For the latest release in their Song Machine series, Gorillaz teamed up with Top Dawg’s ScHoolboy Q for the funk-laced “PAC-MAN,” on the 40th anniversary of the legendary arcade game’s release The band dropped the single alongside a bright, arcade-style video featuring the classic game, which celebrates its 40th anniversary this year. The track itself is a bit eerie with a hard-hitting Q verse, complete with a punching bag and flashes of neon as he spits. The cut is Q’s first feature since REASON’s May single “Pop Shit.” The song was produced by Prince Paul, Remi Kabaka Jr., and Gorillaz. It was recorded in London just before lockdown. Earlier in the series, Gorillaz shared June’s “Friday 13th” with London rapper Octavian, “Momentary Bliss”&nb...
Alison Mosshart has kept herself busy in 2020. Not only has she been releasing new solo music, but Mosshart also announced her first solo spoken word album, Sound Wheel. And today (July 20), she has dropped a short film that features an excerpt from “Animals.” “Hey, if we were living like animals,” Mosshart recited in the video in the video. “It didn’t feel like that then. No one pointed it out that I can remember. It didn’t seem that bad.” The 69-second clip not only shares a piece of her poetry, but it also showed Mosshart’s directing side. Similar to “Returning The Screw,” Mosshart experiments with a lo-fi surveillance video look but also seems to play with the horror movie genre. As the camera focuses on someone sitting in a chair, you start to see this individual start moving from sid...
Today would have been Chris Cornell’s 56th birthday, and his family is marking the occasion by sharing his previously unreleased cover of Guns N’ Roses’ “Patience”. Listen below. In a message posted to Facebook, Cornell’s family said, “His birthday seemed the perfect time to share this and celebrate Chris, his voice, music, stories and art. It is true a man is not dead while his name is still spoken… and, through his art, an artist’s soul still burns just as bright as ever upon all those that look up to him and his memory. Releasing music that was special to Chris keeps a part of him here with us — his heart and his soul. His love and his legacy.” In related news, Cornell’s daughter, Toni, is following in her father’s footsteps. She recently released her first-ever solo single, “Far Away P...
David Lynch has returned with another gem for his increasingly popular YouTube channel. He’s turned the dial back to 2011 and has dropped an eerie, if not morbidly hypnotic, music video for Crazy Clown Time bonus track “I Have a Radio”. Even for the auteur, it’s not much. Two oil figures dance in unison to the track, looking like something out of a Stephen Gammell nightmare. If you make it through the full six minutes, you’ll be rewarded by a bunch of pig fucking noises. Watch “I Have a Radio” below. In quasi-related news, if you’re looking for the brighter side of Lynch, you would be wise to grab a cup of coffee, a black and white cookie, maybe even some Hennigans, and check out Sein Peaks. [embedded content] You Deserve to Make Money Even When you are looking for Dates Online. So we...
Pop Smoke’s posthumous debut album, Shoot for the Stars, Aim for the Moon, was released earlier this month, boasting cameos from Future, Swae Lee, DaBaby, and more. Now, an expanded deluxe edition of the album has arrived, along with a new video for “The Woo”. Check out both below. For a high-definition listening experience, you can sign up for a 60-day free trial of TIDAL HiFi. This deluxe edition of Shoot for the Stars includes 15 (!) new songs and guest contributions from Burna Boy, BloodPop, Jamie Foxx, PnB Rock, A Boogie Wit da Hoodie, and Fivio Foreign, among others. There’s also a somewhat controversial track called “Paranoia” with Young Thug and Gunna. A previously leaked iteration of this cut had reportedly featured Pusha-T and a diss reigniting his 2018 beef with Drake,...
Julia Stone (photo by Brooke Ashley Baron) and St. Vincent (photo by Lior Phillips) Julia Stone is back with her first solo single in eight years, “Break”. The track was produced by none other than St. Vincent and features additional contributions from Bryce Dessner of The National and Warpaint member Stella Mozgawa. On “Break”, Stone layers her folk stylings with more robust instrumentation like synthesizers and brass, citing David Byrne as inspiration. According to the Australian singer-songwriter, this exciting shift in musical direction is tied to the adrenaline rush of a new romance. “It’s when you first meet somebody, and you have that connection, and your chemicals go crazy,” Stone says of the single, which was also co-produced by Sufjan Stevens associate Thomas Bartlett. “It’s abou...
Despite the pandemic, Shamir is gearing up to release his second album of 2020. Following March’s Cataclysm, the indie artist is readying a self-titled record for October 2nd. According to a statement, Shamir finds the Philly-based musician swapping his R&B and pop palette for something with a little more grit. Shamir specifically looked “toward the post-hardcore ’90s for further inspiration — from Olympia, Washington cult heroes Unwound to bands of the Kill Rock Stars orbit.” The shift in musical direction may be a bit surprising to fans. But for Shamir, it’s a natural evolution and one that places him at his most centered. “I felt like it didn’t need a name [for the album], cuz it’s the record that’s most me,” Shamir says of the LP, which he also considers his most accessib...
During the onset of the outbreak, Hayley Williams delivered her rendition of Phoebe Bridgers’ “Smoke Signals” from quarantine. The Paramore leader is back this week with another homemade cover, this time taking on the Icelandic queen herself, Björk. Performing from her own couch, Williams offered up an acoustic version of “Unison”, a track off Björk’s 2001 album Vespertine. “I’d actually hoped to cover a different song of hers live this year, but I guess that will have to wait until some other time,” Williams wrote on Twitter. “anyway, this one has to be in my top 5”. We’re curious to know what songs make up the rest of her Björk list, but we’ll settle for this magical cover in the meantime. Watch video footage below. Editors’ Picks This past spring saw Williams release Pet...
This September brings a massive reissue of Prince’s 1987 tour de force, Sign O’ the Times. The expanded collection boasts 63 unreleased tracks, as well as a previously unseen concert film recorded at Paisley Park on New Year’s Eve that same year. Fans were already treated to one of the reissue’s many rarities, “Witness 4 The Prosecution (Version 1)”, back in June. Today, Warner Records and The Prince Estate are sharing a never-before-released 1979 version of “I Could Never Take the Place of Your Man”. This iteration was recorded at Hollywood Sound Recorders, Studio A on May 23rd, 1979. According to a press statement, it’s “the oldest recording” found on the upcoming reissue.”The track was retrieved from the vault by Prince in June 1986 and re-recorded, with Prince adding a guitar solo...
The Replacements have announced a new deluxe box set of their acclaimed fifth studio album, Pleased to Meet Me. Due out October 9th from Rhino, the collection showcases 29 never-before-released tracks from the band, including their final recordings with guitarist Bob Stinson. Remastered by Justin Perkins (who handled the same duties on last year’s excellent Dead Man’s Pop box), the Pleased to Meet Me deluxe edition is spread across three CDs and one 12-inch vinyl record. The first CD features the original LP along with B-sides and rarities, capped off with a Jimmy Iovine remix of the classic “Can’t Hardly Wait”. Disc 2 captures the summer 1986 sessions at Minneapolis’ Blackberry Way Studios that led up to the final album. Amongst the 15 demos are 11 previously unreleased recordings, t...
The Chicks, formerly the Dixie Chicks, have released their comeback album Gaslighter. Stream it below via Apple Music or Spotify. For a high-definition listening experience, you can sign up for a 60-day free trial of TIDAL HiFi. While The Chicks are no longer whistling dixie (they changed their name last month in the aftermath of Black Lives Matter protests) this is still the same trio that tore up country radio at the turn of millennium, and it’s the same group that ran smack into the W. Bush war propaganda machine. Lead singer Natalie Maines’ 2003 comments about the impending invasion of Iraq — “We do not want this war, this violence, and we’re ashamed that the President of the United States is from Texas” — led to the most forceful music backlash in decades. Fans burned their ...