One downside of the modern age of television is that it’s now not uncommon for some shows to take more than a year to return with new episodes. In the case of Atlanta, which debuted its second season in 2018, that wait was longer than most, but those four years were truly worth it. The Donald Glover-created series, returning for Season 3, remains as ethereal and shocking and fascinating as ever; having screened the first two installments, it’s a thrill to know that eight more are coming to engage and confound us. This will be a short review, because revealing too much about the first two episodes of the season feels like it would do a disservice to everyone involved, including the audience. But if the first two seasons of Atlanta did anything — hell, if the first few minutes of the Atlanta...
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, Arcade Fire return to form with a blistering and emotional two-part track. After 2017’s Everything Now, Arcade Fire are back with a new pair of (linked) singles: “The Lightning I, II,” which is set to appear on their upcoming sixth studio album, WE, out May 6th. Arcade Fire are no stranger to sprawling (sorry) odysseys, and on “The Lightning,” they bring a sense of urgency that hasn’t been as present in the band’s catalog since Neon Bible. The first half of “The Lightning” has an air of theatrical dra...
You can learn a lot about a TV show based on what it chooses for its theme song, and Netflix’s Human Resources delivers on that score with an assist from Janelle Monáe — the pumping synth tones of “Make Me Feel” introduce every episode of the new Big Mouth spin-off, which ages up the central humans of the series but still remains tonally in line with its parent series. Created by Big Mouth creators Nick Kroll, Andrew Goldberg, Mark Levin, and Jennifer Flackett as well as Big Mouth writer/producer Kelly Galuska, Human Resources explores the world of the Lovebugs, Hormone Monsters, Logic Rocks, Anxiety Mosquitos, Shame Wizards, and more which represent the best and worst impulses of Big Mouth characters, actively courting The Office comparisons with its workplace setting (and more importantl...
Every Friday, our new music column Rap Song of the Week breaks down the hip-hop tracks you need to hear. Check out the full playlist here. This week, Fivio Foreign teams up with Quavo for his new single “Magic City.” Based on association alone, Fivio Foreign was tapped to be the next big star to emerge from the Brooklyn drill scene after Pop Smoke’s murder in February 2020. Those expectations were raised when Drake recruited Fivio for “Demons,” the Toronto rapper’s nod to the hip-hop subgenre, but it’s taken Fivio a few years to increase his profile further and ready his debut album. Along the way, the East Flatbush native found a new mentor in Kanye West, impressing a whole new fanbase with a show-stopping appearance on the Donda cut “Off the Grid.” Last month, Fivio reunited with Ka...
Much has been said about Bitcoin‘s carbon emissions. Far less has been said about the potential of blockchain to increase the efficiency of renewables by transparently managing supply and demand. Blockchain doesn‘t pose a threat to the planet — it’s going to play an essential role in helping to bring about a net-zero carbon emission economy. It is a few years in the future: You are sitting on your sofa, having a nice coffee after loading the washing machine. You’ve switched it on but, of course, the Internet of Things-enabled machine checks prices and will run when it hits a cheap electricity window. The Tesla outside in the drive is fully charged, you don‘t have any plans to go any further than the supermarket today, so the battery is available to sell its energy back to the grid and depo...
Since the early 1980s, independent label Devil in the Woods has released music from a wealth of future indie-rock greats, including Bright Eyes, Grandaddy, Death Cab For Cutie and Sparklehorse, and eventually grew into a glossy print magazine. But in a surprising pivot, founder Mike Cloward shifted the company during the pandemic from its longtime San Francisco base to Mexico City, where it is now pursuing a new mission to introduce Latin rock acts to a worldwide audience. The latest step in that direction is Espacios Vacios Vol. 2, a compilation of established and up-and-coming female-powered artists that was released on March 8 to commemorate International Women’s Day. It’s part of Devil In The Woods’ robust slate of upcoming projects powered by female musicians, with net proceeds from v...
Hours before the reunited Circle Jerks began a February run of West Coast concert dates, drummer Joey Castillo heard again from a San Diego skater kid. The DMs on Instagram were piling up from 12-year-old Desmond Chavez, who was attending his very first big concert that night: Hey, I’m coming down tonight! What time are you on? Castillo had never met the kid, but clicked on his name to see a young skate-punk in a Black Flag T-shirt, spikey leather bracelet and a denim battle vest covered in patches. He knew what he was looking at: the latest generation of hardcore commandos to rise up around the Circle Jerks, four decades after the SoCal punk rock originators began. “He’s just skating and listening to music. I remember that’s how it was for me,” Castillo says. The drummer embraced the firs...
The Pitch: A man (Jason Segel) breaks into a well-furnished California vacation home; he rifles through the drawers for cash and valuables, eats fruit from their lush orange grove, and pisses in their shower. But just as he’s about to leave, the couple to whom the house belongs — a snotty tech CEO (Jesse Plemons) and his wallflower wife (Lily Collins) — return home early and catch him in the act. Rather than break out into violence, though, a curious game of negotiation begins: What does the man want? Why did he pick this particular guy’s home to rob? And just what will it take to make him go away? This One Goes Out To…: We’re two full years into the COVID-19 pandemic now, which means we’re still dealing with the surfeit of small-scale, isolated thrillers facilitated by the restr...
They say every cloud has a silver lining. With the pandemic finally in the rearview, electronic dance music festivals are back—and so are many of the scene’s beloved artists who have largely remained in the shadows. The scourge of COVID-19 vicious, but it seems these artists have now emerged with a renewed sense of vision and verve. And after two years of creative strangulation, they are hungrier than ever. If 2022’s albums are any indication, we’re on the precipice of the best years for dance music in history—just like David Guetta boldy predicted. Here are 22 of the most anticipated albums expected to release this year. Flume Palaces, Flume‘s third studio album and first since 2016’s critically acclaimed Skin, is slated to release on May 20th. He r...
As the week in music comes to a close, HYPEBEAST has rounded up the best projects for the latest installment of Best New Tracks. This week’s list is led by releases from ROSALÍA, Charli XCX and Syd x Lucky Daye, who released MOTOMAMI, CRASH and “Can You Break A Heart” respectively. Also joining this selection are offerings from Tiana Major9, Brahny, Normani and Smiley, as well as collaborative efforts from Joyce Wrice and KAYTRANADA and Saba and Krayzie Bone. ROSALÍA – MOTOMAMI [embedded content] ROSALÍA is at her most vulnerable in her newest album, MOTOMAMI. Featuring guest appearances from The Weeknd on “LA FAMA” and Tokischa on “LA COMBI VERSACE” and collaborative efforts from the likes of Pharrell and Chad Hugo, James Blake, Frank Dukes and Cory Henry, the experimental...
Pearl Jam famously abstained from making music videos for a few years in the 1990s, when they were one of the biggest bands in the world. But their music has regularly graced television and the big screen in other ways, appearing on the soundtracks of films like Judgment Night, The Basketball Diaries, and Reign Over Me. And Pearl Jam songs have popped up all over television, sometimes in surprising places like over a dozen episodes of the CBS procedural Cold Case. Here’s a look back at the 10 best Pearl Jam needle drops in film and TV. 10. “Man of the Hour” – Big Fish (2003) Advertisement Related Video [embedded content] In 2003, Tim Burton adapted Daniel Wallace’s Big Fish: A Novel of Mythic Proportions, a story of a man’s reconciliation with his dying father. Burton sought out Pearl Jam ...
Ransomware is getting nastier and more expensive all the time and it has affected almost every industry and geography. No one is immune from the threat. In a global ransomware survey conducted by Fortinet, 67% of organizations report suffering a ransomware attack. Even worse, almost half said they had been targeted more than once, and nearly one in six said they had been attacked three or more times. Renee Tarun, Deputy CISO/ Vice President Information Security, Fortinet Inc. The US Treasury’s Financial Crimes Enforcement Network (FinCEN) reported that organizations paid out almost $600 million in ransomware in the first half of 2021, which puts the US on track to surpass the combined payouts of the previous decade in a single year. Last year’s attacks on the suppl...