Sleigh Bells have shared the frenzied and lively “Justine Go Genesis,” the latest single off their upcoming album, Texis, due out September 10th. Watch the music video below. Driven by a muscular guitar riff and fast-paced drums, “Justine Go Genesis” features a powerhouse performance by Sleigh Bells singer Alexis Krauss. “I’m a cavity comedy girl/ The best night of your life,” she pronounces. “I really wanna blow your mind/ But I haven’t got the time.” The noise pop duo started working on the song back in 2018, when producer/guitarist Derek Miller first sent Krauss an early demo. She wrote the catchy melody within a few hours of receiving the track, resulting in a sound mixing elements of Metallica, Spice Girls, and ‘90s drum and bass. Advertisement Related Video Directed by Alex Ross Perr...
Roberto Lange, the electronic musician better known as Helado Negro, has shared the new single “Outside the Outside.” The second preview from his forthcoming album Far In arrives with an accompanying music video composed of video footage of Lange’s family house parties in the 1980s. “Outside the Outside” is a hushed dance number that calls to mind the alienation Lange felt growing up, both as the child of immigrants and as one of the sole musicians in his family. “I found space through music and outsiders finding each other,” he said in a press release. “This is a song about intimate partnerships and long-loving friendships. To be loyal freaks and an outsider amongst outsiders.” The video for “Outside the Outside” mirrors that desire for belonging: “My family came to this country as outsid...
Marissa Nadler is gearing up to release her ninth studio album. The Path of the Clouds, the forthcoming LP from the Boston singer-songwriter, arrives October 29th via Sacred Bones and Bella Union. As a preview of what’s to come, Nadler has shared the album’s opening track, “Bessie, Did You Make It?,” along with the song’s pensive music video. Nadler wrote the bulk of The Path of the Clouds in quarantine, during which she found an odd solace in the documentary series Unsolved Mysteries. The show’s frequent topics of cold cases and paranormal wonders pushed Nadler to go for a similarly eerie approach with The Path of the Clouds, which sees her grow in her musical exploration. Here, reality and the metaphysical feel less distinct from each other, driven by simultaneous anxiety and curiosity a...
The Strokes have been the Kings of New York for two decades now, but the scuttlebutt around the palace suggests Geese are coming for the throne. The very young Brooklyn rockers — the eldest member just turned 19 — have announced their debut album Projector. It drops October 29th, and to herald its arrival, the quintet have unveiled the new single “Low Era.” The reference to The Strokes wasn’t accidental, and if you listen to previews of Projector you’ll hear many more. Songs like previous single “Disco” radiate a casual coolness, with textured guitar riffs that would slot nicely alongside cuts from Is This It? But music has come a long way over the last 20 years, and Geese are far more than aughts indie revivalists; the band utilizes tempo changes, psychedelic flou...
The Dungeon Family said, ‘Wake up!’ Today, Big Boi and Sleepy Brown have shared another somnolent-themed single, “The Big Sleep Is Over,” featuring Kay-I. It’s the latest preview of their long-in-the-works collaborative album The Big Sleepover, which will be dropping September 3rd. Fans have been hearing about The Big Sleepover since 2019, and while the duo had promised its arrival in 2020, they must have forgotten to set their alarm. But if “The Big Sleep Is Over” is any indication, it will have been worth the wait. Producer Sleepy Brown has built a groovy track out of relaxed pianos and urgent 808s, allowing plenty of space for Big Boi’s stutter-step flow. “N****s sleeping but I’m wide awake/ It’s time to make the donuts by my lonely we can’t hibernate/...
Electropop musician Kilo Kish has just released a new single titled “Bloody Future.” It’s a retro number fit for the ’80s with Halloween-style synths, tiny harpsichord riffs, and deadpan singing verging on spoken rap. In a press release, Kilo Kish explained that she wanted “Bloody Future” to be a “hot and sweaty dance club” song that explores global warming, cultural changes, and an onslaught of media. “I’ve noticed myself not paying attention to critical information when the music or surrounding visual elements are alluring, beautiful, or fun,” she said. “Our society often operates in the same way, concealing insidious issues like environmental decline while satisfying with entertainment and distraction. When it all boils over, we’re left shocked and dazed. My lyrics explore this blissful...
Demi Lovato rang in their 29th birthday today by dropping a special gift for fans: the music video for her song “Melon Cake.” Stream it below. In the Facebook-exclusive visual, the non-binary singer celebrates their big day surrounded by bright colors and wearing a giant smile. “And now I’m saying/ No more melon cakes on birthdays/ No more barricades in doorways/ Finally get to do things my way/ La la la la la la la/ You could find me/ Starving for attention most days/ Amongst others things, god help me/ Finally get to do things my way/ La la la la la la la,” they sing decked out in a cowboy hat, gold eyebrows, and a matching ensemble, referencing the annual watermelon “cake” their old management team presented each year in lieu of an actual sweet treat to control their eating disorder. Th...
Following up on his “SLUGGER” collaboration with slowthai and $snot from last month, Kevin Abstract has shared another new solo single called “SIERRA NIGHTS.” This time, the BROCKHAMPTON leader has re-teamed with frequent cohort Ryan Beatty. Described as an “ode to the end of summer” (oh God, too soon), “SIERRA NIGHTS” has the West Coast beat and echoing vocals of the perfect top-down jam. The track comes accompanied by a music video directed by Abstract himself that finds him and Beatty making moves around California. Check it out ahead. Both “SLUGGER” and “SIERRA NIGHTS” serve as precursors to Abstract’s third solo studio album. Abstract has been teasing the project for a few weeks now, and a press release confirms the effort is expected out “before the year is over.” The LP will be his ...
“Mighty thin stew though.” Waxahatchee has released a cover of Woody Guthrie’s “Talkin’ Dust Bowl Blues.” Stream it below. On the track, the indie project of Katie Crutchfield spins a yarn the late folk icon first told in the opening track of his 1940 album Dust Bowl Ballads. “Back in 1927/ I had a little farm that I called heaven/ Well, the prices up and the rain come down/ And I hauled my crops all into town/ I got the money/ Bought clothes and groceries, fed the kids/ And raised a family,” Crutchfrield recounts over gentle acoustic guitar. Advertisement Related Video Waxahatchee’s take on the folk classic serves as the second single off the upcoming tribute album, Home in This World: Woody Guthrie’s Dust Bowl Ballads. The album also features lead single “Dust Cain’t Kill Me”...
Slowcore legends Low have been teasing their upcoming album HEY WHAT before it comes out in September with a string of new singles. Their latest preview of the record is “More,” and it might just be the best track we’ve heard from it yet. Stream it below. “More” runs out the gate with blistering distortion and blown-out fuzz that, despite their volume, are actually quite melodic and pretty. Alan Sparhawk’s guitar is emotive as ever thanks to that textural filter, and Mimi Parker’s timeless falsettos further draw out that airy feeling. “I saw more than what I ever sought,” she sings. “I should have asked for more than what I got.” It’s a dense two minutes, there’s no doubting that, but it goes by in a flash. Accompanying the Low song is a music video by Julie Casper Roth. The stop-motion cl...
Lorde has today released “Mood Ring,” the third single from her forthcoming album, Solar Power. Watch the music video for the Jack Antonoff-produced track below. “Mood Ring” is full of references to practices of new age mental wellness, though Lorde notes it’s meant to be an “extremely satirical look at all of those vibes.” “Ladies, begin your sun salutations/ Pluto in scorpio generation,” she sings on the bridge. “Love and light/You can burn sage/ And I’ll cleanse the crystals.” Further explaining the song’s inspiration in a press statement, Lorde said, “This is a song I am very excited about, it’s so much fun to me. Obviously when making this album I did a deep-dive into ’60s, Flower Child culture. I wanted to understand the commune life, dropping out from society and trying to start aga...