Art

Shu Lea Cheang’s daring futuristic vision is taking over Munich’s Haus der Kunst in KI$$ KI$$, her first institutional survey. Described as a “machine of experience,” the exhibition takes audiences on a sensorial journey through the avant-anarch oeuvre that cemented her status as a pioneering voice in new media art.Beginning with her 1994 feature film Fresh Kill , the show delves into three decades of works spanning video, installation, performance and cinema. Circling software installations, internet interactions and multiplayer performances, Cheang transforms each gallery into a world of its own, inviting a playful reconsideration of the physical and the digital.“She thinks of her art as a sketch or a rehearsal leading towards film,” the museum wrote. The show “focuses on the mise-en-scè...

Hypeart celebrated its THRESHOLD exhibition at Bonhams Los Angeles with a special reception on Thursday, February 20. The event drew a packed crowd, with guests gathering for a panel discussion led by Isabel Norsten, Bonhams' Specialist in Post-War & Contemporary Art. Norsten steered a compelling conversation around the show’s theme of breaking boundaries, featuring renowned artist Shepard Fairey, Hypeart’s Keith Estiler, Juxtapoz’s Evan Pricco, gallerist Richard Scarry of Subliminal Projects and Ralph Taylor, Bonhams’ Global Head of 20th/21st Century Art. The discussion culminated in the unveiling of Fairey-isms, a book published by No More Rulers in collaboration with Princeton University Press, compiling notable quotes from Fairey, the artist and activist behind the iconic Obama "Ho...

They say that rock and roll never dies, and there’s one ducktail-haired group in Tokyo that’s making sure of it. A mash-up of rock and roll and country, rockabilly stands as one of the lesser known fashion tribes of Japan, yet, visually, it’s hard to miss. Characterized by heavy leather, unabashed twisting and slicked back hair, thick with gel, the 1950s subculture, while niche, continues to romance the bygone era.Photographer Alvin Kean Wong is bringing the rebellious, rockabilly spirit to New York’s Lower East Side for a special weekend-long exhibition. Staged at Café Studio,  Roller Zoku: Journey into Tokyo’s Rock and Roll Tribe follows Wong’s intimate immersion into the subculture, offering an up-close account of a community frozen in the fantasies of mid-century Americana.Born in Sing...

A trove of Paul McCartney’s recently rediscovered photographs is set to hit Gagosian's Beverly Hills outpost. Showcasing 36 works taken between December 1963 and February 1964, some previously unseen, the exhibition offers an intimate slice of life during the height of Beatlemania. The exhibition runs parallel to the ongoing Eyes of the Storm tour, which has made stops at the Brooklyn Museum and London's National Portrait Gallery, though for this show, the Beatle has teamed up with the gallery to produce and sell signed print editions with a portion of proceeds going toward ongoing recovery and rebuilding efforts in Southern California.Just as their music captured the hearts of generations, so too did McCartney on his 35mm Pentax camera. Fresh off the number one album With the Beatles and ...

Art’s love for cars is certainly no secret. From Daniel Arsham’s latest Arsham Motorsport to the late Pippa Garner’s seminal Karmann sculpture, both art and the automotive serve as prime vehicles for ideas of progress, technology and desire. Now, at Anat Ebgi gallery in Los Angeles, American artist Jessica Taylor Bellamy presents her own take on the connection in Temperature Check, a new solo exhibition of paintings and sculptures.Born and raised in Los Angeles, Bellamy surveys driving and car culture as a symbol of her city, putting her own fantastical spin to the conventional "body shop": at the heart of the gallery, a striking Mantis “insecto-cycle” emerges from the ground; while in Objects in Mirror figures two screens fixed inside passenger side-mirror sculptures play a sequence of dr...

After nearly a decade, Pharrell Williams is putting curator hat back on for a new show at Perrotin Paris. In FEMMES, a powerful group exhibition, the creative polymath celebrates the enduring impact of Black women – “the artists who transform the world through the power of their hands” – through a kaleidoscopic exploration of femininity, calling on the wife, mothers, sisters, daughters, friends and muses who have shaped him.FEMMES showcases work by 39 international artists from pioneers like Esther Mahlangu and Carrie Mae Weems to rising stars Emma Prempeh and Naomi Lulendo, and art icons such as Mickalene Thomas, Nina Chanel Abney and Prince Gyasi.The show comes as a long-awaited follow-up to the Williams-curated exhibition G I R L, inspired by his sophomore album, at the Parisian gallery...

Dan Friedman's Why Shouldn't I Have Fun All Day? marks the first gallery presentation of the late artist's work since 1994. Staged in Lower Manhattan's Superhouse, the exhibition arrives in honor of the 30th anniversary of Friedman's passing in 1995 and is an immersive imagining of the artist's Washington Square Park residence.In the late 1970s, Friedman transformed his one-bedroom apartment into what he called "a living sketchbook" for his art, using every surface as a canvas. "I created an extreme caricature of the beautiful modern American home to bring into question our notion of what is a beautiful modern American home," he stated at the time. The installation emulates the same energy of the pivotal Lower East Side artist's apartment as documented in his influential 1994 work Radical ...