Jeff Tweedy (photo by Sammy Tweedy), PUP (photo by Jess Baumung), Adrianne Lenker (photo by Genesis Báez), and Pallbearer (photo by Diana Lee Zadlo) Every Friday, Consequence of Sound rounds up some of the week’s noteworthy new album releases. Today, October 23rd, brings fresh music from PUP, The Mountain Goats, FUZZ, Adrianne Lenker, Jeff Tweedy, Local Natives, Raye Zaragoza, Songhoy Blues, and Pallbearer. Take a listen to each of their new albums below. Also be sure to check out new releases from Gorillaz and Bruce Springsteen. PUP – This Place Sucks Ass EP <img aria-describedby="caption-attachment-1070497" data-attachment-id="1070497" data-permalink="https://consequenceofsound.net/2020/09/pup-this-place-sucks-ass-ep-rot-stream/pup-rot-this-place-sucks-ass-ep/...
Saweetie has had a year to remember. And now, she’s hoping to continue that hot streak. The TikTok-dominating lyricist dropped her latest single, “Back to the Streets,” on Friday, featuring R&B star Jhené Aiko. The track, produced by Grammy-winning producer Timbaland, hears the pair riding over some smooth piano chords and bouncy percussion. Aiko and Saweetie pass it off to each other throughout, tag-teaming the track’s final addictive chorus with their match-made-in-heaven tones. “Back to the Streets” follows the charting success of the rapper’s hit single “Tap In,” as well as recent tunes “Money Mouf” with Tyga and YG and “Bussin 2.0″ that featured Tay Money. Saweetie’s upcoming album, Pretty Bitch Music, doesn’t have a release date yet, but is set to drop via Warner Records. Li...
Pop’s biggest voice is once again positioning herself as a force in R&B. Music superstar Ariana Grande officially released her sixth studio album’s lead single, “Positions,” Friday night, a week before the release of the long-awaited record. Grande’s latest single is a production team-up between long-time studio partner Tommy Brown, who first joined forces with the vocalist on her 2013 debut Yours Truly, and hip-hop heavy-hitter London on da Track, who recently teamed up with Summer Walker for her Over It record. As fans anticipated following the single’s announcement last week, Grande finds herself toying with R&B over a trap beat yet again on “Positions,” much like she did throughout 2019’s Thank U, Next. The lead single features Grande sounding at-home as she floa...
It’s been a big year for the Weeknd. His latest album, After Hours, hit No. 1 on the Billboard 200. He took home all of the big awards at the VMAs in August and if that wasn’t enough action, he starred in and wrote an episode of American Dad. After sharing videos for “In Your Eyes” and “Snowchild,” the artist has dropped another one titled “Too Late.” The video starts off with a pair of sisters who had plastic surgery and on the drive home, find the Weeknd’s head in the middle of the street. They start doing weird things with it before the clip takes a violent turn. Check it out below. [embedded content] Last week, the Weeknd shared a remix of “In Your Eyes” where he teamed with none other than Kenny G. for the jazzy version. He’s also unleashed a remix of “Money Power Glory” fea...
In an answer to the prayers of classic country music fans everywhere, Garth Brooks and Trisha Yearwood have released a studio version of their “Shallow” cover. The husband-and-wife country duo first performed the A Star Is Born hit during a Facebook livestream early in the pandemic. They reprised their rendition as part of their Garth and Trish Live! special on CBS back in April. Now, they’ve finally taken the track into the studio, recording it for Brooks’ forthcoming new album, FUN. Oddly, the track is officially credited as “‘Shallow’ (the duet with Trisha Yearwood)”, as if the female vocal parts are a “featured” aspect and not the main attraction. Either way, Yearwood knocks Lady Gaga’s high notes out of the stadium in this faithful recreation of the blockbuster 2018 single. “From the ...
Shygirl has announced a new EP titled Alias. With a November 20th release date just around the corner, she’s also dropped her latest single, “Slime”. Shygirl is one of the most interesting musicians to emerge from the British club scene in recent years. The artist also known as Blane Muise straddles the worlds of electronica and hip-hop, with quirky, sly lyricism complemented by absolutely banging beats. She first made waves with the 2018 EP Cruel Practice, and now seems poised for a breakout. The upcoming Alias is meant to bring together the different parts of her personality, as “Slime” demonstrates. Produced by SOPHIE, Kai Winston, and Sega Bodega, “Slime” seems at first blush to involve a back-and-forth exchange between a cocky horndog and a badass boss bitch. The reveal, as you’ve alr...
Over twenty years after the murder of The Notorious B.I.G., the musical pantry is bare and fans will take any new crumbs they can get. It’s in the spirit of feeding the hungry that we offer you a previously unreleased freestyle from 1997, which has now come to light in a (sigh) Pepsi commercial. Via TMZ, Biggie laid down the lyrics in an appearance on the New York radio station Hot 97. Afterwards, it pretty much disappeared — until now. In defense of the makers of sugar water, it really is a whole entire verse about Pepsi. He raps, “Big slam, quick slam, tin can, whatever/ Whether too cold or too hot/ You got to keep Pepsi in the freezer/ I keep a 3 liter for my crew/ My girl like them diet joints too.” Ask not why Biggie Smalls keeps his soft drinks in the freezer, and instead e...
After going quintuple platinum on 2018’s “Psycho,” Ty Dolla $ign and Post Malone reunited for “Spicy.” The song appears on the former’s new album, the aptly titled Featuring Ty Dolla $ign, out Friday on Atlantic. Whenever clubs reopen, expect to hear this catchy, bouncy track blaring through sound systems. “I keep talking about this new album being all about frequencies. I carefully chose each person that’s on this album based on how each song needed that person’s specific frequency. You know, that magic that only that person could bring to the song,” Ty said in a statement. “And ‘Spicy’ was no different. This song needed Post’s frequency. Plus, we were overdue for another hit after “Psycho.” I’m just grateful that he lent his frequency to this song because we DEFINITELY got another one on...