In 2019, Big Wild released his debut album, Superdream. Containing fan-favorite hits like “City of Sound” and “6’s to 9’s,” the record positioned him as one of the electronic music scene’s true aesthetes. Now, Big Wild has dropped his sophomore studio album, The Efferusphere. Three years in the making, the 14-track LP explores his unique indietronica sound by permeating feelings of psychedelia and nostalgia. Big Wild “It’s hard to believe that 3 years of work and personal growth led me to create 45 minutes of music,” writes Big Wild, who said he “poured a lot of myself into this album.” Melancholic guitar riffs, atmospheric synths and Big Wild’s emotive vocals make for a cohesive and touching album. Every detail of The Efferusphere evokes visceral r...
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered. These 10 tracks from artists including Blood Orange, Emeli Sandé, MAX and Sorry will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10. Sorry, “Key to the City” [embedded content] Sorry have recently been sharing previews of sophomore album Anywhere but Here, due out Oct. 7, and each new cut showcases the North London alt-pop group’s ability to mix sardonic gloom with slick, enticing melodies. “Key to the City” basks in pre-breakup bitterness, with Asha Lorenz’s voice echoing and fading as the contours of the song abruptly chang...
“This song symbolizes the gift of music.” That’s how Black Coffee referred to Letta Mbulu and Caiphus Semenya’s “There’s Music In The Air,” a protest anthem for the anti-apartheid movement written by the South African musicians in 1976. Today, alongside fellow South African artist Ami Faku, the Grammy-winning DJ and dance music producer has released his own rework of the historic single via Gallo Record Company. Marked by a spirit-stirring afro-soul arrangement of laid-back percussion rhythms and retro synths, the song is ready-made for sun-drenched strolls and afternoon unwinds. “There’s music in the air / It makes the sorrow go / Let the music take you there / Far from the world you know,” Faku angelically ha...
Like many, Nathan Gurley and Sean Rodman of Moontricks draw their creative inspiration from the world around them. However, very few artists have the luxury of tapping into the rustic Kootenay mountains of Western Canada. This distinction has most certainly made a mark on the ever-evolving duo, who curate an electro folk sound like none other. Delivering an intricate aural experience that intersects somewhere between grassroots blues, wistful soul and what they’ve coined “boot-stomping bass,” Moontricks have their own signature style. While the barnstorming duo have been producing music as a tandem for over a decade, the two have only released singles and a handful of EPs, including 2012’s The Ignition, Home—arguably their most popular with fans—as we...
Nicky Romero and W&W wave goodbye to the summer with their last anthem of the season. Premiered during Romero’s performance at this year’s Tomorrowland, “Hot Summer Nights” is his third collaboration with the storied Dutch duo. Paying homage to the sunshine and nice weather of the summer, the three artists share a nostalgic mainstage sound that will have listeners reminiscing about all the adventures they had this festival season. Since its debut back in July, fans have been anxiously awaiting the official release of the high-profile dance collabo. Opening up with vocals about sharing the summer with a loved one, “Hot Summer Nights” sees Romero and W&W eventually building to a resplendent drop with euphorics leads and a pounding house beat. ̶...
What a rise it’s been for Blanke, who seems to be strapped into a rocketship to dance music superstardom. The EDM.com Class of 2021 star has been on a flat-out rampage over the course of the past year, releasing a stunning seven-track EP and teaming up with the likes of Gryffin (“Colors“), Deathpact (“Mitosis“) and many more. However, his latest collab is his biggest yet. Blanke has now teamed up with Zeds Dead for “The Machines,” a track that oozes with the industrial ferocity of a classic banger from the the iconic dubstep duo. But the pacing here is driven by Blanke, whose menacing midtempo sound slithers through an arrangement of 92 BPM. All in all, it’s a seamless integration of both of their stylistic approaches, and...
A new high-profile collab between Kygo, Gryffin and Calum Scott aims to make your heart skip a beat. The trio have released “Woke Up in Love,” tying a bow on the summer of 2022 with an uplifting dance record. In a stentorian vocal performance, the prolific Scott explores the complex feelings associated with chasing the highs of an elusive love. “Lately, I’ve been losing these nights / One more heartbreak and I’m done with this / Shadows on the ceiling, they don’t fight / But I still argue for the hell of it,” he croons. From there, it’s all Kygo and Gryffin, whose bubbly production evokes sun-drenched coasts and toes in the sand. Check out “Woke Up in Love” below. Scroll to Continue Recommended Articles Meanwhi...
Weeks after dropping his fan-favorite single “What a Life” on his own imprint, Off The Grid Records, John Summit has released the label’s first-ever compilation, Excursions: Vol. 1. After launching the label earlier this year, the surging DJ and producer has released three records on it, including his “In Chicago,” a stunning tribute to his home city. Now, Summit has dropped the label’s inaugural compilation, showcasing its “house without limits” approach. Comprising six tracks from the likes of Max Styler, Matt Sassari, Lucati, Ranger Trucco and more, the compilation features IDs which had been teased and played throughout Summit’s DJ sets. Styler’s “Resist” opens the compilation by way of a sweltering tech house club anthem, while Vitor Vinter and Sudden Heat’s “Voy...
If there’s any question about the future of AI as a productivity enhancer, Armin van Buuren is removing all doubt. With his latest single, the superstar DJ and electronic music producer teamed up with an AI to co-create a bouncy, psytrance-inspired track fit for the mainstage. The appropriately titled “Computers Take Over the World” essentially doubles as an AI-narrated walkthrough for producing a festival-ready dance beat. Like a true collaboration, the innovative approach in teaming up with AI manages to maintain some of van Buuren’s signature sonics while offering some qualitatively new flavors into the equation. Scroll to Continue Recommended Articles AI’s involvement as a co-creator on the song itself is really only half the story, however. Further ...
There’s one flag that Audien isn’t afraid to let fly, and it’s his love of progressive house. So goes the artist’s latest, “Drifting Away” (with Joe Jury), a scene-setting anthem that captures the otherworldly magic of its title. Featuring a sprinkling of keys and lush synths, the track finds Jury’s voice floating like velvet above a celestial soundscape before it elevates into its heart-pumping drop. Altogether, “Drifting Away” is as nostalgic as it is invigorating. “That’s the magic of progressive house: it’s timeless,” Audien tells EDM.com. “And I think ‘Drifting Away’ encapsulates that. It’s a timeless classic.” Scroll to Continue Recommended Articles ItR...
Alison Wonderland continues her journey into the abyss with “333,” a brand new track released under the guise of her Whyte Fang alias. For over a decade, Wonderland has nurtured a secretive side project that explores the darker side of electronic music. Producing as Whyte Fang, she creates woozy, heavy-hitting sounds that might not necessarily fit under the Alison Wonderland umbrella. Opening up with eerie, distorted vocals, “333” sets an ominous tone early on. After a tense, metallic build-up, Fang introduces a wobbly bass drop with saturated kicks and frenetic vocal chops. She then blasts into the realm of techno, bringing the arrangement home with a pounding four-on-the-floor section. All in all, the entire experience is delightfully di...
Malaa has paid tribute to one of the biggest rock bands of the century, remixing their most iconic single over 20 years after its release. Linkin Park dominated the airwaves with their timeless nu metal offering, “In The End,” which released back in 2001. The song was immensely popular and helped their debut album, Hybrid Theory, reach Diamond certification from the RIAA, selling over 10 million copies. Now, 21 years later, enigmatic French DJ and dance music producer Malaa has transformed the rock song into a house heater. Scroll to Continue Recommended Articles Maintaining the ageless vocals of Mike Shinoda and the late Chester Bennington, Malaa gives listeners a chance to belt out the words before cutting into a house groove. Chopping bits of the lyrics, he la...