Reviews
NYFF Review: Joaquin Phoenix Gets Avuncular for the Warm, Low-Key C’mon C’mon
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: Every five years or so, Mike Mills — not the one from R.E.M., though, confusingly, he is a music video director and graphic designer for some of their contemporaries — releases a sensitive, heartfelt drama about delicate but deceptively strong family ties. C’mon C’mon is the 2021 model, starring Joaquin Phoenix as a documentarian who must unexpectedly spend several weeks taking care of his nine-year-old nephew. I’ll Figure It Out: “Nobody knows what they’re doing. You just have to keep doing it.” That’s advice given late in C’mon C’mon by Viv (Gaby Hoffman) to her brother Johnny (Joaquin Phoenix) as he struggles to figure out how to substitute-parent her nine-year-old son Jesse (Woody Norman). Viv has been c...
Halloween Kills… The Franchise, To Be Specific: Review
The Pitch: It’s the late hours of Halloween night 2018, and Laurie Strode’s (Jamie Lee Curtis) house is still aflame from trapping Michael Myers in a flaming prison she’s spent decades building. But even that’s not enough to kill the soulless demon monster with a penchant for homicide; he escapes with nary a scratch on him, save for some scorch marks on his William Shatner mask. As daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) rush an injured Laurie to the hospital, the rest of Haddonfield learns of the asylum bus crash that led to Michael’s escape, and a mob forms to try to catch the killer. But will strength in numbers be enough to vanquish pure evil? Halloween Persists: In the age of “legacyquels,” followups to nostalgic hits from the ’70s and ’80s that...
HBO’s Succession Turns Its Family Feud Into All-Out War in Season 3: Review
The Pitch: When last we left the backstabbing, mega-wealthy Roy family, prodigal son Kendall (Jeremy Strong) finally plunged the dagger in the back of his imperious father, Logan (Brian Cox), by holding a presser in which — rather than acting as the “blood sacrifice” Logan wants to throw to the wolves — he publicly laid bare incriminating accusations of malfeasance within Waystar Royco’s Cruises division. It’s a ballsy act, one born of two seasons’ worth of tension between them, the latest move in their perpetual chess game. But the question remains: What now? Well, fresh off his impulsive gamble, Kendall rallies the troops: Initially, he’s just got Greg the Egg (Nicholas Braun) on his side, having snuck him the Cruises documents he needs to support the accusations. But what of Shiv (...
SNL Season 47 Premiere Recap: The Highlights and Lowlights
This past summer felt like a tumultuous one for Saturday Night Live, despite (or possibly because of) its usual between-season silence about major changes to the show—broken, as per tradition, shortly before the start of a new season. Season 46 ended with what felt like possible sendoffs for several long-tenured members of a record-sized cast—and then word flew around over the summer that SNL impresario Lorne Michaels was trying to convince some veteran players to stick around for not just the next season, but several more after that, dangling a more flexible work schedule in front of familiar faces like Kate McKinnon, Aidy Bryant, and Cecily Strong. The Michaels Plan seems to have been put into motion with Season 47: McKinnon, Bryant, and Strong are all back, at least according to the ope...
Austin City Limits 2021 Day 2 Live Gallery: Phoebe Bridgers, Doja Cat, Remi Wolf and More
The 2021 edition of Austin City Limits continued at Zilker Park in Austin, TX on Saturday, October 2nd. Festivalgoers enjoyed another day of sunshine, and once evening descended, headliners Billie Eilish and Rufus Du Sol brought the house down. Check out our visual recap of Day 2, which featured sets from Phoebe Bridgers, Doja Cat, Remi Wolf, Freddie Gibbs, girl in red and many more, below. Advertisement Related Video <img data-attachment-id="1159374" data-orig-file="https://consequence.net/wp-content/uploads/2021/10/Sir_Woman-904577.jpg?quality=80" data-orig-size="5722,3815" data-comments-opened="1" data-image-meta="{"aperture":"5.6","credit":"","camera":"ILCE-9M2","captio...
Austin City Limits 2021 Day 1 Live Gallery: Machine Gun Kelly, George Strait, Black Pumas and More
Austin City Limits returned to Zilker Park in Austin, TX on Friday, October 1st after a year off due to the pandemic. Consequence will be on the ground all weekend, soaking up the early fall sunshine and good tunes. Check out our visual recap of Day 1, which featured sets from Machine Gun Kelly, George Strait, Black Pumas Finneas, recent Artist of the Month Tkay Maidza, Skip Marley and many more, below. Advertisement Related Video Share this: You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful people, chat and make money in the process. Earn rewards by chatting, sharing photos, blogging and help give users back their fair share of Internet revenue.
NYFF Review: Benedict Cumberbatch is a Macho, Petulant Cowboy in The Power of the Dog
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: Acclaimed writer-director Jane Campion adapts the semi-obscure 1967 novel The Power of the Dog into a feature of the same name. It’s a Western of sorts about Phil Burbank (Benedict Cumberbatch), a self-consciously macho cowboy who hassles his more reserved brother George (Jesse Plemons) on the ranch they own and operate together. When George marries the widow Rose Gordon (Kirsten Dunst), Phil turns his cruelty toward her, as well as her teenage son Peter (Kodi Smit-McPhee), in spite of — or is it because of? — some unexpected common ground they share. Not So Old West: The Power of the Dog takes place in rural Montana in 1925, which amounts to a sort of netherworld between Old West imagery and the well-past-d...
A24’s Lamb is Slow-Burn Folk Horror Like Ewe Have Never Seen: Review
The Pitch: Out in the foggy hills of Iceland, Maria (Noomi Rapace) and Ingvar (Hilmir Snær Gudnason), a couple spending a dignified, quiet existence on their sheep farm, reside far from the rest of civilization. It’s relatively unspoken, but one intuits early that they’re reeling from the recent loss of a child. It still stings, but the two press on in their virtually silent existence, going about their chores and assisting their ewes’ new births. One day, a member of the flock gives birth to a curious creature — an uncanny hybrid of man and lamb — that the pair immediately adopt as their own child. Her name? Ada. But as the three of them build a strangely comforting existence together, their fog-shrouded idyll is disrupted by forces outside their control. The arrival of Ingvar’s dead...
NYFF Review: Todd Haynes Turns Up the Volume for His Engaging Velvet Underground Doc
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: The Velvet Underground might have been the best American rock band of all time, and Todd Haynes has made a documentary about their relatively short but extremely influential career, which means covering not just core members Lou Reed, John Cale, Sterling Morrison, and Moe Tucker, but collaborators and contemporaries like Nico, Andy Warhol, and Jonas Mekas. Started Shaking to That Fine, Fine Music: Todd Haynes obviously loves rock and roll, which makes it all the more impressive that he’s spent his career making movies about key figures in its history while avoiding the usual lionizing cliches. Starting with Superstar, his doll-acted Karen Carpenter biopic that’s not commercially available, and continuing wit...
NYFF Review: Wes Anderson’s The French Dispatch is a Star-Packed Issue Worth Picking Up
The Pitch: Wes Anderson returns with his first live-action movie since 2014’s The Grand Budapest Hotel, crafting another group of stories within stories (and aspect ratios within aspect ratios). Here, he presents a 1975 issue of The French Dispatch of the Liberty, Kansas Evening Sun, a fictional New Yorker-ish magazine, featuring dramatizations of three major stories: a profile of an imprisoned artist (Benicio del Toro); a chronicle of youthful social revolution, led by Timothée Chalamet; and a combination crime story and food piece narrated by a jack-of-all-trades writer (Jeffrey Wright). That’s just a fraction of the sprawling cast, which includes Anderson mainstays like Bill Murray, Owen Wilson, Adrien Brody, and Edward Norton alongside newbies like Chalamet, del Toro, Wright, and Léa S...
NYFF Review: Simon Rex Gets a Surprising A24 Showcase in Sean Baker’s Red Rocket
The Pitch: Mikey Saber (Simon Rex) rolls back into his hometown on a bus, bruised and nearly penniless. His career as an adult film performer has seemingly dried up some time ago, so he shows up at the doorstep of his not-quite-ex-wife Lexi (Bree Elrod), another porn-industry castoff. With few job prospects and no car — he tools around on a one-speed bike — Mikey attempts to rebuild his life. This might sound like a kitchen-sink recovery drama, but Mikey’s interest in self-improvement is questionable and filmmaker Sean Baker’s interest in misery-wallowing is, as ever, minimal. Instead, Red Rocket is a queasily hilarious chronicle of misdirected American hustle. Sunshine States: After exploring the streets of Los Angeles in Tangerine and the outskirts of Orlando in The Florida Project, Bake...
Brandi Carlile’s In These Silent Days Is Brilliantly Intimate
Perhaps no artist was better equipped to withstand quarantine, at least from a logistical perspective, than Brandi Carlile. The singer lives on a farm in rural Washington state, about 45 minutes outside Seattle (and 10 minutes from her tiny hometown of Ravensdale). Her core bandmates Phil and Tim Hanseroth are her neighbors, and their families hunkered down together throughout the pandemic. With her songwriting partners conveniently located within her “bubble,” Carlile continued to work, conjuring her aptly titled seventh studio LP In These Silent Days. The anticipated follow-up to her Grammy-winning masterstroke, 2018’s By The Way, I Forgive You, is once again magnificent — a triumphant patchwork of Americana, folk-rock, pop and soul anchored by yet another show-stopping centerpiece in “R...
