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Listen to a Preview of CloZee’s Soaring Official Remix of Big Gigantic’s “You’re The One”

The blossoming career of bass music star CloZee continues to unfurl before our eyes with each spellbinding release. Following the release of her critically acclaimed sophomore album Neon Jungle, the French prodigy is now on the remix tip with an official rework of Big Gigantic‘s “You’re The One.” CloZee took to Twitter to share a preview of her remix of the electronic jam, which features the seemingly omnipresent Nevve on vocals. The clip is more than enough to get fans excited, as she introduces them to a glimpse into the track’s build and soaring drop—and her dog. Keeping Big Gigantic’s pristine saxophones in tact, she produces potent saws underneath, imbuing a euphoric sonic boom that moonlights as a shot of adrenaline into th...

Moses Sumney Creates 3D Performance with ‘Bless Me’ Video

Moses Sumney has taken the at-home performance to another level with his latest video for “Bless Me.” Teaming up with Microsoft, the visual fuses his movements and performance with abstract 3D animation thanks to the Microsoft Azure Kinect. The video project was initially meant to be a museum installation. Sumney explained in a statement that it was going to be “an experiential piece exploring isolation and solitude.” But with the global pandemic, Sumney and his frequent collaborator, director Sam Cannon, worked via Skype to direct and film this video from Sumney’s Asheville, N.C. home using the Azure Kinect. “As he moved to the song, the Azure Kinect sensors tracked his body in real-time, capturing it as skeleton data. This precise point cloud and skeletal-movement data, captured uti...

YG Reveals October Release Date for MY LIFE 4HUNNID Album

It’s not an election year without a YG album to bump. On Monday, the acclaimed Compton rapper behind 2016’s Still Brazy and “FDT” returned to announce his fifth studio album, MY LIFE 4HUNNID arriving on Oct. 2. The record will drop via Def Jam and follows YG’s 2019 record 4Real 4Real. This year alone, YG has shared singles “SWAG” and “Laugh Now, Kry Later!” both of which have amassed over 17 million views on YouTube. Now, YG’s latest announcement comes alongside his release of the “Equinox” video featuring Los Angeles rapper Day Sulan. Sulan and YG shine in the clip, which further pushes the track as the twerking anthem of the year. And the “left, right, left, right” instructions are helpful enough to keep listeners following along in the club — whenever they open ...

Building A Better Livestream: Crucial Lessons From Artists Who’ve Figured It Out

Practical advice from the players behind virtual concerts by Kane Brown, Dropkick Murphys, H.E.R. and Lissie. The first time singer-songwriter Lissie tried a livestream, in late March, she was at her then-boyfriend’s house in northern Virginia, and she had just managed to thank those in attendance — two dogs in the kitchen — before the camera fell to the floor. “This is so professional!” she declared. But over the months, both her equipment and her savvy became increasingly sophisticated, with the response to her ticketed streams strong enough to cover personal costs and make a charitable donation each time. (She also broadcast her rehearsals for fans who couldn’t afford a ticket.) On Aug. 2, she performed with a band and a dozen sound and lighting crew members at an empty Parkway The...

What’s a Livestream Worth?

How much is that concert in the computer window? Six months into the pandemic, here’s how artists are experimenting with pricing to see what consumers will pay. In April, Dutch DJ Oliver Heldens cruised the canals of Amsterdam in an open-air boat outfitted with turntables, blasting a set of future house music that was streamed on YouTube. The spectacle cost between $5,000 and $10,000 to produce, but Heldens made it free for viewers. He thought of it as a marketing expense to stay in fans’ minds as coronavirus lockdowns became the norm around the world, his manager, Dave Frank, tells Billboard. In the five months since, livestreamed concerts are slowly becoming a source of revenue, as well as promotion. These days, Frank, of management firm Milk & Honey, gets several livestream offers a...

Choosing A Livestream Platform: A Guide For Artists And Managers

The New Livestreaming Landscape Here’s how the leading livestream platforms stack up on revenue split, merch integration and more key variables for artists. When the coronavirus shut down the live industry, artists had no choice but to cancel or postpone their tours. Now they face an overwhelming range of choices as dozens of livestream platforms compete to be the next big virtual stage. Many of these livestream companies launched amid the pandemic, while new services are debuting on an almost weekly basis. They have much in common and are sometimes difficult to tell apart, but employ a variety of business models — including pay-per-view ticketing, sponsorship and virtual tipping. To help artists make an educated decision about which platform to use to reach their fans — or collect new one...

If You Stream It, Will They Come? Inside The Livestream Boom

Sessions founder Tim Westergren estimates the market for virtual concerts is worth $1 billion with the potential to grow to “tens of billions” in just a few years, but can that rate of expansion continue when actual live shows resume? At a 2007 Los Angeles music industry function, Ray Smith was pitching his new company, BE-AT.TV, to a high-ranking Live Nation executive. The business was focused on livestreaming electronic music festivals like Tomorrowland and Ultra Music Festival, and Smith says the executive’s reaction was not as he had hoped: “He was like, ‘Who the hell is going to sit at home and watch a bunch of kids partying on a laptop?'” Thirteen years and a global pandemic later, millions of music fans worldwide are doing just that, and Smith’s newly rebranded BeA...

Mariah Carey Holiday Special Coming to Apple TV+

Mariah Carey is the Christmas gift that keeps on giving. Following the announcement of her new album The Rarities, and as excitement brews for her upcoming memoir, Mimi is giving us more holiday cheer after going No. 1 on the charts with her 25-year-old smash “All I Want For Christmas is You.” Now, Apple TV+ confirmed today (Aug. 31) that Carey has yet another project on the way: A holiday special. Mariah Carey’s Magical Christmas Special is on the way, though no release date is set yet. The service is labeling the program as an “innovative special” featuring music, dancing and animation, all of which will be “driven by a universally heartwarming story that brings the world together.” Done + Dusted, the production company who did the popular A Legendary Christmas with John a...

Björk’s Icelandic Concert Series Pushed Back to 2021

Coronavirus cases have begun to creep back up in Iceland, forcing Björk to push back her planned live concert series. Via Stereogum, the performances at Reykjavík’s Harpa Hall will now take place in January and February of 2021. The original concert announcements were born of unbridled optimism and national pride. Early in the pandemic, Iceland drew rave reviews for their aggressive response to the threat of COVID-19. Through intense social cooperation, and with the protection of their island home, it seemed as if the Scandinavian country had found a recipe for coronavirus success. As the government eased restrictions, the Icelandic Queen herself announced a four-concert run at Harpa Hall, originally set to begin on August 9th. But by the end of July, coronavirus c...

IDLES Cover The Strokes, The Beatles, Ramones During Abbey Road Livestream: Watch

IDLES took over Abbey Road Studios for a three-part livestream this past weekend. Coming in support of their forthcoming full-length, Ultra Mono, the sets featured a bevy of new tracks — including singles “Model Village”, “A Hymn”, “Mr. Motivator”, and “Grounds” — in addition to past favorites like “Colossus”, “I’m Scum”, and “Never Fight a Man with a Perm”. The Bristol post punks also tucked in a few covers, including takes on The Beatles, The Strokes, and The Ramones. First came their dirge-y rendition of The Ramones’ classic “I Wanna Be Sedated”. Smoldering in its own sedation, the cover saw a psychedelic war wage between guitarist Mark Bown and bassist Adam Devonshire. Set No. 2 brought IDLES’ ripping version of The Strokes’ “Reptilia”. The band kept the melody largely intact, but scra...

Netflix Unlocks Stranger Things, Bird Box, The Two Popes, More for Free Worldwide Viewing

Facing more competition than ever, Netflix is looking for new ways to attract potential subscribers. Among the streamer’s latest initiatives is offering access to some of its biggest titles, including the first episode of Stranger Things, the horror hit Bird Box, and Oscar nominee The Two Popes, which are now available to stream worldwide for free sans a subscription. A total of ten titles have been made available. In addition to those already mentioned, you can check out the Jennifer Aniston-Adam Sandler comedy Murder Mystery, the Spanish-language sensation Elite, Ava DuVernay’s When They See Us, reality-popcorn extravaganza Love Is Blind, iconic actresses Jane Fonda and Lily Tomlin squaring off in Grace and Frankie, an...

Philip Anselmo Honors Dimebag and Vinnie Paul During Down’s NOLA 25th Anniversary Livestream Show: Watch

Down played their first show in four years over the weekend, celebrating the 25th anniversary of their debut album, NOLA, with a livestream concert dubbed “Quarter Century Throwdown”. During the set, filmed at an undisclosed venue in New Orleans, singer Philip Anselmo paid tribute to his fallen Pantera bandmates Dimebag Darrell and Vinnie Paul. The 15-song concert, which streamed for $9 on Saturday (August 29th), saw Down perform all of 1995’s NOLA (except for the instrumental track “Pray for the Locust”) and three songs from 2002’s Down II: A Bustle in Your Hedgerow. It also marked the live return of founding member Kirk Windstein, who had parted ways with the band in 2013 before rejoining the group late last year. Prior to performing “Lifer”, Anselmo dedicated the song “to all the bands ...