More than three years after his tragic death, Chris Cornell’s soaring voice continues to resonate with music fans. His posthumously released cover of the Guns N’ Roses classic “Patience” has just reached No. 1 on Billboard’s Mainstream Rock Songs chart. Cornell’s take on the GN’R ballad was released by his family on July 20th, in commemoration of what would have been the late rocker’s 56th birthday. The Soundgarden frontman recorded the song prior to his death in 2017 but it was never released. “His birthday seemed the perfect time to share this and celebrate Chris, his voice, music, stories and art,” his family stated at the time of the song’s release. “It is true a man is not dead while his name is still spoken… and, through his art, an artist’s soul still burns just as bright as ever up...
It’s been well over a year since we’ve heard anything new from Lykke Li. That changes today, however, with the release of a fresh cover song. Fitting considering these unprecedented times, she has tackled the Gloria Gaynor anthem “I Will Survive”. In 2018, the Swedish songwriter effortlessly turned mournful brooding into something hot and heavy on her bluntly titled but very good so sad so sexy. It should come as no surprise, then, that her rendition of a disco classic sounds far and away from Gaynor’s original 1979 vision. That’s not to say the cover isn’t worth a spin or two, especially if you’re a fan of the way Li can evoke a very specific fragile ambiance. Hear it for yourself below, and then revisit Gaynor’s recent interview on This Must Be the Gig. Lately, Li has been surviving...
Last month, beloved singer-songwriter Justin Townes Earle was taken from the world suddenly when he passed away at the young age of 38. The news was shocking and unexpected, causing a wave of grief to settle over the Americana music community. Now that a few weeks have passed, his father, Steve Earle, has announced he will honor his son’s life by recording a covers album of Justin Townes Earle originals. In a press release, it was revealed that Steve Earle & The Dukes already have a plan in the works to cover songs written by Justin Townes Earle. While no specific songs have been mentioned just yet, the band did state that 100% of the artist advances and royalties will go to a trust for Justin’s daughter, Etta St. James Earle. The as-yet-unnamed album will be recorded in a studio next ...
Even during the era of social distancing, no one does late night like Miley Cyrus. The pop star was a guest on Thursday night’s The Tonight Show Starring Jimmy Fallon, and from her interview atop a Peter Shire throne to her dazzling, full-stage performance of “Midnight Sky”, it was as glamorous as pandemic entertainment can get. Talking with Fallon from her geometric chair set in a pitch black void, Cyrus discussed keeping herself centered amidst her crazy career and her recent VMAs performance. She also touched on asking Stevie Nicks for permission to sample “Edge of Seventeen” on “Midnight Sky”. “I have the coolest letter ever from Stevie, too,” she revealed. “I sent her the song, and I said, ‘I have an alternate melody. If you don’t want me to pay tribute to you and your greatness and h...
Earlier in the year, James Blake shared an intimate piano performance of Frank Ocean’s “Godspeed” on Instagram. Today, he’s released an official studio version of his cover. Blake is extremely familiar with the Blonde cut, considering he provided both production and arrangement for the track. He’s also been known to whip out his solo version during live shows. But he’s done something an extra special for this official version: He’s actually dyed his hair platinum blonde, so now he’s a blonde playing Blonde. Obviously, his take is very faithful to the one Ocean recorded, only without the studio flourishes. It’s as sparse and evocative as ever, though, as you can hear below, followed by the Blonde rendition for comparison’s sake. Via his Instagram, Blake has delivered a number of other ...
In addition to releasing one of the year’s best albums so far, Phoebe Bridgers has spent the summer months covering a number of iconic artists. In June, she shared her official recording of John Prine’s “Summer’s End”, which she then followed up with a rendition of Gillian Welch’s “Everything is Free”, done in collaboration with Courtney Barnett. Now, Bridgers has taken on an alt-rock classic in “Fake Plastic Trees”. The indie folk artist’s Radiohead cover came as part of the BBC Radio 1 program Phil Taggart’s Chillest Show. And chill it certainly was. Bridgers recorded her delicate version of The Bends original inside of a church with help from rising R&B star Arlo Parks, who provided icy piano accompaniment. Bridgers previously covered “Fake Plastic Trees” live in concert in 2017, as...
This past May saw Pure X return with their first album in six years. It turns out fans won’t have to wait nearly as long for a follow-up release, as the Austin natives have just announced a new rarities compilation: Rare Ecstasy 2009-2019 is due out October 16th through Fire Talk. The forthcoming project collects 12 “recordings and rarities” from throughout the indie rock group’s decade-long career. Per a press release, these songs “embody the Pure X sound” and offer up “a raw emotive portrait” of the band’s evolution over the years. As a teaser of this Pure X collector’s item, their cover of Willie Nelson’s 1965 song “One Day at a Time” has been revealed. Mirroring the outfit’s past efforts, this rendition conjures up a wall-of-sound atmosphere, as though it were recorded in some smoky ca...
Miley Cyrus for BBC Radio 1’s Live Lounge Month (photo by Vijat Mohindra) and Billie Eilish (Amy Price) Days after taking the virtual stage for the 2020 MTV VMAs, Miley Cyrus is back with another pandemic performance. Today, she helped launch the latest edition of BBC Radio 1’s Live Lounge Month with a four-song set that included covers of Billie Eilish and Eagles. Cyrus and Eilish really couldn’t be more different as pop stars, with one known for delivering literal Bangerz and the other for her hushed, alternative pop structures. Perhaps it’s unsurprising, then, that Cyrus’ rendition of “my future” is far more full-throated than the original. Yes, it’s still a delicate piano ballad with a grooving break, but Cyrus ups the defiance in the vocals considerably. Speaking to Live Lounge ...