Rock
Axl Rose Just Took a Shot at Steve Mnuchin, and The Treasury Secretary Fired Back
Axl Rose is the most enigmatic of rock stars. The Guns N’ Roses front man doesn’t release music nearly often enough, and he’s not prolific on social media. When he does unleash, oh boy, folks pay attention. The Hall of Famer let fly with a tweet Wednesday night, taking full aim at Steve Mnuchin, the polarizing Secretary of the Treasury. “It’s official! Whatever anyone may have previously thought of Steve Mnuchin he’s officially an asshole,” Rose tweeted. It’s official! Whatever anyone may have previously thought of Steve Mnuchin he’s officially an asshole. — Axl Rose (@axlrose) May 6, 2020 Mnuchin, who looks like a guy who’s great at counting money but not big on beefs, actually shot back. “What have you done for the country lately?,” reads his tweet, which he completed with an emoji...
Lollapalooza Opens the Vault on Foo Fighters’ Classic 2011 Concert
Lollapalooza is hoping to wait out the coronavirus pandemic, delaying the lineup announcement but not cancelling just yet. In the meantime, the Chicago institution has begun releasing classic performances from the vault. First up was The Strokes 2010 comeback concert, and now today, Thursday May 7th, the festival has shared the Foo Fighters’ legendary show from 2011. Tune in below beginning at 8:00 p.m. EDT. That 20-song gig was notable for bad weather and a great performance to overcome it. “I don’t give a fuck if it’s raining tonight!” frontman Dave Grohl howled into the audience. The torrential downpour reached its zenith during “My Hero”, as the audience shouted along in one wild and muddy mass. At the end of the show, Perry Farrell of Jane’s Addiction joined Grohl on stage for a ...
Milky Chance Raves About Working With Jack Johnson on ‘Don’t Let Me Down’ During Billboard Live At-Home
Milky Chance hosted a Billboard Live At-Home performance Wednesday (May 6) to raise money for the National Coalition for the Homeless. Lead vocalist/guitarist Clemens Rehbein and bassist/percussionist Philipp Dausch kicked off the set with their Jack Johnson-assisted single “Don’t Let Me Down,” which the German folk group released last Friday (May 1). “We listened to Jack’s music since we were teenagers, so we’ve been big fans for years now,” Rehbein said after wrapping up the acoustic tune. “And it was such a nice experience meeting him on tour two years ago, I guess, for the first time? That already felt like a life goal. And we kept in touch and then we started working together on that song. And now it’s out and it’s just ...
Fearless Records to Host Fearless at Home Virtual ‘Festival’
The Pretty Reckless is among the performers; funds raised by merch sales will benefit Crew Nation. Fearless Records will host a global virtual event, Fearless at Home, featuring acts from its roster on May 9 at 3 p.m. EST on Fearless’ YouTube channel. The “festival” will benefit Crew Nation, the fund that Live Nation launched in April to benefit members of the touring industry whose livelihoods have been affected by the coronavirus pandemic. Funds will be raised through the sale of a Fearless at Home T-shirt and poster, priced at $25 each. The bands Wage War, The Plot in You, The Pretty Reckless, Plain White T’s, The Almost, Locket, Set It Off, Grayscale, As It Is and Ice Nine Kills will provide acoustic performances. “I’m proud to be involved [in this event] for a charity that supports th...
50 Reasons We Still Love The Beatles’ Let It Be
Gimme a Reason takes classic albums celebrating major anniversaries and breaks down song by song the reasons we still love them so many years later. This week, we celebrate 50 years of The Beatles’ Let It Be. It’s become an iconic scene: The Beatles carrying out their last-ever live performance on the roof of Apple Corps, joined by keyboardist and general legend Billy Preston, their long hair flipping around in the London wind while they recorded live takes of songs like “Dig a Pony” and “Don’t Let Me Down” before eventually being shut down by the Metropolitan Police. The event was unannounced. Onlookers gathered on their lunch breaks, looking up at the midday sensation. This was the concert from which the final version of the Let It Be album would in part manifest, preserving takes of thr...
