It’s so easy to be cynical about a band like Wet Leg, who in a matter of months last year signed a management deal, a record contract with tastemaker Domino (Arctic Monkeys, Cat Power) and sold out their first headlining tour, despite having released only two singles — six minutes of music to secure all the success many artists spend a lifetime trying to achieve. So followed the exhaustive Twitter and Reddit discourse over whether the Isle of Wight duo of Rhian Teasdale and Hester Chambers were actually industry plants, backed by resources far greater than the scuzzy indie-punk satire of their debut hit “Chaise Longue” might suggest. How else could they have so quickly landed airplay on Elton John’s Apple Music radio show or notched a public co-sign from Dave Grohl? To all this over-hype...
Olivia Rodrigo was already a two-time Grammy winner before she’d even had her own tour. Not the typical order of operations for artists, but Rodrigo is a new kind of pop star. With her Best New Artist gramophone in tow, the “drivers license” singer finally launched her first-ever headlining tour on Tuesday, April 5th at Portland, Oregon’s Theater of the Clouds — and our photographer Dan Garcia was there to capture it all. The “Sour Tour” kick-off concert featured an entire (if out of order) run-through of the album of the same name — not surprising as Sour is Rodrigo’s only LP. The setlist was padded with a pair of covers: Avril Lavigne’s “Complicated” (in honor of “the pop-punk princess herself,” as Rodrigo put it) and Veruca Salt’s “Seether.” Below, find a photo gallery of Olivia Ro...
The Pitch: Heavy metal, with its knowingly ridiculous embrace of deafening volumes and over-the-top violent imagery, and predominantly young male audience, has been fertile territory for comedy since This Is Spinal Tap. And over the last few decades, some enduring comedies have irreverently paid tribute to hard rock bands and the adolescents who love them, including School of Rock, Bill & Ted’s Excellent Adventure, and Detroit Rock City. Screenwriter D.B. Weiss, best known as the co-creator and co-showrunner of Game of Thrones, has brought us a potential new addition to that canon with Metal Lords. In 2019, Weiss and his Game of Thrones creative partner David Benioff inked a $200 million deal to produce films and series for Netflix. And while some of Benioff and Weiss’s more ambitious ...
The Pitch: In his 2019 Netflix film 6 Underground, Michael Bay stages an opening car chase where his heroes smash through the streets of Italy, goring bad guys and yelling nonsense at each other. “I’m conducting surgery!” one character screams while, essentially, just tending to a wound. But maybe that moment stuck in Bay’s head. Maybe he regretted not making that set-piece more surgical, to the point where he built an entire movie called Ambulance around the premise: What if you were performing life-saving surgery during a car chase? Technically, Bay did not come up with this premise. Ambulance is a remake of a 2005 Dutch film, and Bay is not a credited screenwriter. But his penchant for breaking tension with over-explained jokes, or breaking jokes with melodramatic bombast, transcend any...
Father John Misty is something of an online discourse generator. You never quite know what to expect from him. He used to have a tremendous presence on the internet and social media at large, but he has receded a bit in recent years. Around the album cycle for 2017’s epic Pure Comedy, it seemed like Josh Tillman, who has been performing under the Father John Misty moniker for a decade now, couldn’t stop over-explaining his music. The following year, however, he became notably less loquacious on the understated, masterful, and personal God’s Favorite Customer. He’s keeping that up for his fifth record as Father John Misty, Chloë and the Next 20th Century. Although Tillman’s music is fun to talk about online because of its excess and decadence, his delightfully outsized personality has taken...
The Pitch: “Meticulous.” “Chilling.” “Engrossing.” There are so many words that come to mind when sitting down with a new installment of Better Call Saul, the Breaking Bad spin-off which has somehow soared to a whole new tier of quality over the years. No spoilers (for fear of the Salamancas knocking at the door), but it can be said that the first two episodes of Season 6 keep this proud tradition going. As the show gears up for its last hurrah (the first seven episodes of the final season debut starting Monday, April 18th, with the second half of the season returning in July), every element of one of TV’s best-made shows is working hard to invest us in so many of the show’s biggest questions, including the most important one of all: How’s it going to end? Where Were We? Season 5 of Saul e...
The Pitch: It’s 2022, which means that we’re now getting the kind of movies that weren’t just filmed during COVID, but conceived during it (see also: Soderbergh’s Kimi, Doug Liman’s Locked Down). For Judd Apatow, that meant a long, hard look at the ways that mainstream studio filmmaking has adjusted to the times: masks aplenty, social distancing, and the much-vaunted “bubble” of fully quarantined people who are trapped together until, well, all this stuff is over. And that’s the environment under which the latest entry in the hit blockbuster franchise Cliff Beasts, Cliff Beasts 6: The Battle for Everest: Memories of the Requiem, is to be made, says the film’s producers (including Peter Serafinowicz and Kate McKinnon). But of course, throwing a group of temperamenta...
Dom Deshawn’s latest album Tale of Two Seasons captures the almost helpless feeling of passing through the seasons, undergoing a change that you can’t control but is happening all around you. Like last September’s Maintainin’, the project emerges from the Columbus rapper–born Dominique Mattox–processing personal struggles within the larger global catastrophe of the COVID-19 pandemic. Deshawn captures this still-new struggle with isolation through the process of moving from fall to winter, with recent struggles of heartbreak and loneliness giving way to new opportunities for growth. Through the candor of his verses and the visual sharpness of his music videos, Deshawn’s music reflects on the many seasons of his own creative journey. Deshawn started rapping at age 18 after music overtook a p...
The Pitch: The first trailer for Morbius, the newest effort by Sony Pictures to hold onto the Marvel characters to which it still owns the rights, originally premiered in January 2020, in anticipation of its planned July 2020 premiere. That premiere didn’t happen for, y’know, reasons, but in the literal years since, new trailers for the film have continued to appear online and in theaters, with one of them buttoned by a reasonably funny joke: Its central character, in full monster face, growling “I… am… Venom!” at a thug, then abruptly shifting to a smile to say, “I’m just kidding! Dr. Michael Morbius, at your service.” That moment didn’t just name-drop a previous Sony/Marvel collaboration, but showcased a clever reversal on expectations, not to mention star Jared Leto doling out some very...
The Pitch: When Moon Knight viewers first meet Steven Grant (Oscar Isaac), he’s a simple man living a relatively simple life in London, working a menial job as a museum gift shop employee and struggling to connect with the people around him. While a bit of an odd duck, personality-wise, Steven has a good heart but a big secret: He keeps experiencing missing time, waking up in strange locations no matter how hard he tries to stay awake or chain himself up in his sleep. The cause for these lapses, as we soon learn, is that Steven shares his body with an entirely separate personality — that of a man known as Marc Spector, who’s caught up in some complicated business involving a golden scarab, a cult leader named Arthur Harrow (Ethan Hawke), and as we eventually come to discover, the modern-da...
“There’s, like, a different vibe in here.” So remarked host Amy Schumer towards the end of the 94th annual Academy Awards, after an emotionally exhausting night that did deliver a lot of surprises. Perhaps not the kinds of surprises that anyone watching was hoping for, because as the show creeped past the three-and-a-half-hour mark, what was striking was how the Oscars managed to make the handing out of actual Oscars feel like an afterthought. In the minutes before the Oscars began this year, the vibes were not great due to the controversial choice to eliminate eight categories from the live broadcast (instead handing those awards out an hour before the official ceremony started, and then editing the winning acceptance speeches into the show later). In concept, an idea which might trim som...