Swedish extreme tech-metal pioneers MESHUGGAH will release their new album, “Immutable”, on April 1 via Atomic Fire Records.
Destined to be one of 2022’s most hailed and talked-about releases, “Immutable” once again showcases MESHUGGAH‘s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed.
Six years on from the band’s most recent full-length, “The Violent Sleep Of Reason”, 2022 brings a fresh and fearsome revelation from MESHUGGAH. Shattering even the highest of expectations, the band’s ninth album is simply their wildest and most esoteric sonic adventure yet. Recorded at Sweetspot Studios in Halmstad, Sweden, mixed by Rickard Bengtsson and Staffan Karlsson and mastered by multiple Grammy Award winner Vlado Meller (METALLICA, RAGE AGAINST THE MACHINE, RED HOT CHILI PEPPERS, SYSTEM OF A DOWN), “Immutable” will be available in various CD, vinyl and tape formats and goes into pre-sale on January 28, and the first single will be revealed very soon. The stunning cover artwork was once again created by visionary artist Luminokaya.
For guitarist Mårten Hagström, the task of embarking on another unprecedented tech-metal odyssey was impossible to resist.
“The title fits perfectly for where we are as a band,” Mårten concludes. “We’re older now. Most of us are in our fifties now, and we’ve settled into who we are. Even though we’ve been experimenting all along, I also think we’ve been the same since day one. The way we approach things and why we still make new albums, and why we still sound the way we do, it’s immutable. Humanity is immutable, too. We commit the same mistakes over and over. And we are immutable. We do what we do, and we don’t change.”
The most inventive and creative metal band of the last 30 years and one of the most widely revered, MESHUGGAH has been standard bearers for forward-thinking creativity in heavy music throughout their illustrious careers. Over the course of more than 30 years and eight studio albums, Sweden’s widely worshipped progressive mavens have consistently redefined what it means to be heavy, while exhibiting a ferocious intelligence that belies the crushing weight of their riffs. From the ground-breaking savagery of 1995’s “Destroy Erase Improve” to the psychedelic tech-splorations of “CatchyThirtyThree”, and on to the streamlined grotesquery of “ObZen” and “Koloss”, MESHUGGAH has always been way ahead of the game and plainly without peer.
In October 2020, MESHUGGAH drummer Tomas Haake confirmed to Knotfest.com‘s “Mosh Talks With Beez” that the band had spent much of the downtime during the COVID-19 pandemic working on fresh material.
Regarding the musical direction of the new MESHUGGAH songs, Tomas said: “Of course, we have a certain framework that we still wanna sound like MESHUGGAH, we wanna have that signature sound, we want people to be able to — even if they haven’t heard the song [before] — in the best-case scenario, it’s, like, ‘Oh, that’s gotta be MESHUGGAH,’ even if it’s a brand new thing. So hopefully that’s something we’re aiming at. But with that said, as far as the music goes, we try to [do] kind of the opposite of what AC/DC has been doing for 40 years. So we’re not trying to write the same album over and over. And whether we succeed with that or not, that’s more up to our fans and other people, but that’s definitely the aim. We try our best to kind of find new grips within the framework of what we’re supposed to be, I guess. ‘Cause we don’t wanna really step out of that either. We’re not looking to be another band all of a sudden or something that we haven’t been or that is not true to kind of what we’re doing.”
Jens Kidman – Vocals
Mårten Hagström – Guitars
Dick Lövgren – Bass
Fredrik Thordendal – Guitars
Tomas Haake – Drums