New Music
Frank Ocean Unveils Nine-Minute-Long Track on ‘Blonded’ Radio Show
It’s been more than five years since Frank Ocean released his latest album Blonde. In the time that’s passed he’s dropped a handful of singles but has been pretty quiet since sharing “Dear April” and “Cayendo” in 2020. That all changed yesterday. The singer gifted his fans a very special present during the Christmas episode of his “Blonded” Apple Radio show and unveiled an unreleased nine-minute-long track. In an Instagram story, Ocean explained how the song came together, revealing it was recorded in a single take last summer and inspired by a conversation he had with motivational speaker Wim “The Iceman” Hof after the death of his younger brother Ryan Breaux in August 2020. “Me and @iceman_hof had a conversation some time ago when I was in the earlier stages of grief and I remember ...
Listen to Above & Beyond’s 10-Year Anniversary Remix Album of “Group Therapy”
After announcing that a remix album for Above & Beyond‘s seminal Group Therapy was on the way earlier this month, the group have finally unveiled the record with the help of a stacked roster of artists recreating some of their most iconic songs. Each of the artists selected to rework Group Therapy did a phenomenal job at paying respect to the original while adding their own unique spin. There is no singular theme throughout the album’s 12 remixes, which provide listeners with a familiar experience filled with twists and turns. Opening with CRi’s emotive remix of “Filmic,” the album quickly shifts gears with a fast-paced rework of “Sun & Moon” by trance music luminary Ilan Bluestone. This dynamic and swift change is mirrored by H...
Seven Lions Taps Atlys to Release Orchestral Album of His Greatest Hits: Listen
Seven Lions is closing the year out strong, tapping Atlys to reimagine a number of his biggest hits in Opus, a new album of orchestral renditions. Although the idea of Opus isn’t something fans often yearn for, it’s an idea that fits perfectly into Seven Lions’s discography and aesthetic. His mystical world-building has long seemed like it could spawn an orchestral album and the one he’s released alongside Atlys, out now via his own Ophelia Records imprint, is perfectly executed. Seven Lions and Atlys have done a remarkable job at recreating some of his most prized tracks. “Only Now (in E Minor)” remains just as dynamic and moving as its predecessor, though stirs up completely new emotions. However, “The Blood (in E Minor” is the most ra...
Alok Announces Squid Game-Inspired EP, Drops Hypnotic Lead Single
Alok‘s final release of 2021 is a celebration of one of the year’s biggest pop culture moments. The rise of Squid Game to take the throne of Netflix’s most successful show was nothing short of meteoric. Considering the show’s near-hypnotic theme music, you just knew dance music artists were going to find clever ways to channel that eerie energy. That inspiration has manifested in a variety of ways, such as the clever “Squid Game and “Do It To It” edit Zedd used to make a memorable entrance on the EDC mainstage. Alok found himself similarly entranced by the show’s chilling main theme—but he hasn’t stopped there. Next year will see the Brazilian dance music superstar dropping an entire EP based on the show. “After becoming...
Imad’s New Single Tells a Tale of Resilience Following Beirut Explosion of 2020: Listen
For 21-year-old Imad, his latest single, “Makan” (with Samia), goes far beyond your basic melodic techno track. Instead, the hauntingly atmospheric song was rewritten by the Lebanese and Nigerian artist after the devastating explosion in Beirut last August. It translates to “place” in Arabic. “That was a turning point for a lot of people in the country, as the general economic, social and quality of life in Lebanon had been rapidly declining,” said Imad, who splits his time between Beirut and London, in a press release. “[Samia and I] dedicated it to the relationship a lot of us have with Lebanon.” Recommended Articles The resulting version of “Makan,” which was originally composed as Imad’s submission for entry into P...
Zomboy Returns With Bone-Rattling Dubstep Single, “Valley Of Violence”
Just when you thought the end of 2021 couldn’t get more exciting, Zomboy is here to add fuel to the fire with his latest dubstep anthem, “Valley Of Violence.” Out now via Never Say Die, the track is exactly what longtime fans have been craving from Zomboy, one of dubstep’s leading producers. The pre-drop vocal is the perfect moshpit starter, and the ensuing growls were designed to decimate crowds. Zomboy additionally flexes his ability to produce powerful orchestral melodies in the verses, priming this tune for a huge festival run this upcoming season. Check out “Valley Of Violence” below. Recommended Articles While Zomboy has been relatively quiet since 2019, he’s still dropped a handful of neck-breaking singles that have kept fans content un...
Subtronics Reveals Debut Album, Drops First Single “Spacetime” With Nevve
One of bass music’s most exciting producers is looking to make a statement with his long-awaited debut album. While fans are preparing for Subtronics‘ “Fractal Tour” to kick off, the meaning behind the title was finally revealed. Coming next month is the Philadelphia producer’s long-awaited debut album, Fractals. With jaw-dropping album artwork from Okan Uckun, the image contains symbols representing each of Fractals‘ 16 tracks. While the art is enough to keep fans excited, Subtronics doubled down and dropped the album’s first single, “Spacetime” with Nevve. Recommended Articles Already a favorite ID from his sets, saying fans are excited that “Spacetime” is Fractals‘ first single is a massiv...
Kill The Noise Announces Sophomore Album, Drops Massive Single “Don’t Look Back”
After a few relatively quiet years, Kill The Noise is angling for a triumphant return in 2022. Now he’s back in action alongside MOELLE with their new collaboration, “Don’t Look Back,” released under Seven Lions’ venerated Ophelia Records banner. Kill The Noise has long been revered for his innovative approach to sound design, and he’s put his music production chops on full display in “Don’t Look Back.” The bass music virtuoso has effortlessly fused MOELLE’s captivating vocals with an onslaught of haunting synths and frenetic stabs, dropping an eerie dubstep anthem. “Don’t Look Back” is the first single from Kill The Noise’s forthcoming sophomore album EMBRAC3, the first to be released i...
Listen to Zedd’s Gripping Remix of Grabbitz’s VALORANT Champions Anthem, “Die For You”
Grammy-winning electronic music producer and avid VALORANT gamer Zedd has dropped a new remix of the game’s 2021 championship anthem, Grabbitz‘s “Die For You.” Zedd’s electro house roots shine in the gripping remix, which hit streaming platforms after the VALORANT Champions 2021 tournament wrapped up on December 12th, 2021. It’s not quite the complextro mayhem of yesteryear, but it’s chock full of signature Zedd sounds, especially in the verses. Check out a clip of Zedd and Grabbitz debuting the new “Die For You” remix at the finals opening ceremony, which also featured PVRIS and REZZ, below. Zedd is a diehard VALORANT fan, recently teaming up with the tactical first-person shooter’s developer, Riot Games,...
Bleu Clair’s Scintillating “Prelude” EP Signals a Bright Future In House Music: Listen
Since making a glowing first impression on Insomniac Records last year, house music dynamo Bleu Clair dives deep to deliver his latest project on the imprint, the Prelude EP. The record marks Bleu Clair’s biggest release to date and offers a taste of what’s to come from the young, Indonesian beatsmith. Opting to enlist bubbling talent from his own backyard, he is on a quest to experiment with eccentric sounds. Clair delivered the first taste of his EP back in July, a sultry single dubbed “Have Me All,” highlighting Jakarta-based vocalist Jelita. A gentle percussive beat surrounds Jelita’s sensual vocals, creating a steamy late-night house tune. Then, switching things up in “Amani,” he reconnected with Indonesian compatriot Jargen to del...
Elohim Drops Candid “Journey to the Center of Myself, Vol. 3” EP: Listen
Earlier this year Elohim announced her four-part EP series titled Journey to the Center of Myself, a result of setting up a home studio during lockdown. After releasing the first two parts in 2021, she’s now capping off a huge year with the series’ third volume. The self-released, five-track EP offers insights into the inner workings of Elohim’s brilliant mind. As someone who has openly struggled with mental health issues, her lyrics explore anxiety, depression, and dissociation in a way that’s relatable and healing. “this EP is for the emotions,” she said in an Instagram post. Recommended Articles Kicking things off on the EP is “Little Idiot,” which explores self-loathing and self-sabotage with guitar licks and electropop flair. On the same topic of...
longstoryshort Drops Must-Listen Bass House EP, “Love We Had”
Once again, longstoryshort has delivered a high-powered EP, this time around arriving on Dr. Fresch’s House Call Records imprint. longstoryshort’s two-track Love We Had EP is dark and contemplative, and chock full of spellbinding sound design. The EP gives listeners a fresh dose of what’s quickly becoming his signature sound, as he’s expertly implemented brooding vocal samples alongside organic percussion and menacing bass. The namesake tune “Love We Had” is more subdued than its counterpart. The airy, slow-building intro is transformed into a rumbling drop as the percussion makes its way in, taking listeners by surprise early on. “To Ya Headtop” brings even more energy right from the start, kicking things off with punchy...
