Sam Feldt is closing out the year on a high note, connecting with Rita Ora for a summery collaboration called “Follow Me.” As he usually does, Feldt has put together a surefire crowd-pleaser, which arrives via Kygo’s Palm Tree Records. “Follow Me” encapsulates the Dutch producer’s sound perfectly, taking on the upbeat feel he’s known for. Ora’s unmistakable voice drives the arrangement, blending with warm piano chords and vocal chops to bubbly effect. In Addition to Feldt’s production, Ella Henderson—a collaborator of Kygo and Jax Jones, among many others—is attributed as a co-writer. “I had so much fun making ‘Follow Me’ with Rita, not just the track but also the video too, which we filmed out in the C...
Yes, you read that right. Crazy Frog is back in action after a 15-year hiatus with a mashup of the Run-DMC classic, “It’s Tricky.” The new version features Crazy Frog’s signature earworm vocals alongside the iconic lyrics of “It’s Tricky.” While it’s an entirely new release, the song functions as an electronic remix of the original. A music video has also been released alongside the mashup, featuring the blue amphibian himself. Directed by Sigfrid Söderberg and Andreas Wicklund, the video follows Crazy Frog as he escapes a legion of robots in a post-apocalyptic setting, where he eventually finds and hijacks a rocket. A press release issued to announce the track describes it as a commentary on the “Bezos-Musk ego trip” in a jab at ...
2021 was a monumental year for house music, and J Balvin and Skrillex are tying a bow on it by dropping one of the genre’s most coveted tracks. The Prince of Reggaeton recently unveiled the deluxe version of JOSE, his sixth studio album, and tucked at the bottom of the tracklist are three monster remixes, including one from Chris Lorenzo. Lorenzo is your favorite producer’s favorite producer. Long revered as one of the most gifted sound designers in house music, he has dropped yet another masterstroke. While the original “In Da Getto” dominated contemporary radio, Lorenzo’s riveting remix did the same on the festival circuit. Prior to its release on streaming platforms, the track was rinsed by the electronic music scene’s biggest artists, such...
Melodic electronica virtuoso Shallou dives deep on his latest project, an emotive, five-track EP titled The Long Way Home. Featuring soul-searching sonics, ethereal vocals and gently-thumping bass beats, it acts as the light at the end of a long tunnel for Shallou, who overcame his recent struggles with mental health—including a diagnosis with obsessive–compulsive disorder—to reconnect with his creative self. Out now via FADER Label, The Long Way Home picks up this story with hopeful opening ballad “Corners.” The atmospheric melodic house piece arose when Shallou finally found hope “coursing through [his] veins again,” he wrote in a press release. “I could finally clear the haze and write about the feelings I had experienced during the pan...
After taking a break from releases for nearly 11 months, k?d has picked up where he left off with a new remix of Hikaru Utada’s “One Last Kiss.” Utada’s original song, released in early 2021, was part of the singer-songwriter and producer’s eponymous Japanese-language EP, the first of his career. The titular “One Last Kiss” featured a minimalist arrangement with dainty melodies and spacey soundscapes. With ample room to run with a new vision, k?d got to work implementing a transformative new vision that is not easily replicated. Like his most recent single, “BIB” (with Steve Aoki), k?d rolls with a brisk tempo on the remix in stylistic alignment with dance music’s harder flavors. Incorporating elements of rave with bouncy breakbeat drums and frenet...
2021 is almost over, but with a tandem as prolific as Rich DietZ, every day is curtain time. This year, the promising house music duo have released new music with the furious pace of the Energizer Bunny. And despite the death knell of December, it seems there’s no end in sight after they released yet another signature track. This time around, Rich DietZ have turned the clock back to 2006 to rework Cassie’s steamy R&B hit “Me & You.” The remix is anthemic in nature, dialing up the BPM of the original and transforming it from a bedroom baby-maker to a certified club jam. Rich DietZ were shrewd in their decision to keep the song’s distinctive keys intact, a move that pays homage to Cassie. While the remix is certainly a showcase of Ri...
Alison Wonderland has taken her patented “fuck me up on a spiritual level” mantra to a new level with her new single. The superstar singer-songwriter and electronic music producer has unveiled “Fuck U Love U,” a brooding banger. Fragility is the central motif of the angsty track, which doubles as a captivating cry for help: “I’m by myself / I’m all alone / I think too much / need to switch off,” she sings. Wonderland is as vulnerable as she is magnetic in the official “Fuck U Love U” lyric video, a kaleidoscopic and eerie audiovisual with more tension than an awkward middle school dance. Her haunting lyrics about inner demons materialize in the form of sinister hands, which she wards off throughout. Blindfolded and veil...
You probably haven’t heard ILLENIUM quite like this before. Fresh off a Grammy nomination for his fourth album, Fallen Embers, the electronic music superstar today dropped a massive edit of “Story Of My Life,” an upcoming crossover collab with Sueco and Trippie Redd. And it’s not for the faint of heart. Fans hoping for the classic ILLENIUM sound can find solace in the original version of “Story Of My Life,” which drops on Friday and will almost certainly be rooted in his signature melodic bass style. However, the “Heavy Edit” of the track is raucous in nature. Angsty and breathtaking, it’s a pop-punk and emo rap crossover rife with dubstep influences and ferocious sound design. You can listen to the “Heavy Edit...
Ever dream about flying cars while playing soccer? No? Well Anamanaguchi and Flux Pavilion do. Following the release of their debut Monstercat release earlier in the month, Anamanaguchi have returned to the label with “Dreams.” The single is a collaboration with influential bass music producer Flux Pavilion, who called it a “sweeping love song like the moments after your first kiss” in a press statement. Combining the video game-inspired talents of the chiptune group with Flux Pavilion’s masterful production creates a unique song that finds a dreamy middle ground between the two acts’ ever-evolving sounds. With classic video game sounds sprinkled throughout, the uplifting track is a great anthem for both festivals and gaming playlists. Recommended Articl...
Brazilian DJ and house music producer Vintage Culture has put his own unique spin on Chris Lorenzo’s “California Dreamin’” (with High Jinx). The original track, which samples The Mamas & The Papas’ 1965 hit of the same name, takes a tech house dive. Vintage Culture opted to amplify the shifting dynamics of Lorenzo’s version by building to exhilarating crescendos and bringing deep, dark effects to the infectious dance floor gem. Equally eerie and hypnotic, the dance music star’s spin, out now via Black Book Records and Astralwerks, amplifies Lorenzo’s direction by adding a sinister tech flair. Check out Vintage Culture’s remix below. “Chris Lorenzo’s new track ‘California Dreamin’’ is on fire!” Vintage Culture exulted in a p...
Italian DJ and producer Gabry Ponte has joined forces with Aloe Blacc—the Grammy-nominated vocalist behind the timeless Avicii treasure “Wake Me Up”—for an intoxicating dance-pop song. “Can’t Get Over You” hooks listeners with a catchy chorus complimented by a breezy house beat. While the track’s lyricism expresses a deep longing from person who is struggling to move on, its atmospheric soundscapes encourage movement and release. Caught between a state of melancholy and a sweeping romance, “Can’t Get Over You” exudes inner conflict courtesy of Blacc’s soulful vocals. The storyline is accented by the production prowess of Ponte, who incorporated bubbly synths and a catchy bassline in this electronic ea...
Wet Leg, the British duo of Rhian Teasdale and Hester Chambers, are set to unleash their debut. The duo shared that their self-titled debut will be out on April 8, 2022 on Domino Records. To prepare us for next year’s release, Teasdale and Chambers shared “Too Late Now” and “Oh No” from that upcoming collection. “It is about sleepwalking into adulthood,” Teasdale said in a statement about the inspiration behind “Too Late Now.” “I never imagined that my adult life would look the way it does and I guess this song reflects on some of the pressures and pulls of life. Sometimes I get really inside my head and everything can feel very overwhelming. I think this song is about accepting that life can feel a bit shit from time to time. Maybe don’t indulge that thought too much though. Just take som...