Austin City Limits was back at Zilker Park this past weekend for Weekend 2 — and so were we. After providing daily live galleries from Weekend 1, Consequence photographer Amy Price returned to capture all the going-ons of the three-day event. The glory of a two-weekend festival is that on the second go-around, you can capture the sets you missed the first time, like the legends Duran Duran. Weekend 2 also saw performances from Jon Batiste, Marc Rebillet, Leann Rimes, Trixie Mattel, The Hu, and yes, Machine Gun Kelly again. Revisit it all in the extensive gallery below, which includes some backstage portraits with the likes of Claud, Dayglow, Tate McRae, jxdn, Heartless Bastards, and more. Then, make sure you read our complete recap of Austin City Limits Weekend 1. Advertisement Relate...
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: Frank Herbert’s seminal sci-fi novel Dune gets its second big-screen treatment. The first was a notorious misfire directed by David Lynch, who famously disowned the final film; the newer version is from Denis Villeneuve, who has experience with sci-fi both emotionally intimate (Arrival) and storied in its nerdy history (Blade Runner 2049). Though the politics and world-building of the Dune world can seem obtuse — the names alone present a challenge for the less sci-fi-inclined — its story will also have a familiar ring for anyone who’s absorbed a few of the many works the novel influenced. Advertisement Related Video In other words, yes, it’s a chosen-one narrative: Paul Atreides (Timothée Chalamet), a young...
This review is part of our coverage of the 2021 Nashville Film Festival. The Pitch: Over the course of three days, Diana, Princess of Wales (born Diana Spencer) is faced with a decision that will inevitably change her fate: continue living in near agony among the royal family, or separate from her husband? History already knows the answer, leaving an air of tragedy even in moments of small victory and stolen joy for Princess Diana (Kristen Stewart, as striking in her portrayal as early reactions indicated). “It’s three days,” Diana whispers to herself early in the film. Those three days prove to be a trial more difficult than even she had anticipated. Advertisement Related Video Heavy Is the Head That Wears the Crown: One of the first shots of Pablo Larraín’s film takes place in a massive ...
On her fifth album, Black Encyclopedia of the Air, Camae Ayewa (better known as Moor Mother) paints a world where time is broken, a shifting wasteland where she explores issues of violence and identity on a generational scale. This catastrophe is a familiar setting for the Philadelphia artist, who blends her poetry and music in a way that harkens back to the proto-rap of Gil Scott-Heron, but also meshes with the avant-garde quality of contemporary hip hop. But genre, like time, is transcended and shattered within Ayewa’s body of work. Her debut LP, 2016’s Fetish Bones, blended growling synths and overbearing static with paper-thin gospel samples and the haunting chant of chain gang songs — and ever since, Ayewa’s music has combined the old and new in ways that blur the difference between t...
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: Every five years or so, Mike Mills — not the one from R.E.M., though, confusingly, he is a music video director and graphic designer for some of their contemporaries — releases a sensitive, heartfelt drama about delicate but deceptively strong family ties. C’mon C’mon is the 2021 model, starring Joaquin Phoenix as a documentarian who must unexpectedly spend several weeks taking care of his nine-year-old nephew. I’ll Figure It Out: “Nobody knows what they’re doing. You just have to keep doing it.” That’s advice given late in C’mon C’mon by Viv (Gaby Hoffman) to her brother Johnny (Joaquin Phoenix) as he struggles to figure out how to substitute-parent her nine-year-old son Jesse (Woody Norman). Viv has been c...
The Pitch: It’s the late hours of Halloween night 2018, and Laurie Strode’s (Jamie Lee Curtis) house is still aflame from trapping Michael Myers in a flaming prison she’s spent decades building. But even that’s not enough to kill the soulless demon monster with a penchant for homicide; he escapes with nary a scratch on him, save for some scorch marks on his William Shatner mask. As daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) rush an injured Laurie to the hospital, the rest of Haddonfield learns of the asylum bus crash that led to Michael’s escape, and a mob forms to try to catch the killer. But will strength in numbers be enough to vanquish pure evil? Halloween Persists: In the age of “legacyquels,” followups to nostalgic hits from the ’70s and ’80s that...
The Pitch: When last we left the backstabbing, mega-wealthy Roy family, prodigal son Kendall (Jeremy Strong) finally plunged the dagger in the back of his imperious father, Logan (Brian Cox), by holding a presser in which — rather than acting as the “blood sacrifice” Logan wants to throw to the wolves — he publicly laid bare incriminating accusations of malfeasance within Waystar Royco’s Cruises division. It’s a ballsy act, one born of two seasons’ worth of tension between them, the latest move in their perpetual chess game. But the question remains: What now? Well, fresh off his impulsive gamble, Kendall rallies the troops: Initially, he’s just got Greg the Egg (Nicholas Braun) on his side, having snuck him the Cruises documents he needs to support the accusations. But what of Shiv (...
This past summer felt like a tumultuous one for Saturday Night Live, despite (or possibly because of) its usual between-season silence about major changes to the show—broken, as per tradition, shortly before the start of a new season. Season 46 ended with what felt like possible sendoffs for several long-tenured members of a record-sized cast—and then word flew around over the summer that SNL impresario Lorne Michaels was trying to convince some veteran players to stick around for not just the next season, but several more after that, dangling a more flexible work schedule in front of familiar faces like Kate McKinnon, Aidy Bryant, and Cecily Strong. The Michaels Plan seems to have been put into motion with Season 47: McKinnon, Bryant, and Strong are all back, at least according to the ope...
The 2021 edition of Austin City Limits continued at Zilker Park in Austin, TX on Saturday, October 2nd. Festivalgoers enjoyed another day of sunshine, and once evening descended, headliners Billie Eilish and Rufus Du Sol brought the house down. Check out our visual recap of Day 2, which featured sets from Phoebe Bridgers, Doja Cat, Remi Wolf, Freddie Gibbs, girl in red and many more, below. Advertisement Related Video <img data-attachment-id="1159374" data-orig-file="https://consequence.net/wp-content/uploads/2021/10/Sir_Woman-904577.jpg?quality=80" data-orig-size="5722,3815" data-comments-opened="1" data-image-meta="{"aperture":"5.6","credit":"","camera":"ILCE-9M2","captio...
Austin City Limits returned to Zilker Park in Austin, TX on Friday, October 1st after a year off due to the pandemic. Consequence will be on the ground all weekend, soaking up the early fall sunshine and good tunes. Check out our visual recap of Day 1, which featured sets from Machine Gun Kelly, George Strait, Black Pumas Finneas, recent Artist of the Month Tkay Maidza, Skip Marley and many more, below. Advertisement Related Video Share this: You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful people, chat and make money in the process. Earn rewards by chatting, sharing photos, blogging and help give users back their fair share of Internet revenue.
This review is part of our coverage of the 2021 New York Film Festival. The Pitch: Acclaimed writer-director Jane Campion adapts the semi-obscure 1967 novel The Power of the Dog into a feature of the same name. It’s a Western of sorts about Phil Burbank (Benedict Cumberbatch), a self-consciously macho cowboy who hassles his more reserved brother George (Jesse Plemons) on the ranch they own and operate together. When George marries the widow Rose Gordon (Kirsten Dunst), Phil turns his cruelty toward her, as well as her teenage son Peter (Kodi Smit-McPhee), in spite of — or is it because of? — some unexpected common ground they share. Not So Old West: The Power of the Dog takes place in rural Montana in 1925, which amounts to a sort of netherworld between Old West imagery and the well-past-d...
The Pitch: Out in the foggy hills of Iceland, Maria (Noomi Rapace) and Ingvar (Hilmir Snær Gudnason), a couple spending a dignified, quiet existence on their sheep farm, reside far from the rest of civilization. It’s relatively unspoken, but one intuits early that they’re reeling from the recent loss of a child. It still stings, but the two press on in their virtually silent existence, going about their chores and assisting their ewes’ new births. One day, a member of the flock gives birth to a curious creature — an uncanny hybrid of man and lamb — that the pair immediately adopt as their own child. Her name? Ada. But as the three of them build a strangely comforting existence together, their fog-shrouded idyll is disrupted by forces outside their control. The arrival of Ingvar’s dead...