They say ideas grow better when transplanted into another mind—and Madeon has four of them. The French electronic music virtuoso, whose real name is Hugo Leclercq, is currently on his “Good Faith Forever” tour, where he’s been baffling ravers with a new, pupil-popping stage production. But just like any groundbreaking show, there’s more to it than meets the eye. Four visual artists, Shinichiro Fujita, OSEAN, Mollie Tarlow and Mike Kluge, function as the brainstem of “Good Faith Forever” as well as its illusory encore, which finds Madeon lifted atop a giant cylindrical structure as his silhouette morphs into the tour’s phantasmagoric imagery. Their cerebral work, Leclercq says, has shaped not only the tour, but also his own cre...
This piece was created in partnership with Afro Nation. Billboard and Afro Nation recently launched the first-ever official Billboard Afrobeats U.S. Songs Chart, tracking the most popular rising new music in the rapidly growing genre. The 50-position Billboard U.S. Afrobeats Songs chart, which went live last month on Billboard.com, ranks the most popular Afrobeat songs in the country based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of leading audio and video music services, plus download sales from top music retailers. When alté music, a genre defined by its inability to be conclusively defined as it moves through different genres and maintains a highly experimental form, began to enter mainstream Afrobeats music in the late 2010s,...
Our Track by Track feature gives artists the opportunity to share the inspiration and stories behind each song on their latest release. Today, Kae Tempest takes us behind the inspiration for their new album, The Line is a Curve. British multi-hyphenate artist Kae Tempest is back with their fourth album, The Line Is a Curve. Simultaneously sensitive and grounded, the album is as sonically dazzling as it is vulnerable. Their first release since 2019’s Rick Rubin-produced The Book of Traps and Lessons (and their first since coming out as non-binary), The Line Is a Curve shows Tempest overcoming overwhelming anxiety and self-doubt, their undeniably unique creative voice shining through. “For the last couple of records,” Tempest tells Consequence, “I wanted to disappear completely from the...
James Hong is the living definition of a screen legend, having appeared in literally hundreds of films, TV shows, and video games as an actor. Some of his most notable roles include appearances in Blade Runner, Big Trouble in Little China, The Golden Child, and the Kung Fu Panda series — he memorably fought Wayne Campbell over the hand of his daughter in Wayne’s World 2, and just this spring provided the voice of local elder Mr. Gao in Pixar’s Turning Red. And then there’s Everything Everywhere All at Once, the genre-warping, mind-bending exercise in multiverse-hopping written and directed by Daniels. In the film, Hong, 93, plays Gong Gong, father to Evelyn (Michelle Yeoh) and grandfather to Joy (Stephanie Hsu) — traditional in his ways and a disapproving figure in Evelyn’s life, Gong Gong...
James Hong is the living definition of a screen legend, having appeared in literally hundreds of films, TV shows, and video games as an actor. Some of his most notable roles include appearances in Blade Runner, Big Trouble in Little China, The Golden Child, and the Kung Fu Panda series — he memorably fought Wayne Campbell over the hand of his daughter in Wayne’s World 2, and just this spring provided the voice of local elder Mr. Gao in Pixar’s Turning Red. And then there’s Everything Everywhere All at Once, the genre-warping, mind-bending exercise in multiverse-hopping written and directed by Daniels. In the film, Hong, 93, plays Gong Gong, father to Evelyn (Michelle Yeoh) and grandfather to Joy (Stephanie Hsu) — traditional in his ways and a disapproving figure in Evelyn’s life, Gong Gong...
Artist of the Month is an accolade given to a rising artist or band on the cusp of stardom. In April 2022, we give the nod to one of the buzziest bands around, Wet Leg. Getting Wet Leg on the phone for an interview is impressively challenging. In the run-up to last week’s release of their self-titled debut, the Isle of Wight duo of Rhian Teasdale and Hester Chambers were, in their own press rep’s words, “scheduled within an inch of their lives.” Between countless interviews, their second tour of the United States, and performing on nearly every late-night show there is, the buzziest band around is hard to lock in for a 30-minute chat. All the attention has been a wild ride for Wet Leg, but an understandably exacting one. As Teasdale notes, it’s hard to appreciate the landmarks when they co...
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Better Call Saul will end with the beginning in more ways than one, as series co-creator Peter Gould has confirmed that Breaking Bad stars Bryan Cranston and Aaron Paul would be returning for the final season of the AMC prequel as Walter White and Jesse Pinkman. Exact details as to how their return may happen were left unclear by Gould during a Paleyfest panel on Saturday evening. “I don’t want to spoil things for the audience, but I will say the first question we had when we started the show was, ‘Are we gonna see Walt and Jesse on the show?’ Instead of evading, I’ll just say yeah. How or the circumstances or anything, you’ll just have to discover that for yourself, but I have to say that’s one of many things that I think you’ll discover this season,” Gould said. The Better Call Saul cast...
Las Vegas may be a good time gal, but she isn’t easy. The self-proclaimed “Entertainment Capital of the World” is accustomed to hosting countless entertainers. And perhaps because there’s always another visiting celeb, the city rolls out her red carpet for no one… that is, until BTS arrived in Sin City. In this case, it was a purple carpet, and it blanketed the city in excitement. In honor of a sold-out, four-night run at Allegiant Stadium (April 8th-9th and 15th-16th) titled PERMISSION TO DANCE ON STAGE IN LAS VEGAS, the iconic Bellagio Fountain Show has been playing BTS hits, while Strip marquees display the word “Borahaegas” in a purple-hued nod to the group. But that’s just the beginning of a city-wide immersive event, or “urban concert playpark,” called BTS PERMISSION TO DANCE THE CIT...
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, Jack White lets loose on “What’s the Trick?” Jack White is nothing if not ambitious. The former frontman of The White Stripes has a penchant for the odd, the atonal, and the avant-garde — the man just likes to get weird with his music, at the end of the day. His new album, Fear of the Dawn, inhabits that same risky space that keeps listeners coming back to see what he’s trying next. While not every big swing leads to a payoff on the album, it’s hard to deny the raw energy of “What’s the Trick?” The track is anc...
The genre-defining video game Halo has been in development for a potential screen adaptation for nearly a decade now, and over that time one question has loomed large: Would we ever see the face of the franchise’s main character, a taciturn super-solider named Master Chief Petty Officer John-117, who has never been unmasked over the course of 16 video games made over 21 years? It’s a question that the Paramount+ series, which debuted this spring, answered towards the end of its first episode, as Master Chief (brought to life here by Pablo Schreiber) removed his helmet while being held at gunpoint by the terrified Kwan (Yerin Ha), in an effort to connect with her. Up until that point, Master Chief had been a man of action but always held at a distance by the show because of the full suit of...
“What’s ‘deeply funny’ mean anyhow?” Father John Misty asks on “Q4,” a single from Chloë and the Next 20th Century. The song is the album’s clearest, most cutting satire, but this question feels earnest, the stakes intimate to the singer — as a performer and person seeking connection in a modern wasteland. Over five albums, singer-songwriter Josh Tillman has been a craftsman of story-songs delivered via absurdist personae, scaffolding ironic provocation with heartfelt croons and soaring folk-inspired instrumentation. On Chloë, singer-songwriter Josh Tillman returns with his first new material since 2018’s taciturn God’s Favorite Customer. Written and recorded in fall/winter 2020, the album sees Tillman continuing to collaborate with multi-instrumentatlist/producer Jonathan Wilson and engin...