Heavy Music Interviews
Heavy Culture: Nova Twins on Racial Identity, Representation of Women of Color in Heavy Music, and More
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Amy Love and Georgia South of the Nova Twins. UK duo Nova Twins released their debut album, Who Are the Girls?, in 2020. They kicked off 2021 by curating a compilation called Voices for the Unheard, which showcases alternative and rock artists of color. Proceeds from this compilation went to The Black Curriculum, which is an initiative to address the lack of Black British history in UK classrooms. Bandmates Amy Love and Georgia South describe their music as “urban punk,” but it melds several genres together...
Coheed and Cambria’s Claudio Sanchez on Navigating the Pandemic, 2021 Tour, and New Music
Coheed and Cambria have kept busy during the past year, between launching a coffee line, collaborating with Rick Springfield on the song “Jessie’s Girl 2”, doing Twitch streams, and working on some musical side projects. “We each tried to be creative in our own unique ways apart from each other and navigate the isolation as best we knew how,” frontman Claudio Sanchez tells Heavy Consequence. Sanchez caught up with Heavy Consequence to discuss Coheed and Cambria’s upcoming tour with The Used, how he and the band navigated the pandemic, and various other projects. He also gave us a hint as to what fans can expect as far as new Coheed music. Advertisement Related Video Pick up tickets to Coheed and Cambria’s tour with The Used via Ticketmaster, and purchase Coheed’s line of Coffee Roasters pr...
Beyond the Boys’ Club: Kris Esfandiari of King Woman
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. Erickson is also a music artist herself, recently releasing the song “Eternal Way” under the moniker Upon Wings. This month’s piece features an interview with Kris Esfandiari of King Woman. King Woman’s new album, Celestial Blues, delves into heavy themes of suffering, spirituality and, ultimately, triumph. The ethereal doom band, led by Kris Esfandiari, releases its sophomore set July 30th via Relapse Records, following up the 2017 debut, Created in the Image of Suffering. Esfandiari grew up in a cult-like religious environment filled with stories of demons and exo...
Heavy Culture: Palaceburn Singer Meredith Bell and Hyro the Hero on Juneteenth and Being Black in America
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Palaceburn singer Meredith Bell and Hyro the Hero and focuses on Juneteenth and other topics. Juneteenth has just been declared a federal holiday in the United States by the Biden administration. The day, marked on June 19th, commemorates the end of slavery as the date the last remaining slaves in Texas learned of their freedom in 1865, two years after Abraham Lincoln’s Emancipation Proclamation was signed. Philadelphia-based Palaceburn began their music journey with their EPs The Awakening in 2013 and Curs...
Heavy Culture: Chthonic’s Freddy Lim Talks Politics and Metal, Premieres “Oceanquake” Live Video
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-14T18:06:27+00:00“>May 14, 2021 | 2:06pm ET Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features an interview with Chthonic frontman Freddy Lim. Freddy Lim has intertwined his life as both a politician and musician. In 2020, Lim was re-elected to Taiwan’s parliament, where he first won a seat in 2016. He’s also been going strong as frontman of the Taiwanese metal band Chthonic for more than 25 years. As countries around the world continue to have COV...
Serj Tankian on More New System of a Down Music: “We Might Be Able to Get It Together and Do Something Again”
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-28T15:03:46+00:00“>April 28, 2021 | 11:03am ET System of a Down surprised fans back in November by releasing their first new songs in 15 years. Singer Serj Tankian is “extremely proud” that the band was able to put aside their differences, and offers hope that they’ll one day “get it together and do something again.” In the past few years, the band members have made no secret about creative differences hampering their return to the studio. The multiplatinum metal act has not released an album since 2005’s Hypnotize, but came together to record the songs “Protect the Land” and “Genocidal Humanoidz” to raise funds for Armenia and its neighboring state of Artsakh, which had come und...
Beyond the Boys’ Club: Nancy Wilson of Heart
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-21T15:33:15+00:00“>April 21, 2021 | 11:33am ET Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. Erickson is also a music artist herself, recently releasing the song “Eternal Way” under the moniker Upon Wings. This month’s piece features an interview with Nancy Wilson of Heart. Legendary Heart guitarist Nancy Wilson didn’t spend the past year waiting for the pandemic to end. Instead, she worked on her first-ever solo album, You and Me, which was largely written and recorded during lockdown. The 12-song LP...
Heavy Culture: Moonspell’s Fernando Ribeiro Talks Hermitage, Pandemic, Growing Up in Portugal, and More
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features an interview with Moonspell frontman Fernando Ribeiro. The year 2020 made most of us embrace our hermit-like ways. Little did Moonspell singer Fernando Ribeiro know that the word Hermitage that he came across in 2017 would be an apt title for the band’s brand new album. The new release Hermitage is the veteran Portuguese gothic metal band’s 12th full-length studio album. The LP focuses on topics such as solitude and isolation, but also on community. Heavy Consequence caught up with Ribeiro via Skype in mid-M...
Beyond the Boys’ Club: Robin Wattie of Big|Brave
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. This month’s piece features an interview with Robin Wattie of Big|Brave. Montreal metal trio Big|Brave tackle the weighty issues of gender, race and feeling like one doesn’t belong on their new album, Vital, out April 23 via Southern Lord. The album’s lead single, “Half Breed,” finds singer-guitarist Robin Wattie sharing the experience of being of mixed race and the confusion and insecurity that can come with it. Wattie checked in with Heavy Consequence for the latest “Beyond the Boys’ Club” column to discuss how she and the members of Big|Brave quarantined together...
Evanescence’s Amy Lee on The Bitter Truth, Billie Eilish, and More
Evanescence’s Amy Lee. photo by Nick Fancher Amy Lee is one of the most influential women in rock music, having broken down barriers at the start of the 21st century. As the lead vocalist and chief songwriter for hard rockers Evanescence, Lee emerged at a time when women were scarcely heard on mainstream rock radio. Now, Evanescence are back with The Bitter Truth, the band’s first album of brand-new music in 10 years. Following their orchestral Synthesis release and world tour with a full orchestra, The Bitter Truth finds Evanescence getting back to their hard rock roots with blistering guitars and pounding rhythms. With The Bitter Truth set for release this Friday (March 26th), Evanescence have already released a string of singles from the effort, including the empowering song “Use ...
Paul Stanley on Soul Station, His Favorite Singers, and Whether KISS Will Complete Their Farewell Tour
For several years, KISS singer-guitarist Paul Stanley has been moonlighting as the frontman for Soul Station — a musical collective that focuses on covers of vintage soul and R&B classics of the ‘60s and ‘70s (as well as some originals that sound as if they were cut from the same musical cloth). But it was not until this month that the band finally issued their debut album, Now and Then. And it turns out the wait was certainly worth it — Stanley’s voice is in fine form throughout, especially on covers of the Five Stairsteps’ “O-O-H Child” and Al Green’s “Let’s Stay Together”, among others. The singer, who forgoes rhythm guitar when fronting Soul Station, spoke with Consequence of Sound shortly before the arrival of Now and Then, which you can pick up here. Not only did he discuss Soul ...
Serj Tankian on His New Elasticity EP: “I Definitely Thought These Songs Would Have Worked Out for System”
Serj Tankian has just released his new solo EP, Elasticity. The title is inspired, in part, by System of a Down’s landmark 2001 album,Toxicity, and the singer has made no secret about the songs being originally intended for his acclaimed metal band. The collection features five new songs, including the recent singles “Elasticity” and “Electric Yerevan”. One listen to the EP, and it’s not difficult to see how these tracks would have fit nicely into the System of a Down canon. Tankian approached System with these songs a few years back, and as he explained to Heavy Consequence, the band members even worked on a few of them. However, ultimately creative differences led to any recording plans coming to a standstill. We asked Tankian what he felt more: regret about not recording the songs with ...
