After teasing a new album back in February, Feed Me has finally unveiled more details about the LP as well as released its first single, teaming up with Tasha Baxter for “Reckless.” Arriving by way of Feed Me’s Sotto Voce imprint, “Reckless” is a beautifully cinematic tune, embracing a downtempo feel. Baxter’s airy vocals float effortlessly atop the meticulously textured soundscapes of Feed Me, who has long been revered for his trailblazing approach to sound design. The synthwave-inspired song is ideal for late-night drives, capturing a melancholy yet gritty feel. Check out the official “Reckless” music video below. Recommended Articles “Reckless is a lockdown story reimagined as escapist f...
Following an intense rollout filled with cryptic messages and anticipation, Dutch electronic music star Cesqeaux has unveiled his latest body of work, HUMAN ERROR. The EP was born out of his feeling of becoming a musical robot disconnected from himself, compounded by the digitization of art and proliferation of social media. Cesqeaux is no stranger to high-profile collaborations, having worked alongside celebrated names such as Yellow Claw, Ookay, David Guetta, and Justin Bieber, but HUMAN ERROR sees him offer a completely solo project, which is arguably his most ambitious effort to date. Spanning over 8 tracks, HUMAN ERROR is a versatile and immersive sonic journey from front to back. Driven by impressive sound design and heavy basslines that explode into monstrous dro...
Ever since Guns N’ Roses reenlisted Slash and Duff McKagan officially in 2016, the band has been touring on nostalgia and good memories. After talking about it for what feels like forever, it seems like there’s finally some new music on the way. After performing the song at the band’s show at Boston’s Fenway Park, GNR has officially unveiled “Absurd,” which (as sharp listeners have pointed out) is similar to a song called “Silkworms” that was part of the now-mythical Chinese Democracy sessions (and was a lot more electronic sounding back then as well). “But this is really kind of absurd for us to try this. Wasn’t that funny? And they don’t even know the joke yet. Ok, this is called ‘Absurd,’” Rose quipped at the show. The group teased its existence on social media earlier in the ...
A little over a year after dominating the airwaves, internet and eventually the Super Bowl, The Weeknd isn’t ready to rest just yet. The artist also known as Abel Tesfaye released his latest song, “Take My Breath,” which has been teased for the better part of a week. Beginning with a clip that was shown during the Olympics (and a subsequent ad) on Monday and then as news spread that it wouldn’t be aired at IMAX theaters due to strobe lighting (which could cause seizures), the artist himself confirmed its release on Thursday afternoon. Now, you can check out the footage below. [embedded content] Around this time last year, The Weeknd said that he was at work on new material despite After Hours having released just a few months prior. That collection featured powerhouse singles “Blindin...
SUSTO, the South Carolinian indie rockers that seemed to really be hitting their stride with their most recent release, 2019’s Ever Since I Lost My Mind, just announced a brand new album and a music video to go with it. Ahead of the Oct. 29 release of Time in the Sun on New West Records, the band released the video for “Get Down,” a catchy and fun tune with a much darker story behind it, according to lead singer Justin Osborne. “Although it carries a fun and lighthearted air, the song ‘Get Down’ was actually inspired by a scary time in my life when a close friend was battling substance abuse issues and openly discussing suicide with myself and our larger friend group,” Osborne tells SPIN. “I knew it was a cry for help, but at the same time, I was privately dealing with some of the same iss...
The past few days have seen Tom Morello teasing new music on the way. On Wednesday morning, the Rage Against the Machine guitarist unveiled a new bit of older music — a thunderous cover of AC/DC’s “Highway to Hell” with Bruce Springsteen and Pearl Jam’s Eddie Vedder Fun fact: the trio previously performed the song together several times in 2014 during Springsteen’s Australian tour. The single comes from Morello’s forthcoming Atlas Underground album called The Atlas Underground Fire. The collection follows the 2018 rendition, The Atlas Underground. “Our version of ‘Highway To Hell’ pays homage to AC/DC but with Bruce Springsteen and Eddie Vedder, brings this legendary song into the future. One of the greatest rock’n’roll songs of all time sung by two of the greatest rock’n’roll singers of a...
For the last 12 months Deorro has been on a red-hot roll. First came “Cuando,” a blood-pumping collaboration with Los Dutis that kicked off a string of singles inspired by the artist’s Mexican heritage. Now, the renowned producer is knee-deep in the lead up to his debut Latin album, ORRO. Released July 30th via Ultra Records was his latest single, the party-ready “Rumba” with Aruba export Jeon. Loud and proud, “Rumba” wastes no time in kicking the energy up to high gear. With anticipative builds, euphoric Latin-inspired drops, and infectious Spanish lyrics, it’s primed to dominate the dance floor. Recommended Articles The song was also inspired by Cumbia, a style of music and dance that originated in Colombia. Celebrated ...
There are few artists who can do it all, and lucky for Pauline Herr, it comes effortlessly. Her latest pop-electronica endeavor, the six-song Contradictions EP, is entirely self-sung, written, produced and mixed. Released July 30th via Seeking Blue Records, the label home of ILLENIUM’s Ashes and Awake projects, Contradictions is a special look behind the curtain at Herr’s most authentic self. “All I really want is to connect with people by showing them my heart, while being as transparent and vulnerable as possible,” Herr said in a press release. From the bright, anticipative tones of its opening track “Infatuated” to the vocal filters of “This Is Gonna Be Hard,” Contradictions demonstrates Herr’s st...
The summer heat has already been off the charts, and with the release of FISHER‘s first song of the year, it looks like club HVAC systems are about to go into overdrive. Released July 30th via his own Catch & Release imprint, “Just Feels Tight” has arrived just in time to close the season with a bang. Loaded with floor-shaking intensity and rippling basslines, the track finds power in its anticipative builds and dynamic phaser overlays. And while “Just Feels Tight” doesn’t quite pack the punch of landmark FISHER singles like “Losing It” and “You Little Beauty,” the penetrative sound design of its drop proves he is just getting started when it comes to explosive club music. “Just Feels Tight” comes paired...
In music, there have always been two types of producers: those who play the game, and those who shape it. These latter tastemakers are above the cut when it comes to their sonic instincts, particularly when it comes to partnering up with their peers. Nowadays, TOKiMONSTA is leading the pack, and she’s right on target with her latest collaborator: the always-in-demand Channel Tres. Released July 30th via her own Young Art Records banner, “Naked” sees TOKiMONSTA’s ear for rhythm and groove find its perfect pairing in the woozy warmth of Channel Tres. Featuring a decadent bass line and disco-inspired synthscapes, it brings the energy of an invite-only speakeasy, making you feel trendier simply by pressing play. The mood of “Naked” comes to a head with a tri...
After weeks of teasing his debut album, including the release of singles “HOLD ON ME” and “SENSITIVE,” Tisoki has finally unveiled 01953 via Monstercat. In his latest endeavor, Tisoki has taken a more introspective approach that was inspired by his time in quarantine. Instead of writing earth-shattering, festival-ready tunes, he’s created a thoughtful story that gives fans a taste of his upbringing in Wymondham, UK. Tisoki’s diverse skill set is on full display throughout 01953. He expertly shifts between moodier, melancholic tracks to hard-hitting bangers, subverting expectations over and over again. His UK roots shine bright on the 10-track LP, as elements of old-school dubstep, grime, and garage are infused within various tracks ...
Galantis and Don Diablo have joined forces for their first-ever collab, a scintillating electronic jam called “Tears For Later.” Released by way of Diablo’s HEXAGON imprint, the track is a bit of a departure for both Galantis and Diablo in terms of its composition. The downtempo arrangement harkens back to the latter’s summer 2016 hit “What We Started” (with Steve Aoki and Lush & Simon), eschewing his euphoric future house style for a woozier feel at a head-bopping 95 BPM. However, its sound design is signature of both of the dance music superstar acts. The distinct, saccharine vocal style of Galantis is an ideal fit for the bubbly synths and fluttering arpeggios of Diablo. You can listen to “Tears For Later”...