Bigsound 2020 is flicking the switch to an all-digital program. Earlier, the Australian industry conference and showcase event was pushed back by almost two months with a condensed COVIDsafe format, spread over two days and nights from Oct. 21. “We feel like we’re looking after an event that’s owned by the industry,” Angela Samut, CEO of QMusic, told Billboard in mid-July. “It’s an export event,” noted Samut, whose organization produces the annual event in Brisbane’s Fortitude Valley, now entering its 19th year. “That’s our point of difference.” This being the year of the pandemic, expect the unexpected. With coronavirus hotspots blowing up on Australia’s east coast, domestic border closures and the city of Melbourne entering a second lockdown, Bigsound organizers on Thursday (Sept. ...
Hospitality veterans Rob DelliBovi and Elana Leaf envision the hotel concerts as immersive, high-end experiences. Hospitality veterans Rob DelliBovi and Elana Leaf have a simple idea to meet the demand of concert fans stuck at home. The concept: host concerts at hotels with multiple floors and have fans watch the show from their room’s balcony. “Out of moments of crisis come great opportunities,” explains Leaf, who, along with Dellibovi and millions of other Americans, has had to make a career shift in the COVID-19 economy. Dellibovi is a successful hotel and travel consultant who has worked with some of the top brands in hospitality, while Leaf is a veteran of live events, marketing and branding with a diverse roster of clients that has included Google, Ni...
The race is on for a U.K. albums chart title, with five new releases jostling for position. Just 3,000 combined sales separate the all-new top five, according to the Official Charts Company, with Bay Area metal veterans Metallica the best chance for the crown. Metallica’s live album S&M2 (Vertigo) leads the midweek chart and could go on to give the band their fourth U.K. No. 1 and first since 2008’s Death Magnetic. Some 2,000 chart sales behind in second place on the Official Chart Update is jazz artist Gregory Porter’s All Rise (Blue Note), the most downloaded album over the Bank Holiday weekend. London hip-hop artist Nines (real name Courtney Freckleton) arrives at No. 3 on the midweek chart with Crabs In A Bucket (Warner Records), the most streamed album in the firs...
Despite the COVID-19 pandemic, the company says it just had its best first half since launching in 2008. The pandemic-causing economic downturn didn’t slow down BMG as the music company posted a 4.8% increase in revenue to €282 million euros ($310.8 million) at the mid-year point ended June 30, up from €269 million ($303.9 million) in the year-earlier period. The music operation of German conglomerate Bertelsmann also managed to hold its own in terms of profit, posting €49 million in earnings before interest, taxes, depreciation and amortization, the same amount it had in the first half of 2019. But with profit levels holding steady while revenue grew, that resulted in EBITDA margin falling to 17.3% from 18.1% in the prior half year results. The results represent the company’s “...
Getting an Amazon package delivered from the sky is closer to becoming a reality. The Federal Aviation Administration said Monday (Aug. 31) it had granted Amazon approval to deliver packages by drones. Amazon said that the approval is an “important step,” but added that it is still testing and flying the drones. It did not say when it expected drones to make deliveries to shoppers. The online shopping giant has been working on drone delivery for years, but it has been slowed by regulatory hurdles. Back in December 2013, Amazon CEO and founder Jeff Bezos said in a TV interview that drones would be flying to customer’s homes within five years. Last year, Amazon unveiled self-piloting drones that are fully electric, can carry 5 pounds of goods and are designed to deliver items in 30 minutes b...
The novel coronavirus pandemic has shifted release calendars and postponed productions in Hollywood and abroad — and the delay of the latest installment of the Fantastic Beasts franchise has created an “irreconcilable conflict” for Johnny Depp. Filming is now expected to extend into early 2021, overlapping with the trial in his defamation suit against Amber Heard. The actor in March 2019 sued his ex-wife for defamation over an op-ed she wrote for the Washington Post titled “I spoke up against sexual violence — and faced our culture’s wrath. That has to change.” Depp isn’t mentioned by name, but in Virginia (where he’s suing and the Post has its printing presses) plaintiffs can pursue claims for defamation by inference, implication or insinuation. O...
Practical advice from the players behind virtual concerts by Kane Brown, Dropkick Murphys, H.E.R. and Lissie. The first time singer-songwriter Lissie tried a livestream, in late March, she was at her then-boyfriend’s house in northern Virginia, and she had just managed to thank those in attendance — two dogs in the kitchen — before the camera fell to the floor. “This is so professional!” she declared. But over the months, both her equipment and her savvy became increasingly sophisticated, with the response to her ticketed streams strong enough to cover personal costs and make a charitable donation each time. (She also broadcast her rehearsals for fans who couldn’t afford a ticket.) On Aug. 2, she performed with a band and a dozen sound and lighting crew members at an empty Parkway The...
How much is that concert in the computer window? Six months into the pandemic, here’s how artists are experimenting with pricing to see what consumers will pay. In April, Dutch DJ Oliver Heldens cruised the canals of Amsterdam in an open-air boat outfitted with turntables, blasting a set of future house music that was streamed on YouTube. The spectacle cost between $5,000 and $10,000 to produce, but Heldens made it free for viewers. He thought of it as a marketing expense to stay in fans’ minds as coronavirus lockdowns became the norm around the world, his manager, Dave Frank, tells Billboard. In the five months since, livestreamed concerts are slowly becoming a source of revenue, as well as promotion. These days, Frank, of management firm Milk & Honey, gets several livestream offers a...
The New Livestreaming Landscape Here’s how the leading livestream platforms stack up on revenue split, merch integration and more key variables for artists. When the coronavirus shut down the live industry, artists had no choice but to cancel or postpone their tours. Now they face an overwhelming range of choices as dozens of livestream platforms compete to be the next big virtual stage. Many of these livestream companies launched amid the pandemic, while new services are debuting on an almost weekly basis. They have much in common and are sometimes difficult to tell apart, but employ a variety of business models — including pay-per-view ticketing, sponsorship and virtual tipping. To help artists make an educated decision about which platform to use to reach their fans — or collect new one...
Sessions founder Tim Westergren estimates the market for virtual concerts is worth $1 billion with the potential to grow to “tens of billions” in just a few years, but can that rate of expansion continue when actual live shows resume? At a 2007 Los Angeles music industry function, Ray Smith was pitching his new company, BE-AT.TV, to a high-ranking Live Nation executive. The business was focused on livestreaming electronic music festivals like Tomorrowland and Ultra Music Festival, and Smith says the executive’s reaction was not as he had hoped: “He was like, ‘Who the hell is going to sit at home and watch a bunch of kids partying on a laptop?'” Thirteen years and a global pandemic later, millions of music fans worldwide are doing just that, and Smith’s newly rebranded BeA...
The Killers are kings of the Australian albums chart as Imploding The Mirage (Island/Universal) debuts at No. 1, while Cardi B, Megan Thee Stallion and BTS flex up on the national singles chart. With Mirage, the Las Vegas alternative rock outfit earn a third No. 1 on the ARIA chart and an eighth Top 10 album in Australia. It’s the followup to their 2017, chart-topping set Wonderful Wonderful. Mirage also blasts to No. 1 in the U.K. with 50,000 first-week chart sales. Aussie pop artist Troye Sivan returns with his In A Dream EP (via EMI), new at No. 3. The six-track set is Sivan’s first title to hit the ARIA Albums Chart since his sophomore album Bloom, which peaked at No. 3 in September 2018. Also new to the Top 10 this week is Cannot Buy My Soul: The Songs Of Kev Carmody (EMI),...