many on-stage tributes to Taylor Hawkins, Liam Gallagher honored the Foo Fighters drummer with a performance of “Live Forever” during his concert in London on Saturday. “I dedicate this last song to the one and only Taylor fucking Hawkins,” Gallagher said prior to performing the Oasis classic. “This is for you, brother.” A photo of Hawkins’ face was then shown on the video screen before Gallagher and his band. See fan-captured footage below. Gallagher also commemorated Hawkins in a tweeted posted earlier on Saturday. “Absolutely devastated to hear the sad news about Taylor Hawkins,” he wrote, “my thoughts and prayers are with his family and friends RIP brother LG x” Advertisement Related Video Hawkins was a self-described Oasis superfan, to the poin...

Stevie Nicks Writes Poem in Tribute to Taylor Hawkins

Following the tragic, unexpected death of Foo Fighters drummer Taylor Hawkins on Friday (March 25th), a seemingly endless number of fans and fellow musicians have paid their respects. Stevie Nicks is just one of many who was touched by Hawkins’ ferocious enthusiasm, genuine kindness, and killer smile, and she took to social media to share a thoughtful tribute to her late friend. “Thank goodness for the photo booth in the Foo Fighters studio,” Nicks wrote alongside two black-and-white shots of her with Hawkins. “Because of these pictures my friendship with Taylor will always be at my fingertips. He always came to my shows. He and his best friend Dave even let me be a Foo Fighter for a little while. We recorded a kick ass version of ‘Gold Dust Woman’ (live).” The Fleetwood Mac powerhouse con...

A Foo Picks His Own Fight: Taylor Hawkins on Going Solo and Calling the Shots

Ed. Note: This interview was conducted and published in 2016 in advance of the release of Taylor Hawkins’ solo album, KOTA. In light of Hawkins’ passing on Friday, March 25th, we are republishing the full interview. — There’s this sense of invincibility in the air around Taylor Hawkins, this feeling that he could do anything, so he did everything. It got daring for a while for the Foo Fighters drummer, drugs and laziness, and too much of nothing. He’s reached a symmetry now. He won’t go back, but he will be able to look back at a life of adventures. Take a look at the titles of his various non-Foo projects and you get an idea of Hawkins’ personality: the Coattail Riders, the Birds of Satan, Chevy Metal. His new solo album shows a similar sort of winking, old-school rock ‘n’ roll goofiness,...

Taylor Hawkins: A Musician’s Musician, A Fan’s Fan

Shortly after sound checking his “70s dirt rock cover band” Chevy Metal for a performance on the eve of Metallica’s second Orion Music + More festival during June of 2013 in Detroit, Taylor Hawkins spoke — effusively, as was his nature — to this writer about his musical ventures and adventures to that point. “Man, I just wanted to play music all the time, and I’m doing it and it feels great,” said the multi-faceted performer. At that point, Hawkins was five albums into his career with Foo Fighters, after tenures with Alanis Morissette and Sass Jordan, and had also launched another band, the Coattail Riders — thus stacking up a resume of high profile collaborations. “Y’know, I wanted to be in a great band. I’m in one,” Hawkins said. “I wanted to play with great people. I am. I wanted a life...

Phoebe Bridgers Pens Essay for Bon Iver’s Self-Titled 10th Anniversary Reissue

Bon Iver have reissued their 2011 sophomore album Bon Iver for its tenth anniversary, complete with a special essay written by Phoebe Bridgers. Stream the LP below on Apple Music and Spotify. The new edition of the studio set features all 10 songs on the original tracklist along with live versions of “Hinnom, TX,” “Wash.,” “Beth/Rest,” and bonus tracks “I Can’t Make You Love Me” and “Babys” recorded at AIR Studios. In her poetic introduction, Bridgers lays out her personal history as a fan of Bon Iver and their music, detailing her memories of the self-titled album in delicate second-person prose. Advertisement Related Video “The second Bon Iver record came out. It did not sound the way you expected,” she writes. “It was massive, sprawling, unbelievably complex — The Beach Boys on opiates....

Camp Cope Share New Album Running with the Hurricane: Stream

Camp Cope return today with their first new album in four years. Running with the Hurricane, the Melbourne indie rock trio’s third LP, is out now via Run for Cover. Running with the Hurricane was recorded at Sing Sing Recording Studios with engineer Anna Laverty, who co-produced the album with frontperson Georgia Maq. Courtney Barnett contributed additional instrumentation to the songs “Caroline” and “Sing Your Heart Out,” while Cable Ties drummer Shauna Boyle played on “One Wink at a Time.” The album’s 10 songs also include the singles “Blue” and the title track. Of Running with the Hurricane, Maq explains in a statement: “The first record was us diving into whatever Camp Cope created, the second album was us when we were in the thick of it, and then this album is about how we’ve come out...

The Gaslight Anthem Returning to “Full Time Status”

The Gaslight Anthem are returning to “full time status,” with plans for a new album and extensive tour. The band’s frontman, Brian Fallon, shared the news in a social media post on Monday. “We’ll be announcing a lot of tour dates in the next couple of days,” Fallon teased. “We’re also beginning to write new songs for what will be our sixth LP. We’re looking forward to the future and seeing you all again.” Following The Gaslight Anthem’s initial hiatus in 2015, Fallon and co. temporarily revived the band in 2018 to embark on a brief tour celebrating the 10th anniversary of their album The ’59 Sound. It seems the band had initially considered a similar anniversary tour around their album Handwritten, but are now opting for something entirely new. Advertisement Related Video Earlier this year...

The Killers Release Pressure Machine (Deluxe): Stream

The Killers have released the deluxe edition of their 2021 album Pressure Machine via Island Records/UMG. Stream it below on Apple Music and Spotify. First unveiled back in August, the band’s latest studio effort centers on the heartbreaking and intimate stories from Nephi, Utah, the small town on the Wasatch Front where lead singer Brandon Flowers was born and raised. Recorded entirely during the pandemic and leaning on influences of folk and heartland rock, Pressure Machine was a departure both sonically and lyrically for the Las Vegas-based veteran rockers, and the deluxe edition adds seven new tracks to the proceedings — including four re-workings of album closer “The Getting By” and two additional reimagined takes on melancholy opener “West Hills.” Advertisement Related Video The Kill...

Destroyer Share New Album LABYRINTHITIS: Stream

Destroyer have released their new album LABYRINTHITIS. Stream it below via Bandcamp or Apple Music. The creative process for LABYRINTHITIS largely took place in the isolation of 2020, with songwriter Dan Bejar in Vancouver sending ideas to frequent collaborator John Collins on the nearby Galiano Island. They found inspiration for the resulting 10-track LP in disco, Art of Noise, and New Order. “I think when we discovered, as per yoozh, that we weren’t going to be making a techno record, it wasn’t going to be sidelong Donna Summer style tracks, the idea then became — especially once John really started being inundated with bonafide music made by actual humans — to make the most disorienting record we could,” Bejar told BrooklynVegan in a recent interview. “It is relentlessly upbea...